908 resultados para Afro-descendants


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The following study aimed understanding the self-esthetic of the artist-priest Master Didi, doing so a symbolic interpretation of his sculptures, considering his relations with the ritual performance of candomblé, his creative process and his artistic, sociocultural and religious influences. The interpretation of sculptures and comprehension of the process of creation from the artist with focus on the representation of orixás allowed us to evidence the relationship established between the procedures used by the artist to produce his sculptures, the materials used in his work, the relationship of works and religion, with culture and afro-Brazilian art.

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Body adornment has been used as a ornament, ritualistic object, religious icon or as symbol demonstration of status and power in many different cultures. In Brazil, own visuality develops from the cultural syncretism. Thus, together with the mode of dress, the african-Brazilian jewelry acquires peculiarities derived from cultural identities that coexist. This paper proposes a look at africanBrazilian jewelry through visual representation in some works of Jean-Baptiste Debret - French painter member of the French Artistic Mission that registered objects and everyday scenes of slaves and freemen, of poor whites and aristocrats of Rio de Janeiro in the early nineteenth century. We are looking for jewelry as a historical record of lifestyles from a time and place with a social, economic and cultural local configuration.

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Background: Celiac disease is an autoimmune disorder that occurs in genetically susceptible individuals in whom the ingestion of dietary gluten induces intestinal mucosa inflammation. Previous studies suggest that celiac disease may either be very rare or underdiagnosed in African and/or African-derived population. Aim: Determine the prevalence of celiac disease in Sub-Saharan African-derived Brazilian communities using serological screening. Subjects and methods: Inhabitants from 10 African-derived communities from Northeastern of Brazil were screened for celiac disease. All sera were tested for endomysial class IgA antibody using indirect immunofluorescence. Results: No positive test for IgA-endomysial was observed in the 860 individuals tested. Conclusion: Our data suggests a low prevalence of celiac disease in African-derived Brazilian populations. Am. J. Hum. Biol., 2012. (c) 2012 Wiley Periodicals, Inc.

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Background: Hepatitis B virus (HBV) infection is one of the most prevalent viral infections in humans and represents a serious public health problem. In Colombia, our group reported recently the presence of subgenotypes F3, A2 and genotype G in Bogota. The aim of this study was to characterize the HBV genotypes circulating in Quibdo, the largest Afro-descendant community in Colombia. Sixty HBsAg-positive samples were studied. A fragment of 1306 bp (S/POL) was amplified by nested PCR. Positive samples to S/POL fragment were submitted to PCR amplification of the HBV complete genome. Findings: The distribution of HBV genotypes was: A1 (52.17%), E (39.13%), D3 (4.3%) and F3/A1 (4.3%). An HBV recombinant strain subgenotype F3/A1 was found for the first time. Conclusions: This study is the first analysis of complete HBV genome sequences from Afro-Colombian population. It was found an important presence of HBV/A1 and HBV/E genotypes. A new recombinant strain of HBV genotype F3/A1 was reported in this population. This fact may be correlated with the introduction of these genotypes in the times of slavery.

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Questa tesi prende in esame le convergenze culturali (tecniche e prassi attoriali) nelle metodologie pedagogiche del “secondo” Novecento teatrale. L’analisi riguarda il modo in cui le tecniche provenienti dai derivati della tradizione africana – in particolare le azioni, i gesti e gli atteggiamenti corporei usati nelle danze sacre del Candomblé – e lo studio degli organi espressivi del corpo permettono all’ artista della scena di acquisire conoscenze pragmatiche su determinati automatismi della sua struttura bio-psichica. L’esame di queste convergenze è fatto pertanto attraverso l’analisi di pratiche teatrali che ammettono le interconnessioni culturali, le “migrazioni” ed i “contagi” fra tecniche teatrali europee e modus operandi extraeuropei. Mediante l’analisi di queste pratiche pedagogiche transculturali si verifica che, gli elementi tecnico-espressivi “estranei” appartenenti ad altre culture possono essere efficaci in un tipo di metodologia “meticcia” solo quando questo modus operandi transculturale contempla la partecipazione collaborativa tra i soggetti coinvolti nel processo educativo.

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We consider the descendants of self-adjointly extended Hamiltonians in supersymmetric quantum mechanics on a half-line, on an interval, and on a punctured line or interval. While there is a 4-parameter family of self-adjointly extended Hamiltonians on a punctured line, only a 3-parameter sub-family has supersymmetric descendants that are themselves self-adjoint. We also address the self-adjointness of an operator related to the supercharge, and point out that only a sub-class of its most general self-adjoint extensions is physical. Besides a general characterization of self-adjoint extensions and their supersymmetric descendants, we explicitly consider concrete examples, including a particle in a box with general boundary conditions, with and without an additional point interaction. We also discuss bulk-boundary resonances and their manifestation in the supersymmetric descendant.

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En el artículo desarrollaré algunos avances realizados en una investigación etnográfica sobre un grupo de danza de raíz afro en la ciudad de La Plata, en el marco de la elaboración de la Tesina de grado. La investigación se centra en un solo grupo en profundidad, tomado como espacio de sociabilidad y productor de prácticas y representaciones, con el objetivo de poder acceder a los sentidos del cuerpo, de la danza y de la vida que allí se producen. Describiré la composición del grupo y sus características, así como las clases que brindan y cómo se desarrollan. A su vez, realizaré un análisis preliminar sobre los sentidos nativos otorgados a la práctica de la danza, que he definido como la búsqueda interior, el disfrute y la liberación, y la danza como terapia; todos entrelazados por la grupalidad. Con la intención de realizar un análisis de y desde los cuerpos, para que los mismos no sean sólo el objeto de investigación sino también herramienta de conocimiento, mi propio cuerpo como investigadora se encuentra involucrado, en la convicción de que esta metodología de abordaje permite una creciente comprensión de las significaciones puestas en juego

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El presente trabajo es una investigación etnográfica sobre un grupo de mujeres que practican danza de raíz afro en la ciudad de La Plata. A lo largo de un extenso trabajo de campo procuré reconstruir los sentidos nativos que se ponen en juego en torno a la práctica de la danza; así como las relaciones sociales que a través de ella se establecen, entre las personas implicadas en la misma. Y, a partir de esto, voy a interrogarme sobre las formas en que se configuran dimensiones subjetivas a partir de la práctica de danza de raíz afro, tomando en cuenta especialmente la dimensión de la femineidad. La investigación se centra en un solo grupo en profundidad, tomado como espacio de sociabilidad y productor de prácticas y representaciones, con el objetivo de poder acceder, en primer lugar, a los sentidos de la danza y de la vida que allí se producen. Esto permite, en un segundo lugar, poder hablar de problemas sociológicos más amplios que se preguntan sobre la danza y su incidencia en la construcción de subjetividad de las personas, y sobre la construcción de femineidades en torno a una práctica en particular. De esta forma, llegaré a reflexionar sobre el vínculo que se establece entre los individuos, la música, la danza y la configuración de subjetividades

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La apertura producida en Cuba a inicios de los noventa como efecto de la caída del bloque soviético y sus consecuencias socio-económicas en la isla, permitió un proceso de re-etnización que se manifestó en ámbitos culturales, intelectuales y de activismo político. Sin embargo, como todo movimiento social, éste es heterogéneo y presenta resultados disímiles con respecto a las autodefiniciones y las reflexiones teóricas. Por otro lado, algunas expresiones se vuelven controvertidas al ignorar el carácter relacional e histórico de toda etnización y al adjudicarle carácter real a las "razas"