Détail sur quelques établissemens de la ville de Paris, demande par sa Majesté Impériale la Reine de Hongrie a M. Le Noir, conseiller d'Etat, lieutenant-général de police.

Mode of access: Internet.

Les gaites du Chat Noir.

Mode of access: Internet.

Un monsieur en habit noir, comédie en un acte.

Mode of access: Internet.

L'Afrique occidentale française; ouvrage illustré de 49 gravures tirées hors texte et d'une carte en noir.

Mode of access: Internet.

En blanc et noir : trois morceaux pour 2 pianos à 4 mains /

For 2 pianos.

Le moine noir /

Mode of access: Internet.

De la composition des parcs et jardins pittoresques ouvrage utile et instructif pour les propriétaires et les amateurs, et orné de planches en noir ou coloriées.

Mode of access: Internet.

A travers l'Argentine moderne, ouvrage illustré de 45 gravures tirées hors texte et d'une carte en noir.

Mode of access: Internet.

Portrait of Lorraine O'Grady, performance artist, as "Mlle. Bourgeoise Noir."

Inscription: Verso: Lorraine O'Grady, performance artist, performing "Mlle. Bourgeoise Noir" at Just Above Midtown/Downtown, New York.

Theory as Noir: a cartoon version of an academic article

Expanding on the growing movement to take academic and other erudite subjugated knowledges and distill them into some graphic form, this “cartoon” is a recounting of the author’s 2014 article,  “Big Data, Actionable Information, Scientific Knowledge and the Goal of Control,” Teknokultura, Vol. 11/no. 3, pp. 529-54.  It is an analysis of the idea of Big Data and an argument that its power relies on its instrumentalist specificity and not its extent. Mind control research in general and optogenetics in particular are the case study. Noir seems an appropriate aesthetic for this analysis, so direct quotes from the article are illustrated by publically available screen shots from iconic and unknown films of the 20th century. The only addition to the original article is a framing insight from the admirable activist network CrimethInc. 

Through Class Darkly: Class in the British TV Noir

Class has always been at the heart of the television crime drama. Whether it is the post-war paternalism of Dixon of Dock Green (1955 – 1976), the harsh social realism of The Sweeney (1975-1978), or the almost mythical evocations of Britain in Heartbeat (1992 – 2010) and Midsomer Murders (1997- present), class and crime have always been seen as being inextricably linked. Since the 1990s, the British crime drama has been influenced by successive waves of cultural imports from, firstly, the US and then from Scandinavia. There is now a recognisable ‘genre’ for what we might think of as British TV Noir. Beginning with shows such as Cracker (1993 – 2006), Prime Suspect (1991 – 2006) and Messiah (2001) and continuing with dramas like Red Riding (2008), Southcliffe (2013) and Hinterland (2013 – present), the British TV Noir employs narratives and stylistic tropes that might usually be associated with the cinema of the 1940s. Although drawing influence from high profile shows such as Twin Peaks (1990 – 1991), Millennium (1996) and (latterly) The Wire (2002 – 2008), CSI (2000 – present) and The Killing (2007) these British Noir shows also articulate the nation’s shifting class system. As Susan Sydney-Smith has ably demonstrated, the crime drama is “historically contingent” (Sydney-Smith, 2002, p. 5) and shaped by the surrounding socio-political, as well aesthetic, context. To this end, this chapter traces the depiction of class in three key crime series – Prime Suspect, Red Riding and Southcliffe - and explores how social class, and more importantly, its changing face provides a constant background to the narratives and characterisations. These three texts were each produced at pivotal moments in Britain’s relationship to class – Prime Suspect was shown 6 months after Margaret Thatcher vacated office; Red Riding was produced in the midst of the global recession in 2008 and Southcliffe was made in the shadows of stringing welfare and immigration reforms. These texts span three successive political administrations and over two decades of social and political change. Understanding the relationship between criminal activity and class in these dramas however is far more complicated than simply reading the historical context through the text. Commensurate with its cinematic incarnation, TV Noir is both reflective and productive, employing visual and narrative tropes to manipulate, as well reflect, its audience’s moral and social positioning. The picture that emerges from an examination of class and the British TV Noir is one of suspicion and discontent. As Andrew Spicer suggests (with reference to British cinema) the Noir sensibility both depicts and critiques a society that it sees as being “class-ridden, racist and misogynist” (Spicer, 2002, p.202). This is certainly the case with the texts that are being examined here, as social positions and taxonomies are constantly being redefined and renegotiated.

