947 resultados para The Readers


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The topic of the study entitled humour in the ancient greek novels: the theoretical conceptions and the lite- rary practice is significance of humour in ancient Greek novels. In the first part of this study the theoretical aspects are examined with reference to the conceptions of contemporary researchers of Greek novels. The influence of the humour on the character of the world presented in particular novels is considered in the second part of the article.

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The IDS (Intrusion Detection System) is a common means of protecting networked systems from attack or malicious misuse. The development and rollout of an IDS can take many different forms in terms of equipment, protocols, connectivity, cost and automation. This is particularly true of WIDS (Wireless Intrusion Detection Systems) which have many more opportunities and challenges associated with data transmission through an open, shared medium.
The operation of a WIDS is a multistep process from origination of an attack through to human readable evaluation. Attention to the performance of each of the processes in the chain from attack detection to evaluation is imperative if an optimum solution is to be sought. At present, research focuses very much on each discrete aspect of a WIDS with little consideration to the operation of the whole system. Taking a holistic view of the technology shows the interconnectivity and inter-dependence between stages, leading to improvements and novel research areas for investigation.
This chapter will outline the general structure of Wireless Intrusion Detection Systems and briefly describe the functions of each development stage, categorised into the following 6 areas:
• Threat Identification,
• Architecture,
• Data Collection,
• Intrusion Detection,
• Alert Correlation,
• Evaluation.
These topics will be considered in broad terms designed for those new to the area. Focus will be placed on ensuring the readers are aware of the impact of choices made at early stages in WIDS development on future stages.

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The purpose of this text is to analyse two recently been published pop-up books aimed at children, by Anouck Boisrobert e Louis Rigaud, Popville (2009) and Dans la forêt du paresseux [Wake up, Sloth!, En el bosque del perezoso] (first published in 2009 and 2012, accompanied with texts by Joy Sorman and Sophie Strady, respectively). These books were published originally in France by Hélium Editions, but they can now be found in several western countries and in many languages (Catalan, French, Dutch, English, German, Italian, Portuguese and Spanish, at least). The objective is to analyse their verbal text and their visual aspects produced by a sophisticated paper engineered to question how they achieve what seems to be one of their goals, the promotion of the readers' ecoliteracy (Orr, 1992) by his involvement in the reading process. This issue seems to be one of the main trends on children's literature in western societies nowadays, transcending the traditional and almost omnipresent role of scenario that nature plays in many children's narratives.

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Riassunto: Dedicato «alle scuole e agli amatori della lingua», ai lettori interessati e preoccupati delle sorti della lingua nazionale, il periodico semestrale La Crusca per voi esce per la prima volta nell’ottobre 1990 con una Giustificazione e Un po’ di storia, in cui il fondatore Giovanni Nencioni spiega le ragioni dell’istituzione di un vero e proprio «consultorio linguistico», destinato ad accogliere le richieste, i dubbi, le perplessità sul corretto impiego della lingua italiana proveniente da persone di ogni livello sociale e culturale. Scopo di questo lavoro è studiare la tipologia dei quesiti posti agli accademici della Crusca, con particolare attenzione a fenomeni di carattere lessicale, negli ultimi diciotto numeri del periodico (dal 2005 al 2013, con qualche prelievo da uscite precedenti). Conclude il lavoro una breve indagine a campione sulla diffusione e la traducibilità di alcuni termini stranieri in italiano.

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As the profile of disability sport has risen, so has the emphasis grown beyond participation to include the development of a high performance environment. This book is the first to take an in-depth look at the role of coaches and coaching in facilitating the professionalisation of disability sport, in raising performance standards, and as an important vector for the implementation of significant political, socio-cultural and technological change. Using in-depth case studies of elite disability sport coaches from around the world, the book offers a framework for critical reflection on coaching practice as well as the reader’s own experiences of disability sport. The book also evaluates the vital role of the coach in raising the bar of performance in a variety of elite level disability sports, including athletics, basketball, boccia, equestrian sport, rowing, soccer, skiing, swimming and volleyball. Providing a valuable evidence-based learning resource to support coaches and students in developing their own practice, High Performance Disability Sport Coaching is essential reading for all those interested in disability sport, coaching practice, elite sport development and the Paralympic Games.

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As the profile of disability sport has risen, so has the emphasis grown beyond participation to include the development of a high performance environment. This book is the first to take an in-depth look at the role of coaches and coaching in facilitating the professionalisation of disability sport, in raising performance standards, and as an important vector for the implementation of significant political, socio-cultural and technological change. Using in-depth case studies of elite disability sport coaches from around the world, the book offers a framework for critical reflection on coaching practice as well as the reader’s own experiences of disability sport. The book also evaluates the vital role of the coach in raising the bar of performance in a variety of elite level disability sports, including athletics, basketball, boccia, equestrian sport, rowing, soccer, skiing, swimming and volleyball. Providing a valuable evidence-based learning resource to support coaches and students in developing their own practice, High Performance Disability Sport Coaching is essential reading for all those interested in disability sport, coaching practice, elite sport development and the Paralympic Games.

