955 resultados para 050 Magazines, journals
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1913/08 (A6,N8).
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1911/07 (A4,N7).
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1912/05 (A5,N5).
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1913/06 (A6,N6).
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1910/09 (N9).
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1911/08 (A4,N8).
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Servicios registrales
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In 1997, Paul Gilroy was able to write: "I have been asking myself, whatever happened to breakdancing" (21), a form of vernacular dance associated with urban youth that emerged in the 1970s. However, in the last decade, breakdancing has experienced a massive renaissance in movies (You Got Served), commercials ("Gotta Have My Pops!") and documentaries (the acclaimed Freshest Kids). In this thesis, 1 explore the historical development of global b-boy/bgirl culture through a qualitative study involving dancers and their modes of communication. Widespread circulation of breakdancing images peaked in the mid-1980s, and subsequently b-boy/b-girl culture largely disappeared from the mediated landscape. The dance did not reemerge into the mainstream of North American popular culture until the late 1990s. 1 argue that the development of major transnational networks between b-boys and b-girls during the 1990s was a key factor in the return of 'b-boying/b-girling' (known formerly as breakdancing). Street dancers toured, traveled and competed internationally throughout this decade. They also began to create 'underground' video documentaries and travel video 'magazines.' These video artefacts circulated extensively around the globe through alternative distribution channels (including the backpacks of traveling dancers). 1 argue that underground video artefacts helped to produce 'imagined affinities' between dancers in various nations. Imagined affinities are identifications expressed by a cultural producer who shares an embodied activity with other practitioners through either mediated texts or travels through new places. These 'imagined affinities' helped to sustain b-boy/b-girl culture by generating visual/audio representations of popularity for the dance movement across geographical regions.
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Lini Richarda Grol was originally born in Nijmegen, Netherlands in 1913 and immigrated to Canada in 1954 after working as a nurse in South America for three years from 1951 to 1954. She was granted her first Canadian passport in 1961 and worked full-time as nurse at the Welland County Hospital. While nursing she would enroll in writing courses at McMaster University and Ryerson Polytechnical Institute, now Ryerson University. Eventually she decided to dedicate herself to her writing and artwork and began to only work as a nurse part-time and then later opened the Fonthill Studio to devote herself to her writing and artwork full-time. Her status as an immigrant and career as a nurse provided inspiration for much of her writing and she frequently tackles the experience of the female immigrant in her works. Her first publication was in 1938 in a small literary and womens magazines in Holland and Belgium and her first work of poetry was entitled Stive Gedachten. None of these publications exist in this archive. Her most well-known publication, Liberation, centers around her experiences leading up to and after the liberation of Holland during World War II. Grol was, and continues to be a prolific writer in the Niagara Region and has been published in the Welland Tribune, Pelham Herald, Thorold News, Parent Magazine, Dunville Chronicle, and various Christian publications and literary newsletters and journals. Grol also started her own poetry magazine entitled Canadian Poets Pen Club to help aspiring writers get published. Perhaps her most recognized achievement was the inclusion of one of her poems and the recognition of her novel Liberation into the Thank You Canada Day celebration in May 1970. Grol participated in many local writers groups such as the Welland Writers Club, and the Canadian Authors Association. Grol was membership secretary for the Canadian Authors Association in 1984. She also founded a writers club in 1995 in her retirement home, Holland Christian Homes where members meet to talk about their poems and short stories either in English or Dutch. Participating in and creating a writers community is integral to Grols identity as an author and can be related to the feelings of isolation she felt as an immigrant to Canada. Grol also hosted her own television shows entitled Discovery with Lini Grol which featured guests, usually local artists and writers, and Holland en Hollanders a cultural program for Dutch immigrants. Grols most recent activities include the publication of a one act play entitled Peppermint Problems [1996] and a short story entitled When our War started in Rotterdam [2004]. In 1994, she moved to Brampton, Ontario into a Christian retirement center called Holland Christian Homes. For further biographical information about Grol see two books contained within this collection Women of Action [1976] and Something About the Author [1976].
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Responding to a series of articles in sport management literature calling for more diversity in terms of areas of interest or methods, this study warns against the danger of excessively fragmenting this field of research. The works of Kuhn (1962) and Pfeffer (1993) are taken as the basis of an argument that connects convergence with scientific strength. However, being aware of the large number of counterarguments directed at this line of reasoning, a new model of convergence, which focuses on clusters of research contributions with similar areas of interest, methods, and concepts, is proposed. The existence of these clusters is determined with the help of a bibliometric analysis of publications in three sport management journals. This examination determines that there are justified reasons to be concerned about the level of convergence in the field, pointing out to a reduced ability to create large clusters of contributions in similar areas of interest.
