179 resultados para melody


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Thirty‐three snowpack models of varying complexity and purpose were evaluated across a wide range of hydrometeorological and forest canopy conditions at five Northern Hemisphere locations, for up to two winter snow seasons. Modeled estimates of snow water equivalent (SWE) or depth were compared to observations at forest and open sites at each location. Precipitation phase and duration of above‐freezing air temperatures are shown to be major influences on divergence and convergence of modeled estimates of the subcanopy snowpack. When models are considered collectively at all locations, comparisons with observations show that it is harder to model SWE at forested sites than open sites. There is no universal “best” model for all sites or locations, but comparison of the consistency of individual model performances relative to one another at different sites shows that there is less consistency at forest sites than open sites, and even less consistency between forest and open sites in the same year. A good performance by a model at a forest site is therefore unlikely to mean a good model performance by the same model at an open site (and vice versa). Calibration of models at forest sites provides lower errors than uncalibrated models at three out of four locations. However, benefits of calibration do not translate to subsequent years, and benefits gained by models calibrated for forest snow processes are not translated to open conditions.

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Estimating snow mass at continental scales is difficult but important for understanding landatmosphere interactions, biogeochemical cycles and Northern latitudes’ hydrology. Remote sensing provides the only consistent global observations, but the uncertainty in measurements is poorly understood. Existing techniques for the remote sensing of snow mass are based on the Chang algorithm, which relates the absorption of Earth-emitted microwave radiation by a snow layer to the snow mass within the layer. The absorption also depends on other factors such as the snow grain size and density, which are assumed and fixed within the algorithm. We examine the assumptions, compare them to field measurements made at the NASA Cold Land Processes Experiment (CLPX) Colorado field site in 2002–3, and evaluate the consequences of deviation and variability for snow mass retrieval. The accuracy of the emission model used to devise the algorithm also has an impact on its accuracy, so we test this with the CLPX measurements of snow properties against SSM/I and AMSR-E satellite measurements.

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During Oceanic Anoxic Event 1a (OAE 1a, 120 Ma; Li et al., 2008), organic carbon-rich layers were deposited in marine environments under anoxic conditions on a global scale. In this study, palaeoenvironmental conditions leading to this event are characterised by studying the Upper Barremian to the Lower Aptian succession of the Gorgo a Cerbara section (central Italy). For this, an integrated multi-proxy approach (δ13Ccarb; δ13Corg; δ18O; phosphorus; Total Organic Carbon, TOC; bulk-rock mineralogy, as well as redox-sensitive trace elements — RSTEs) has been applied. During the LateBarremian, thin organic-rich layers occur episodically, and associated Corg:Ptot ratios indicate the presence of intermittent dysoxic to anoxic conditions. Coarse correlations are observed between TOC, P and biogenic silica contents, indicating links between P availability, productivity, and TOC preservation. However, the corresponding δ13Ccarb and δ18O records remain quite stable, indicating that these brief periods of enhanced TOC preservation did not have sufficient impact on the marine carbon reservoir to deviate δ13C records. Around the Barremian–Aptian boundary, TOC-enriched layers become more frequent. These layers correlate with negative excursions in the δ13Ccarb and δ13Corg records, possibly due to a warming period as indicated by the δ18O record. During the earliest Aptian, this warming trend is reverted into a cooling trend, which is then followed by an important warming step near the onset of Oceanic Anoxic Event 1a (OAE 1a). During this time period, organic-rich intervals occur, which are characterised by the progressive increase in RSTE. The warming step prior the onset of OAE 1a is associated with the well-known negative spike in δ13Ccarb and δ13Corg records, an important peak in P accumulation, RSTE enrichments and Corg:Ptot ratios indicating the prevalence of anoxic conditions. The Selli Level itself may document a cooling phase. RSTE enrichments and Corg:Ptot ratios confirm the importance of anoxic conditions during OAE 1a at this site. The Gorgo a Cerbara section is interpreted to reflect the progressive impact of palaeoenvironmental change related to the formation of the Ontong-Java plate-basalt plateau, which started already around the Barremian–Aptian boundary and culminated into OAE 1a.