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As the profile of disability sport has risen, so has the emphasis grown beyond participation to include the development of a high performance environment. This book is the first to take an in-depth look at the role of coaches and coaching in facilitating the professionalisation of disability sport, in raising performance standards, and as an important vector for the implementation of significant political, socio-cultural and technological change. Using in-depth case studies of elite disability sport coaches from around the world, the book offers a framework for critical reflection on coaching practice as well as the reader’s own experiences of disability sport. The book also evaluates the vital role of the coach in raising the bar of performance in a variety of elite level disability sports, including athletics, basketball, boccia, equestrian sport, rowing, soccer, skiing, swimming and volleyball. Providing a valuable evidence-based learning resource to support coaches and students in developing their own practice, High Performance Disability Sport Coaching is essential reading for all those interested in disability sport, coaching practice, elite sport development and the Paralympic Games.

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Dissertação apresentada à Escola Superior de Comunicação Social como parte dos requisitos para obtenção de grau de mestre em Jornalismo.

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Neste ensaio, o conto O Caso da Vara de Machado de Assis é lido não só como uma história irónica, cuidadosamente estruturada, de conflitos internos versus acções reais, mas também como uma potencial peça dramática que partilha das características da tragédia clássica. As acções das personagens são vencidas pela torrente dos seus pensamentos, medos, crueldades e dramas, conduzindo a narrativa até um desfecho enigmático e sempre adiado. Tal como no drama clássico, n‘O Caso da Vara notamos a predilecção de Machado de Assis por situações universais que revelam a feição trágico-cómica dos comportamentos instituídos, num conto carregado de implicações morais que despertam o leitor para as grandes intenções e ainda maiores cobardias do ser humano.

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Grounded on Raymond Williams‘s definition of knowable community as a cultural tool to analyse literary texts, the essay reads the texts D.H.Lawrence wrote while travelling in the Mediterranean (Twilight in Italy, Sea and Sardinia and Etruscan Places) as knowable communities, bringing to the discussion the wide importance of literature not only as an object for aesthetic or textual readings, but also as a signifying practice which tells stories of culture. Departing from some considerations regarding the historical development of the relationship between literature and culture, the essay analyses the ways D. H. Lawrence constructed maps of meaning, where the readers, in a dynamic relation with the texts, apprehend experiences, structures and feelings; putting into perspective Williams‘s theory of culture as a whole way of life, it also analyses the ways the author communicates and organizes these experiences, creating a space of communication and operating at different levels of reality: on the one hand, the reality of the whole way of Italian life, and, on the other hand, the reality of the reader who aspires to make sense and to create an interpretative context where all the information is put, and, also, the reality of the writer in the poetic act of writing. To read these travel writings as knowable communities is to understand them as a form that invents a community with no other existence but that of the literary text. The cultural construction we find in these texts is the result of the selection, and interpretation done by D.H.Lawrence, as well as the product of the author‘s enunciative positions, and of his epistemological and ontological filigrees of existence, structured by the conditions of possibility. In the rearticulation of the text, of the writer and of the reader, in a dynamic and shared process of discursive alliances, we understand that Lawrence tells stories of the Mediterranean through his literary art.

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Both culture coverage and digital journalism are contemporary phenomena that have undergone several transformations within a short period of time. Whenever the media enters a period of uncertainty such as the present one, there is an attempt to innovate in order to seek sustainability, skip the crisis or find a new public. This indicates that there are new trends to be understood and explored, i.e., how are media innovating in a digital environment? Not only does the professional debate about the future of journalism justify the need to explore the issue, but so do the academic approaches to cultural journalism. However, none of the studies so far have considered innovation as a motto or driver and tried to explain how the media are covering culture, achieving sustainability and engaging with the readers in a digital environment. This research examines how European media which specialize in culture or have an important cultural section are innovating in a digital environment. Specifically, we see how these innovation strategies are being taken in relation to the approach to culture and dominant cultural areas, editorial models, the use of digital tools for telling stories, overall brand positioning and extensions, engagement with the public and business models. We conducted a mixed methods study combining case studies of four media projects, which integrates qualitative web features and content analysis, with quantitative web content analysis. Two major general-interest journalistic brands which started as physical newspapers – The Guardian (London, UK) and Público (Lisbon, Portugal) – a magazine specialized in international affairs, culture and design – Monocle (London, UK) – and a native digital media project that was launched by a cultural organization – Notodo, by La Fábrica – were the four case studies chosen. Findings suggest, on one hand, that we are witnessing a paradigm shift in culture coverage in a digital environment, challenging traditional boundaries related to cultural themes and scope, angles, genres, content format and delivery, engagement and business models. Innovation in the four case studies lies especially along the product dimensions (format and content), brand positioning and process (business model and ways to engage with users). On the other hand, there are still perennial values that are crucial to innovation and sustainability, such as commitment to journalism, consistency (to the reader, to brand extensions and to the advertiser), intelligent differentiation and the capability of knowing what innovation means and how it can be applied, since this thesis also confirms that one formula doesn´t suit all. Changing minds, exceeding cultural inertia and optimizing the memory of the websites, looking at them as living, organic bodies, which continuously interact with the readers in many different ways, and not as a closed collection of articles, are still the main challenges for some media.

