Canaíma no contexto dos romances sobre a selva / Canaíma in the context of the novels about the jungle

No presente artigo, em continuação a outros trabalhos já publicados, a autora procura localizar o romance Canaíma de Rômulo Gallegos no contexto das obras latino-americanas que abordam o tema da selva. Através de alguns componentes – temáticos e estruturais – comuns a elas, mostra as diferenças que situam o romance venezuelano em um ponto ficcional que vai desde Rivera a Carperntier In this paper, in continuation of previously published articles, the authors attempts to situate the novel canaima by romulo Gallegos in the context of the Latim American works which tacks the theme of the jungle. Through some thematic and structural components common to them, she shows the differences which place the Venezuelan novel in an intermediate point in the fictional trajectory which goes from Rivera to Carpentier.

Releituras da história franquista: uma análise dos romances Galíndez e autobiografía del General Franco, de Manuel Vázquez Montalbán

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Erotismo e religiosidade: romances de Antônio da Fonseca Soares sobre mulheres

Pós-graduação em Letras - FCLAS

O Bildungsroman e a circularidade dos motivos memoráveis nos romances de Lygia Fagundes Telles

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Personagens e espaço em romances de Aluísio Azevedo

The characters of O mulato, Casa de pensão and O cortiço, well written books by the writer Aluísio Azevedo, may be considered predominantly flat, for they were built with a single or few features. This kind of character can be even defined by the type, which represents certain dominant features (professional, psychological, cultural, economic, religious, etc.) from the diegetic universe in which the action takes place. This character subcategory is present in certain artistic periods such as Realism and Naturalism, and can be understood as the main character between the individual and the collective, between the concrete and the abstract. Yet, the social space, in the novels of the above mentioned literary movements configures itself, especially in terms of the presence and types of extras: it is about describing environments that illustrate, almost always, in a historical period context of critical intent, vices and deformations of the society, as we can see depicted in the three novels of the author. In turn, the narrative categories that most decisively influence the space representation are the instance (the narrator) and the narrative perspective (focusing). In the case of O mulato, Casa de pensão and O cortiço, the dominance is in choosing the omniscient narrator, who prefers a panoramic view, limited to an exterior and strictly objective description. The survey was developed through readings, literary cataloging and corpus discussions, with a theoretical basis determined by three dimensions: a) critical essays about the author and his works, such as those by Jean-Yves Mérian, Aluísio Azevedo, vida e obra: (1857-1913) and parts of the literature histories which deal with Naturalism, such as those by Alfredo Bosi, História concisa da literatura brasileira, b) theoretical studies about the novel character, such as those by Antonio Candido, A personagem do romance, and the romantic space ...

O percurso da memória nos romances de Antônio Torres: a constituição do eu na fronteira entre o sertão e a cidade

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

A proximidade discursiva nas cartas dos romances A correspondência de Fradique Mendes, de Eça de Queiroz e Nação crioula: A correspondência secreta de Fradique Mendes, de José Eduardo Agualusa

Pós-graduação em Letras - FCLAS

Memória e identidade nos romances de Milton Hatoum

This article deals with how Milton Hatoum explores aspects of the memory, through the convergence of voices in his four Lusophone novels Tale of a Certain Orient, The Brothers, Ashes of the Amazon and Orphans of Eldorado. A profile of complex characters is constructed through a synthesis of accounts, letters and depositions, as different faces of individuals and society at large are interspersed through memory.

A narrativa visual de Lourenço Mutarelli: o uso fragmentado da linguagem dos quadrinhos em seus primeiros romances gráficos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

De mitos e silêncios: nas águas do feminino pelos romances de Paulina Chiziane

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Em viagem: o proceso de composição de romances de Mia Couto

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Romances rebeldes - a tradição de rebeldia na literatura norte-americana: de Moby Dick a On the Road

Pós-graduação em Estudos Literários - FCLAR

A maldição de Eva: vozes femininas nos romances A dança dos cabelos, Sombras de julho e O vestido, de Carlos Herculano Lopes

Pós-graduação em Estudos Literários - FCLAR

A representação do mar nos romances de Moacir C. Lopes

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)