Narrating the guillotine: Punishment technology as myth and symbol

The work of Michel Foucault sees modern penal technology its ann expression of power that operates through and is motivated by a dry instrumental reason. This article draws upon Durkheim and Bakhtin to advance a radically alternative approach. It is suggested that such technology is invested with sacred and profane symbolism and is understood via emotionally charged, dramatically compelling narrative frames. Tensions between official and unauthorized discourses can be understood through a center/periphery model of culture. In an extended case study of the guillotine, it is shown dial the apparatus was initially legitimated as an expression of a sacred revolutionary code. Such a discourse was subsequently destabilized by popular medical debates that raised the specter of pain after decapitation. While inconclusive, these new motifs mobilized Gothic and grotesque themes that confronted the rationalist aesthetics of the guillotine. A situation of Bakhtinian hetoroglossia eventuated. Uncertainty, the uncanny and fable entered a discursive field of increasing complexity.

Anaphoric choices in Japanese fictional novels: the discourse arrangement of noun phrases, zero and third person pronouns

By examining Japanese fictional novels, this article will discuss how anaphoric devices (noun phrases (NPs), third person pronouns (TPPs), and zero anaphors) are selected and arranged in a given discourse. The traditional view of anaphora considers the co-referential relationship between anaphoric devices to be syntagmatic; that is, a pronoun, for example, refers back to its antecedent. It also declares the hierarchical order of information values between anaphoric devices; NPs are semantically the most informative, indicating an episode boundary, and pronouns less informative. Furthermore, zero anaphora is the most referentially transparent, showing the most accessibility of a topic. However, real text shows the contrary. NPs occur frequently while there is no apparent discourse boundary, and the same episode is continuous. This is because zero anaphors and TPPs (if they occur) break down readily due to the nature of a forthcoming sentence and the NP is reinstated, in order to continue the same topic in a given discourse. Therefore, the article opposes the traditional view of anaphora. Based on the concept of text processing, using ‘mental representations’, this article will determine certain occurrence patterns of the three anaphoric devices.

Read the whole thing: Journalism, weblogs and the re-mediation of the war in Iraq

This paper examines a particular form of online activity-weblogging, and how it has allowed for specific new forms of popular political communication in the context of the Second Gulf War. After describing the basics of weblogging, the paper discusses Western media coverage of the war and then shows how 'warbloggers' positioned themselves vis-à-vis media coverage and propaganda, creating commentaries that frequently combined media and political criticism. While bloggers of every political hue offered a range of perspectives and personal styles, some general tendencies are evident in warblogging discourse. The piece ends by questioning the significance of warblogging in terms of its potential contribution to democratic communication.

'Suitable mothers': lesbian and single women and the 'unborn' in Australian parliamentary discourse

Throughout the latter months of 2000 and early 2001, the Australian public, media and parliament were engaged in a long and emotive debate about motherhood. This debate constructed the two main protagonists, the unborn 'child' and the potential mother, with a variety of different and often oppositional identities. The article looks at the way that these subject identities interacted during the debate, starting from the premise that policy making has unintended and unacknowledged material outcomes, and using governmentality as a tool through which to analyse and understand processes of identity manipulation and resistance within policy making. The recent debate concerning the right of lesbian and single women to access new reproductive technologies in Australia is used as a case study. Nominally the debate was about access to IVF technology; in reality, however, the debate was about the governing of women and, in particular, the governing of motherhood identities. The article focuses on the parliamentary debate over the drafting of legislation designed to stop lesbian and single women from accessing these technologies, particularly the utilization of the 'unborn' subject within these debates as a device to discipline the identity of 'mother'.

Plano popular de desenvolvimento sustent??vel a jusante da UHE Tucuru??