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41 hardcover and soft cover journals containing handwritten entries
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Scrap of paper with numbers of railway journals volume numbers, n.d.
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Cette tude sintresse aux crits portant sur le cinma qubcois qui ont t publis durant les dcennies 1960-70 dans les quatre principales revues de cinma du Qubec, soient Squences, Objectif, Cinma/Qubec et Champ libre. Cherchant les comprendre historiquement, elle situe ces publications dans lvolution de la critique cinmatographique au Qubec et dans le dveloppement sociopolitique de lpoque. Abordant chacune des revues individuellement, ce texte prsente les rdacteurs, le rle que se donnent les comits de rdaction, ainsi que leur approche du cinma. Il soulve galement les principaux enjeux abords par chacune dentre elles et il rvle le discours sur le cinma qubcois qui y est publi. Par la suite, cherchant tablir des constatations sur la critique cinmatographique, partir du corpus tudi, cette tude expose les interactions existant entre ces revues : les raisons derrire leur fondation et les ractions des comits de rdaction lors de larrive de nouvelles concurrentes. En dfinitive, soulignant les diffrences et les ressemblances entre les discours sur le cinma qubcois retrouves dans ces publications, cette tude prsente la perception gnrale de la critique envers la production cinmatographique de cette poque.
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The article discusses the present status of weblogs and examines whether legal standards applicable to traditional press and media should be applied to that specific forum. The analysis is based on two key documents: the Draft Report on the concentration and pluralism in the media in European Union (2007/2253(INI)) of the European Parliament Committee on Culture and Education presented in March 2008 and a landmark decision of the Polish Supreme Court from July 26, 2007 (IV KK 174/07) in the light of present judicial tendency in other European countries.The first of the mentioned documents calls for the clarification of the legal status of different categories of weblog authors and publishers as well as disclosure of interests and voluntary labelling of weblogs. It emphasizes that the undetermined and unindicated status of authors and publishers of weblogs causes uncertainties regarding impartiality, reliability, source protection, applicability of ethical codes and the assignment of liability in the event of lawsuits. The position of the European Parliament, expressed in the document, raises serious questions on the limits of freedom of thought and speech on the Internet and on the degree of acceptable state control. A recent Polish Supreme Court decision, which caused quite a stir in the Polish Internet community, seems to head in the very direction recommended by the EP Culture Committee. In a case of two editors of a web journal (czasopismo internetowe) called Szyciepoprzemysku, available on-line, accused of publishing a journal without the proper registration, the Polish Supreme Court stated that journals and periodicals do not lose the character of a press release due solely to the fact that they appear in the form of an Internet transmission, and that the publishing of press in an electronic form, available on the Internet, requires registration. The decision was most surprising, as prior lower courts decisions declined the possibility to register Internet periodicals.The accused were acquitted in the name of the constitutional principle of the rule of law (art. 7 of the Polish Constitution) and the ensuing obligation to protect the trust of a citizen to the state (a conviction in this case would break the collateral estoppel rule), however the decision quickly awoke media frenzy and raised the fear of a need to register all websites that were regularly updated. The spokesman of the Polish Supreme Court later explained that the sentence of the Court was not intended to cause a mass registration of all Internet periodicals and that neither weblogs nor Internet sites, that were regularly updated, needed registration. Such an interpretation of the Polish press law did not appear clear based only on the original text of the judgment and the decision as such still raises serious practical questions.The article aims to examine the status of Internet logs as press and seeks the compromise between the concerns expressed by European authorities and the freedom of thought and speech exercised on the Internet.
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Alors que les tudes littraires tendent se professionnaliser et la culture occuper de moins en moins despace dans les grands mdias traditionnels, les revues culturelles proposent une critique qui se distingue de ces deux pratiques. Libert, LInconvnient, Contre-jour et Spirale offrent aux intellectuels, critiques et universitaires lespace dune pratique mitoyenne, entre celles des publications savantes et des mdias grand public. Quils se dfinissent au premier chef comme hermneutes, mdiateurs ou rudits, les critiques de ces revues revendiquent tous une parole littraire. Chacun des chapitres de ce mmoire se penche sur une publication, retraant son histoire et tudiant les textes mtacritiques afin de cerner les diffrences et les similitudes entre les conceptions, les fonctions et les mises en pratique de la critique. La mthode emprunte lhistoire des revues en tant que groupes daffiliation, dveloppe par Andre Fortin et Michel Lacroix. Lanalyse des thmes rcurrents et des filiations, dans la ligne des travaux de Martine-Emmanuelle Lapointe et dAnne Caumartin, ainsi que de la rhtorique, particulirement la notion dethos telle que dfinie par Dominique Maingueneau et Ruth Amossy, permet de mettre en lumire ce qui constitue, pour les praticiens de la critique, la singularit et la valeur de la parole littraire.
