971 resultados para 1939-1945


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Various newspaper articles about Daisy Davidow and her art work.

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Description of family's escape from Germany to France and Italy, mother's deportation, life in hiding, return to Germany in 1950s.

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Gisela Simon, née Stern was born 1931, the daughter of the butcher Louis Stern (born 1891 in Abterode) and Gertrud Stern née Fackenheim (born 1898 in Halle a.d.S.). The family was deported to Theresienstadt in 1942 and immigrated to the United States after liberation.

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People in winter clothing, in a barren room lit by a bare bulb. Inscription in Czech: transport to the primary school.

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Photocopies of a catalogue for an exhibition in Schmallenberg on occasion of the town’s 750th anniversary in November 1994.

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Information available in frequency response data is equivalently available in the time domain as a response due to an impulse excitation. The idea to pursue this equivalence to estimate series capacitance is linked to the well-known fact that under impulse excitation, the line/neutral current in a transformer has three distinct components, of which, the initial capacitive component is the first to manifest, followed by the oscillatory and inductive components. Of these, the capacitive component is temporally well separated from the rest-a crucial feature permitting its direct access and analysis. Further, the winding initially behaves as a pure capacitive network, so the initial component must obviously originate from only the (series and shunt) capacitances. With this logic, it should therefore be possible to estimate series capacitance, just by measuring the initial capacitive component of line current and the total shunt capacitance. The principle of the method and details of its implementation on two actual isolated transformerwindings (uniformly wound) are presented. For implementation, a low-voltage recurrent surge generator, a current probe, and a digital oscilloscope are all that is needed. The method is simple and requires no programming and needs least user intervention, thus paving the way for its widespread use.

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Consultoria Legislativa - Área XXI - Previdência e Direito Previdenciário.

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Fecha: 20-4-1943 (>1970 reproducción) / Unidad de instalación: Carpeta 25 - Expediente 23-3 / Nº de pág.: 1 (mecanografiada)

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Aborda a chamada "Batalha da Borracha", ou seja, o recrutamento de milhares de brasileiros para a extração do látex da borracha vegetal na Amazônia durante a Segunda Guerra Mundial. Analisa a contribuição do Parlamento Brasileiro no sentido de valorizar e garantir direitos sociais a esses trabalhadores.

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O presente trabalho pretende analisar a força e os limites do nacionalismo na trajetória de Marc Bloch. A partir da problematização de sua memória post-mortem, construída por seus amigos e familiares, procura-se entender como a imagem de Bloch se consagrou na França como a de alguém que sacrificou sua vida em nome desta comunidade imaginada. A partir daí, busca-se compreender que elementos de sua trajetória foram responsáveis por dar espaço a essa construção. É aí que se apresentam as múltiplas identidades de Marc Bloch soldado, judeu, resistente, historiador, cidadão. Por fim, buscar-se-á, a partir da análise de seu livro Létrange défaite, analisar como o próprio historiador construiu a imagem de si mesmo e da França de sua época.

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<正> 关于云南省的枝角类,迄今只有陆鼎恒(1939)、张玺与易伯鲁(1945)分别就该省中部的洱海和滇池所产者作过专文报导。此外,萧之的(1949)、黎尚豪等(1963)曾在中部的高原地带进行了湖泊调查,并记述了部分种类。至于该省南部热带地区的枝角类,尚无调查研究。

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<正> 一.引言枝角类为鱼类天然食料之一,也是最好的鱼类食料之一,幼鱼的全肠有时几乎充满了枝角类。但对于太小的幼鱼,就是鱼苗进入鱼池后饲养的最初三、四天,还不能吞食成年的枝角类,那时它们如果大量的过分繁殖,必然会抑制其它小型浮游动物的繁殖,间接地减少了这些鱼苗能吞下去的食料,这样反而使幼鱼的生长受到一定的限制。关于中国枝角类的种类及其分布,过去陆鼎恒(1939),张玺与易伯鲁(1945),以