O setor el??trico brasileiro, historicamente, possui modelo autorit??rio de planejamento e implanta????o dos empreendimentos. Os grandes projetos desenvolvimentistas s??o oriundos do per??odo dos governos militares. Popula????es atingidas por impactos de barragens sempre reivindicaram pol??ticas articuladas de compensa????o por parte das empresas e do governo. A partir de 2003, a Eletronorte adotou o planejamento participativo para elabora????o de um plano de desenvolvimento regional ??? PPDJUS ??? como compensa????o pelos impactos da UHE Tucuru?? nos cinco munic??pios a Jusante, iniciativa sem precedentes no Brasil. O PPDJUS hoje articula as pol??ticas de planejamento e gest??o do territ??rio e de recursos h??dricos do Minist??rio do Desenvolvimento Agr??rio (MDA), do Minist??rio do Meio Ambiente (MMA), do Minist??rio da Integra????o Nacional (MIN), da Secretaria Especial de Abastecimento e Pre??os (Seap), da Ag??ncia de Desenvolvimento da Amaz??nia (ADA) e da Eletronorte, entre outros ??rg??os. Possui conselhos gestores regional e municipais e c??maras t??cnicas, avan??ado modelo de gest??o participativa

Programa de cr??dito produtivo popular Crediamigo: central de microcr??dito do Nordeste

As pol??ticas de desenvolvimento consideram que um dos principais obst??culos para o crescimento dos microeempreendimentos ?? a falta de acesso ??s fontes de financiamento, principalmente ??queles emergidos como formas alternativas de ocupa????o e renda. Esses pequenos neg??cios, em sua maioria informais, vem apresentando n??veis de alto crescimento em todo o Pa??s, em especial na regi??o Nordeste, principalmente nos grandes centros urbanos, comprovada por pesquisas cient??ficas realizadas. Considerando que o acesso dessa camada da popula????o ao sistema banc??rio ?? dif??cil, devido ao baixo n??vel operacional, ao tamanho dos neg??cios e ?? qualidade ou inexist??ncia de garantias, o Banco do Nordeste lan??a o Programa CrediAmigo com o objetivo de contribuir para o crescimento de microempresas, mediante a oferta de cr??dito para atividades produtivas e servi??os de capacita????o, de forma a garantir ao agente produtivo condi????es para ele gerir bem seus neg??cios, atrav??s da melhoria da competitividade e integra????o ao mercado globalizado. Dessa forma, o CrediAmigo permite f??cil acesso a esse segmento da popula????o marginalizada do sistema financeiro formal e que recorrem e dependem de agiotas e fornecedores que lhes cobram taxas de juros bem acima do mercado. Para atender esses agentes produtivos o CrediAmigo utiliza uma metodologia inovadora de concess??o de cr??dito que permite a libera????o dos recursos de forma ??gil, desburocratizada e sem as garantias tradicionais exigidas, funcionando com grupos solid??rios, proporcionando uma maior democratiza????o do cr??dito. At?? jul/99 o CrediAmigo j?? atendeu a 121.444 cidad??os com financiamento na ordem de R$ 74,2 milh??es

Memória, intertextualidade, literatura e semiótica : a tragédia e o trágico em Sandman

Este trabalho investiga as relações entre a literatura e a história em quadrinhos Sandman, escrita por Neil Gaiman. Para estabelecer o liame entre essas artes, descrevemos os primórdios da indústria dos quadrinhos de super-heróis, o seu desenvolvimento e as raízes dos gêneros literários populares de crime e horror, assim como as críticas que conduziram à censura e à subsequente superação desta – que lentamente tornou possível um novo tipo de discurso na área dos quadrinhos, permitindo um diálogo aberto com o mundo literário. Entendendo que as noções de intertextualidade, intermidialidade e semiose atuam como transmissores da memória da literatura e da cultura, adotamos a semiótica de Charles S. Peirce, para estabelecer o encadeamento semiósico do mito órfico, além de traçar a transformação da tragédia (conceito literário) em trágico (concepção filosófica) e as suas funções na narrativa de Sandman e no percurso de Morpheus, o herói condenado.