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The chapter starts from the premise that an historically- and institutionally-formed orientation to music education at primary level in European countries privileges a nineteenth century Western European music aesthetic, with its focus on formal characteristics such as melody and rhythm. While there is a move towards a multi-faceted understanding of musical ability, a discrete intelligence and willingness to accept musical styles or 'open-earedness', there remains a paucity of documented evidence of this in research at primary school level. To date there has been no study undertaken which has the potential to provide policy makers and practitioners with insights into the degree of homogeneity or universality in conceptions of musical ability within this educational sector. Against this background, a study was set up to explore the following research questions: 1. What conceptions of musical ability do primary teachers hold a) of themselves and; b) of their pupils? 2. To what extent are these conceptions informed by Western classical practices? A mixed methods approach was used which included survey questionnaire and semi-structured interview. Questionnaires have been sent to all classroom teachers in a random sample of primary schools in the South East of England. This was followed up with a series of semi-structured interviews with a sub-sample of respondents. The main ideas are concerned with the attitudes, beliefs and working theories held by teachers in contemporary primary school settings. By mapping the extent to which a knowledge base for teaching can be resistant to change in schools, we can problematise primary schools as sites for diversity and migration of cultural ideas. Alongside this, we can use the findings from the study undertaken in an English context as a starting point for further investigation into conceptions of music, musical ability and assessment held by practitioners in a variety of primary school contexts elsewhere in Europe; our emphasis here will be on the development of shared understanding in terms of policies and practices in music education. Within this broader framework, our study can have a significant impact internationally, with potential to inform future policy making, curriculum planning and practice.

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Noise music is created around sounds not often welcome in a musical context. Since the birth of electronic music in the 1950s a new perspective on composing has emerged. In electronic music, sounds and their timbre are as much important as melody, harmony and rhythm. This composing perspective is not often observed. Therefore I have examined a musical genre that stretches the boundaries of what we consider music, sound, noise, beautiful and terrible. The aim of this thesis is to investigate what aesthetic ideals noise musicians have when they create music. I examine the composing processes of three noise musicians, by asking the following questions: Do you compose in advance or do you improvise, how do your control of sound look like, how do you use the human voice and how do you categorize sound? The thesis is constructed around interviews I have made with the musicians and an extensive historical background concentrated on the alternative composing techniques that has led to the development of noise music. Among the results I found that these noise musicians always improvise with material, but the real essence of noise music is the character of the sounds, not their origins or material. Composing in advance for sound is a lot more difficult than traditional composing. Another result is that these noise musicians have extensive control of their instruments and can produce the sounds they wanted. They point out the importance of instruments that produce sound not directly controlled by themselves, something that create a musical quality that they aspire.

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Prosodic /template Morphology, that "draws heavily on the theoretical apparatus and formalisms of the generative phonology model known as autosegmental phonology" (Katamba, F. 1993: 154), is the best analysis that can handle Arabic morphology. Verbs in Arabic are represented on three independent tiers: root tier, the skeletal tier and the vocalic melody tier (Katamba, F. 1993). Vowel morphemes, which are represented by diacritics, are inserted within the consonant morphemes, which are represented by primary symbols, to form words. The morpheme tier hypothesis paves the way to understand the nonconcatenative Arabic morphology. This paper analyzes gender in perfect active and passive 3rd person singular verbs on the basis of PM. The focus of the analysis shall be drawn heavily on the most common Arabic verbs; triconsonantal verbs, with brief introduction of the less common verbs; quadriconsonantal perfect active and passive masculine and feminine 3rd person singular verbs. I shall, too, cast the light on some vowel changes that some verbs undergo when voice changes.

