902 resultados para Trees in art


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he dragon tree, a peculiar species native to Socotra, southwest Arabia, east Africa, Morocco, Macaronesia, and the Canary islands, possesses an intriguing iconographic history. The first wave of images date from 1470 to 1550, beginning with Martin Schongauer’s 1470 engraving of The Flight into Egypt. These depictions portray the dragon tree in the context of a handful of biblical themes and with apparent symbolic import. After 1550, religious images of the dragon tree vanish abruptly and are replaced by representations of an empirical nature. Dragon tree iconography is notable for the extent to which it did and did not leave an impression on European art. In this paper I examine the inability of dragon tree images to gain the momentum required to propel them into European iconography more permanently, and the forces that may account for the abrupt change from biblical to botanical renderings.

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Reprinted from various periodicals.

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Mode of access: Internet.

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Pronunciation guide, 2 pages in pocket of each portfolio.

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Introduction.--"Long-lasting."--St. Anthony the Great.-- Joannes Cantacuzenus, emperor of the East.--George Gemisthus Pletho.--Luigi Cornaro.--Titian.--Fontenelle.--Thomas Amory.--A group of far-advanced nonagenarians.--Eva Maria Garrick.--Caroline Lucretia Herschel.--Mary Somerville.--Sir Moses Montefiore.--Martin Joseph Routh.--Mr. Thoms' investigated case of centenarianism.--A group of unquestionable centenarians.--A few recent and probable cases of centenarianism.--Conclusion.

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Mode of access: Internet.

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Mode of access: Internet.