The wolf in sheep's clothing : and other fables from Aesop.

Alrededor de seis siglos antes de Cristo, Esopo, un esclavo griego, hizo una recopilación de historias o fábulas que han permanecido hasta hoy en los cuentos populares. El lobo con piel de cordero es una de las seis historias que aparecen en esta colección y como todas las fábulas cuentan con una moral, que ofrece al lector consejos útiles que se resume en un proverbio al final. Otras fábulas de este libro incluyen: Las ranas que querían un Rey, El zorro y la cigüeña y otras más.

Different interpretations of witch-hunting in early Modern Europe c. 1560-c. 1660.

Cumple con los requisitos para la especificación OCR A2 de Historia, unidad F986, opción B. Estudia las causas y desarrollo de la controversia, la Europa Moderna, la brujería y la caza de brujas, enfoques e interpretaciones estructurales y funcionales, enfoques e interpretaciones culturales y psicoanalíticas, aproximaciones e interpretaciones de carácter regional y general. Este recurso comprende actividades que ayudan a la comprensión del contenido y a desarrollar en los estudiantes habilidades con la historia, análisis de situaciones y acontecimientos, breves biografías de personajes clave de la época, definiciones de palabras nuevas y consejos prácticos para los exámenes.

Creació de l'empresa Mediterranean Hunting

Treball sobre la creació d'una empresa de turisme cinegètic. Es pretén aprofundir en la temàtica del turisme cinegètic; aprofundir en la temàtica del les agències de viatges; aprofundir en la temàtica de caça i fer una proposta novedosa i viable des del punt de vista empresarial

Fox-hunting in England and Wales: its contribution to the management of woodland and other habitats

Hunting foxes with hounds has been a countryside pursuit in Britain since the 17th Century, but its effect nationally on habitat management is little understood by the general public. A survey questionnaire was distributed to 163 mounted fox hunts of England and Wales to quantify their management practices in woodland and other habitat. Ninety-two hunts (56%), covering 75,514 km(2), returned details on woodland management motivated by the improvement of their sport. The management details were verified via on-site visits for a sample of 200 woodlands. Following verification, the area of woodlands containing the management was conservatively estimated at 24,053 (+/- 2241) ha, comprising 5.9% of woodland area within the whole of the area hunted by the 92 hunts. Management techniques included: tree planting, coppicing, felling, ride and perimeter management. A case study in five hunt countries in southern England examined, through the use of botanical survey and butterfly counts, the consequences of the hunt management on woodland ground flora and butterflies. Managed areas had, within the last 5 years, been coppiced and rides had been cleared. Vegetation cover in managed and unmanaged sites averaged 86% and 64%, respectively, and managed areas held on average 4 more plant species and a higher plant diversity than unmanaged areas (Shannon index of diversity: 2.25 vs. 1.95). Both the average number of butterfly species (2.2 vs. 0.3) and individuals counted (4.6 vs. 0.3) were higher in the managed than unmanaged sites.

The child in wolf’s clothing: the meanings of the ‘wolf’ and questions of identity in Jack London’s White Fang

The criticism of Jack London’s work has been dominated by a reliance upon ideas of the ‘real’, the ‘authentic’ and the ‘archetypal’. One of the figures in London’s work around which these ideas crystallize is that of the ‘wolf’. This article will examine the way the wolf is mobilized both in the criticism of Jack London’s work and in an example of the work: the novel White Fang (1906). This novel, though it has often been read as clearly delimiting and demarcating the realms of nature and culture, can be read conversely as unpicking the deceptive simplicity of such categories, as troubling essentialist notions of identity (human/animal, male/female, white/Indian) and as engaging with the complexity of the journey in which a ‘small animal … becomes human-sexual by crossing the infinite divide that separates life from humanity, the biological from the historical, “nature” from “culture” ’ (Althusser 1971: 206).