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This paper focuses on the ethics of metaphor and other forms of comparison that invoke National Socialism and the Holocaust. It seeks to answer the question: Are there criteria on the basis of which we can judge whether metaphors and associated tropes “use” the Holocaust appropriately? In analyzing the thrust and workings of such comparisons, the paper also seeks to identify and clarify the terminology and concepts that allow productive discussion. In line with its conception of metaphor that is also rhetorical praxis, the paper focuses on specific controversies involving the metaphorization of the Holocaust, primarily in Germany and Austria. The paper develops its argument through the following process. First, it examines the rhetorical/political contexts in which claims of the Holocaust’s comparability (or incomparability) have been raised. Second, it presents a review (and view) of the nature of metaphor, metonymy, and synecdoche. It applies this framework to (a) comparisons of Saddam Hussein with Hitler in Germany in 1991; (b) the controversies surrounding the 2004 poster exhibition “The Holocaust on Your Plate” in Germany and Austria, with particular emphasis on the arguments and decisions in cases before the courts in those countries; and (c) the invocation of “Auschwitz” as metonym and synecdoche. These examples provide the basis for a discussion of the ethics of comparison. In its third and final section the paper argues that metaphor is by nature duplicitous, but that ethical practice involving Holocaust comparisons is possible if one is self-aware and sensitive to the necessity of seeing the “other” as oneself. The ethical framework proposed by the paper provides the basis for evaluationg the specific cases adduced.

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This thesis examines the literary output of German servicemen writers writing from the occupied territories of Europe in the period 1940-1944. Whereas literary-biographical studies and appraisals of the more significant individual writers have been written, and also a collective assessment of the Eastern front writers, this thesis addresses in addition the German literary responses in France and Greece, as being then theatres of particular cultural/ideological attention. Original papers of the writer Felix Hartlaub were consulted by the author at the Deutsches Literatur Archiv (DLA) at Marbach. Original imprints of the wartime works of the subject writers are referred to throughout, and citations are from these. As all the published works were written under conditions of wartime censorship and, even where unpublished, for fear of discovery written in oblique terms, the texts were here examined for subliminal authorial intention. The critical focus of the thesis is on literary quality: on aesthetic niveau, on applied literary form, and on integrity of authorial intention. The thesis sought to discover: (1) the extent of the literary output in book-length forms. (2) the auspices and conditions under which this literary output was produced. (3) the publication history and critical reception of the output. The thesis took into account, inter alia: (1) occupation policy as it pertained locally to the writers’ remit; (2) the ethical implications of this for the writers; (3) the writers’ literary stratagems for negotiating the constraints of censorship.

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O nosso estudo incide, primordialmente, sobre as polémicas de carácter político e consequentes acusações de que Louis-Ferdinand Céline foi – e continua a ser – alvo. Tais aspectos conduzem-nos a questionar, com alguma veemência e perplexidade, as razões da sua fuga através da Alemanha, bem como as relações que estabeleceu com os Nazis durante a segunda guerra mundial. Num primeiro momento, elaborámos uma contextualização de cariz temporal e factual, tentando perceber – quiçá explicar -, o sentido das posições assumidas por Céline aquando da composição dos seus pamphlets, marcada por uma reivindicação violenta do seu antisemitismo e que surge, omnipresente, sob forma de cartas, entrevistas e outros escritos. Contudo, a essência do nosso trabalho consistiu numa análise detalhada das diferentes etapas dos anos de exílio do escritor, primeiro numa Alemanha devastada pela guerra, onde se refugia a partir de 17 de Junho de 1944 e mais tarde, na Dinamarca (1945-1951), de onde terá de responder às acusações de traição que lhe são dirigidas pela justiça francesa, antes de um regresso sem glória, a França, e de uma reabilitação tardia e titubeante. Os escritos que constituem o corpus do nosso trabalho traduzem, de modo inequívoco, a experiência amarga e cruel dos anos de exílio e da lembrança feita de dor e ódio, que o escritor sentiu profundamente, como um espinho na própria carne. Apesar do caminho tortuoso, que lhe confere uma aura de escritor “maldito”, Céline permanece, ainda hoje, como um dos maiores génios da literatura francesa do século XX.