Environmental factors correlated with the metabolite profile of Vitis vinifera cv. Pinot Noir berry skins along a European latitudinal gradient

Mature berries of Pinot Noir grapevines were sampled across a latitudinal gradient in Europe, from southern Spain to central Germany. Our aim was to study the influence of latitude-dependent environmental factors on the metabolite composition (mainly phenolic compounds) of berry skins. Solar radiation variables were positively correlated with flavonols and flavanonols and, to a lesser extent, with stilbenes and cinnamic acids. The daily means of global and erythematic UV solar radiation over long periods (bud break-veraison, bud break-harvest, and veraison-harvest), and the doses and daily means in shorter development periods (5–10 days before veraison and harvest) were the variables best correlated with the phenolic profile. The ratio between trihydroxylated and monohydroxylated flavonols, which was positively correlated with antioxidant capacity, was the berry skin variable best correlated with those radiation variables. Total flavanols and total anthocyanins did not show any correlation with radiation variables. Air temperature, degree days, rainfall, and aridity indices showed fewer correlations with metabolite contents than radiation. Moreover, the latter correlations were restricted to the period veraison-harvest, where radiation, temperature, and water availability variables were correlated, making it difficult to separate the possible individual effects of each type of variable. The data show that managing environmental factors, in particular global and UV radiation, through cultural practices during specific development periods, can be useful to promote the synthesis of valuable nutraceuticals and metabolites that influence wine quality.

Lieu du crime, lieu de l’âme. La ville dans le roman noir contemporain (1995-2015) : Bologne, Limoges, Thessalonique

La thèse vise à analyser la représentation des villes de Bologne, Limoges et Thessalonique, dans le roman noir italien, français et grec contemporain (1995-2015). L'approche sociologique, anthropologique et géocritique domine dans la première partie de la thèse, tandis que, dans la deuxième partie, plus consacrée à l'analyse des textes, est utilisée une approche linguistique et stylistique basée sur les occurrences et la rhétorique, qui prend également en compte certains éléments de psychocritique. La réflexion se développe en deux étapes, plus un chapitre conclusif. Dans la première partie, les villes de Bologne, Limoges et Thessalonique sont analysées comme des villes noires, des lieux du crime à déchiffrer, sur la base de cinq caractéristiques : dilatation, déshumanisation, désorientation, déculturation, désindividualisation. Dans la deuxième partie, nous essayons de définir le défi des détectives contemporains : lire les villes, comme codes à déchiffrer, pour résoudre les crimes. L'interprétation de la ville se développe en cinq phases, spéculaires aux caractéristiques de la première partie : exploration, détection, reconstruction, identification, acceptation. À la fin de son enquête et du roman, le détective découvre que la ville est un vrai personnage, elle n’est pas seulement un lieu de crime mais aussi un lieu de l'âme, miroir du vécu des protagonistes. Les romans noirs contemporains de Bologne, Limoges et Thessalonique mettent en scène le conflit, peut-être insoluble, qui tourne autour de la définition de qui est la ville et donc de qui est l’individu et ils indiquent l'impossibilité d'une réponse définitive et rassurante. L'homme et la ville se confondent pour ne faire plus qu'un.

Phenolic composition of South American red wines classified according to their antioxidant activity, retail price and sensory quality

In this study, 73 South American red wines (Vitis vinifera) from 5 varietals were classified based on sensory quality, retail price and antioxidant activity and characterised in relation to their phenolic composition. ORAC and DPPH assays were assessed to determine the antioxidant activity, and sensory analysis was conducted by seven professional tasters using the Wine Spirits Education Trust`s structured scales. The use of multivariate statistical techniques allowed the identification of wines with the best combination of sensory characteristics, price and antioxidant activity. The most favourable varieties were Malbec, Cabernet Sauvignon, and Syrah produced in Chile and Argentina. Conversely, Pinot Noir wines displayed the lowest sensory characteristics and antioxidant activity. These results suggest that the volatile compounds may be the main substances responsible for differentiating red wines on the basis of sensory evaluation. (C) 2011 Elsevier Ltd. All rights reserved.

Phenolic compounds and antioxidant activity of seed and skin extracts of red grape (Vitis vinifera and Vitis labrusca) pomace from Brazilian winemaking

The phenolic compounds content and antioxidant activity of seed and skin of pomace from the vinification of grape varieties widely produced in Brazil were investigated with a view to their exploitation as a potential source of natural antioxidants. There was a greater concentration of phenolic compounds in the seeds (2128 to 16,518 mg of catechin equivalents (CE)/100 g) than in the skins (660 to 1839 mg CE/100 g). The highest antioxidant activity values determined as DPPH radical-scavenging ability and ferric reducing-antioxidant power (FRAP) were found for the seeds of the Pinot Noir variety (16,925 mu mol Trolox equivalents (TE)/100 g and 21,492 mu mol Fe(2+)/100 g, respectively) and in the skin extracts of the Isabel variety (3640 mu mol TE/100 g and 4362 mu mol Fe(2+)/100 g, respectively). The skin of Cabernet Sauvignon and Primitivo varieties had the highest contents of anthocyanins (935 and 832 mg/100 g, respectively). The grape seed extracts were rich in oligomeric and polymeric flavanols. The data suggested that grape seed and skin extracts may be exploited as antioxidant agents. (C) 2011 Elsevier Ltd. All rights reserved.