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Esta tese tem o objetivo de evidenciar a troca de prioridades na formulação de políticas públicas imposta pelas novas pressões e desafios sofridos pelo Estado, bem como pelas demandas e expectativas por parte da sociedade civil concernentes a uma agenda política voltada para questões de justiça, eqüidade e gastos públicos voltados para as necessidades dos cidadãos. Essa investigação fundamenta-se na limitação da abordagem que está na base do processo de reforma seguido pelo Estado a partir da década de oitenta. Conforme o paradigma subjacente (Nova Administração Pública), no processo de reforma, as ações governamentais e, portanto, a definição de políticas públicas, se reduzem a fins utilitários, focados na renda e na obtenção da maximização de resultados quantitativos. No entanto, o novo cenário exige uma ampla demanda por respostas estatais, cujas ações, através das políticas públicas, não podem ser voltadas apenas para a eficiência, mas, também para a eqüidade governamental. Dessa forma, toma-se necessário avançar em direção a um modelo que fundamente as ações estatais - elaboração e implementação de políticas públicas - que considere outras dimensões relevantes além da dimensão econômica. Para tanto, apresenta-se a Abordagem da Capacitação como um modelo alternativo para as ações governamentais mais recentes, preocupadas com a eficiência e a eqüidade. Assim, empregando o estudo de casos múltiplos e a técnica qualitativa de análise descritiva-interpretativa, foi verificado se as políticas públicas dos municípios estão incorporando questões mais relacionadas com a Abordagem da Capacitação, em comparação com aspectos mais instrumentais, como sugere o modelo da Nova Administração Pública. Como resultado, foi constatado que, de modo geral, todos os municípios pesquisados estão incluindo outros aspectos além da eficiência na elaboração de suas políticas públicas e, portanto, estão incorporando questões mais relacionadas com a Abordagem da Capacitação, em comparação com aspectos mais instrumentais, como sugere o modelo da Nova Administração Pública. Diante dessa constatação e dadas as limitações referentes ao modelo da Nova Administração Pública observadas nos casos de Tupandi e de Porto Alegre com respeito ao modelo de gestão implícito e da insuficiência do foco em questões administrativas e gerenciais no desenvolvimento das políticas para tratar problemas atuais verificada em todos os casos, conclui-se que as políticas públicas dos três municípios analisados estão seguindo uma intuição da Abordagem da Capacitação e, dessa forma, esse paradigma proposto representa melhor as ações governamentais mais recentes, preocupadas com a eficiência e a eqüidade, servindo, assim, como um modelo alternativo à Nova Administração Pública para as ações estatais.

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The Cattleya genus has a great importance in the flower agro-business market. Fusarium wilts, caused by Fusarium oxysporum f. sp. cattleyae, is considered one of the main factors of decline and death of plants of this genus. Using seven hybrids (intra and intergenerics) of Cattleya, tests of resistance and susceptibility to F. oxysporum were performed in conditions of greenhouse for 12 months, using, as evaluation criterion, a scale of the disease severity ranging from one (resistant) to eight (highly susceptible). High susceptibility to the fungus by Cattleya Nobile's Wax Toy, Cattleya Orquidacea's Mister Fast intrageneric hybrids and Potinara Orquidacea's Havana Brown intergeneric hybrid, related to Brassocattleya Orquidacea's Melody intergeneric hybrid, high resistance to the pathogens was observed.

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Besides a philosophical glossary, Kant handles many other linguistic repertoires; among them, for instance, the musical ones. The present study, by considering the kantian musical lexicon, is not intended to promote the music in the realm of critical philosophy from a aesthetic point of view, but to recognize and to examine in a preliminary manner an argumentative resource used by the philosopher, namely, the musical analogy.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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En este artículo se analiza el patrón de progreso técnico en la economía brasileña entre 1952 y 2008. El patrón de progreso sesgado en el sentido de Marx, ahorrador de trabajo y consumidor de capital, predominó en el período estudiado. Sin embargo, se distinguen tres fases en el dinamismo del progreso técnico. La primera, de 1952 a 1973, se caracteriza por un gran dinamismo. En la segunda, de 1973 a 1991, dicho dinamismo disminuyó. Finalmente, entre 1991 y 2008, el dinamismo de los cambios técnicos repuntó levemente. La parte salarial se mantuvo relativamente estable durante todo el período. La tasa de ganancia decreció entre 1952 y 1991, y se acrecentó ligeramente de 1991 a 2008. La tasa neta de acumulación de capital se contrajo después de 1975 debido a la caída de las tasas de ganancia e inversión. Entre 2004 y 2008, aumentó la tasa neta de acumulación de capital.