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Volumes of interest were published between 1812 and 1815 with articles about the War of 1812. Issue for Jan. 4, 1813 includes (on p. 3) the annual carrier's address to the readers of the newspaper, this one having a war theme since it was published in the midst of the War of 1812. It is titled: "War and Proclamations--Addressed to the Readers of the Connecticut Mirror". Includes war-related content with some items headed: "Generosity of American Tars", "Impressment of Seamen" which is signed in type: James Monroe, "Reward Of Merit", "From Niagara" and a few other items.

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Dans ce mémoire, je compte étudier la lecture représentée dans l’œuvre de Michel Houellebecq. Mon travail sera divisé en deux parties. D’abord, je m’attacherai aux figures de lecteurs dans La possibilité d’une île et dans les autres romans de Houellebecq. Je verrai alors comment la lecture est incarnée dans les romans et quelles sont les fonctions des personnages-lecteurs. Par exemple, j’examinerai comment les personnages s’expriment sur la littérature dans La possibilité d’une île. Je compte pour ce faire utiliser les concepts de « liseur », de « lu » et de « lectant » proposés par Michel Picard dans La lecture comme jeu, mais dans le sens que leur donne Marcel Goulet dans ses travaux. La deuxième partie se centrera sur un « lecteur » particulièrement important : Houellebecq lui-même. Adoptant la définition de l’intertextualité donnée par Gérard Genette dans Palimpsestes, je me concentrerai uniquement sur les traces explicites d’autres textes dans La possibilité d’une île. Je me concentrerai d’abord sur les auteurs fréquemment cités, ceux dont Houellebecq se réclame ou dont il s’écarte. Je me questionnerai ensuite sur le rapport souvent négatif de Houellebecq avec la littérature du passé, pour essayer d’y voir une représentation de cette lecture critique à laquelle l’auteur tente de nous initier. Le travail sur l’intertextualité servira à identifier ce que Pierre Bayard nomme la « bibliothèque intérieure » de l’auteur et à questionner son rapport à celle-ci.

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Le roman sentimental est un des genres les plus lus, les plus traduits et les plus diffusés. Malgré sa mauvaise réputation, il est étonnant de constater le nombre de ces romans vendus, tous pays confondus. Dans les Antilles, ce phénomène est particulièrement palpable : la présence, et la réception de ces œuvres témoignent de l’engouement pour le genre. Notre étude a pour objectif de dégager d’un corpus sentimental antillais les aspects les plus significatifs. Nous analyserons, d’une part, le schéma narratif élaboré en marge de celui proposé par le roman sentimental classique et, d’autre part, l’esthétique du quotidien mise en place pour créer un sentiment d’appartenance chez le lectorat. Il nous sera ainsi possible de mettre en évidence le discours socioculturel propre à ce genre et plus spécifiquement aux femmes antillaises. Par ailleurs, cette recherche postule que l'appropriation des invariants romanesques et l'élaboration d'une visée didactique participent à l'intégration du roman sentimental antillais dans la sphère des littératures « sérieuses ». Enfin, ce mémoire défend l’idée selon laquelle l’écriture romanesque des auteures étudiées contribue au projet littéraire antillais de réappropriation identitaire.

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L’étude de « Tous les matins du monde», de Pascal Quignard, et ponctuellement, de « Terrasse à Rome», nous permettra d’examiner les relations entre cinéma et littérature d’un point de vue poétique et esthétique et d’approfondir l’approche intermédiale de la littérature. À l’aide de la théorie de la lecture d’Umberto Eco, nous montrerons comment l’encyclopédie filmique du lecteur peut le rendre réceptif à un effet-cinéma en littérature. Nous étudierons les indices implicites qui, ensemble, permettent de parler d’une esthétique filmique. Trois grands chapitres permettront d’étudier cela : vision, montage et univers sonore du texte. Cet angle d’approche devrait permettre de relire « Tous les matins du monde » suivant une perspective critique nouvelle, tout en approfondissant les recherches sur l’intermédialité.