BRAZILIAN MOSQUITO (DIPTERA: CULICIDAE) FAUNA. I. Anopheles SPECIES FROM PORTO VELHO, RONDONIA STATE, WESTERN AMAZON, BRAZIL

This study contributes to knowledge of Anopheles species, including vectors of Plasmodium from the western Brazilian Amazon in Porto Velho, Rondonia State. The sampling area has undergone substantial environmental changes as a consequence of agricultural and hydroelectric projects, which have caused intensive deforestation and favored habitats for some mosquito species. The purpose of this study was to diagnose the occurrence of anopheline species from collections in three locations along an electric-power transmission line. Each locality was sampled three times from 2010 to 2011. The principal adult mosquitoes captured in Shannon trap were Anopheles darlingi, An. triannulatus, An. nuneztovari l.s., An. gilesi and An. costai. In addition, larvae were collected in ground breeding sites for Anopheles braziliensis, An. triannulatus, An. darlingi, An. deaneorum, An. marajoara, An. peryassui, An. nuneztovari l.s. and An. oswaldoi-konderi. Anopheles darlingi was the most common mosquito in the region. We discuss Culicidae systematics, fauna distribution, and aspects of malaria in altered habitats of the western Amazon.

On The Timing of Default Losses: When and Why?

At the light of what happened in 2010 and 2011, a lot of European countries founded themselves in a difficult position where all the credit rating agencies were downgrading debt states. Problem of solvency and guarantees on the states' bond were perceived as too risky for a Monetary Union as Europe is. Fear of a contagion from Greece as well was threatening the other countries as Italy, Spain, Portugal and Ireland; while Germany and France asked for a division between risky and riskless bond in order to feel more safe. Our paper gets inspiration by Roch and Uhlig (2011), it refers to the Argentinian case examined by Arellano (2008) and examine possible interventions as monetization or bailout as proposed by Cole and Kehoe (2000). We propose a model in which a state defaults and cannot repay a fraction of the old bond; but contrary to Roch and Uhlig that where considering a one-time cost of default we consider default as an accumulation of losses, perceived as unpaid fractions of the old debts. Our contributions to literature is that default immediately imply that economy faces a bad period and, accumulating losses, government will be worse-off. We studied a function for this accumulation of debt period by period, in order to get an idea of the magnitude of this waste of resources that economy will face when experiences a default. Our thesis is that bailouts just postpone the day of reckoning (Roch, Uhlig); so it's better to default before accumulate a lot of debts. What Europe need now is the introduction of new reforms in a controlled default where the Eurozone will be saved in its whole integrity and a state could fail with the future promise of a resurrection. As experience show us, governments are not interested into reducing debts since there are ECB interventions. That clearly create a distortion between countries in the same monetary union, giving to the states just an illusion about their future debtor position.

Frauen im Matthäusevangelium – revisited

This article tries to rediscover the role women play in the text of the Gospel of Matthew, in dialogue with former works about women in the Gospel. The focus lies on the way women are presented in the narratives and on the question if their performance in the story identifies them as disciples although they are never called disciples explicitly. Whereas the main story of the gospel has to be called androcentric showing women in stereotypical gender roles, this analysis reveals an underlying counter story that shows women in gender roles unexpected for the time the text was written in. This counter story already starts in the genealogy by breaking through the male line of succession referring to five women. Through the main part of the Gospel several other stories show women in unexpected places and roles. The counter story culminates in the passion and resurrection stories where women take over the main acting parts, instead of the male disciples, thus helping the story to continue.

Asplund versus Lewerentz

La tesis Asplund versus Lewerentz analiza, por el método comparado, los invariantes, las convergencias y las divergencias entre las obras de los arquitectos suecos Erik Gunnar Asplund y Sigurd Lewerentz. Autores del Cementerio del Bosque de Estocolmo, que desarrollaron en colaboración durante más de veinte años, supone una de las obras maestras de la arquitectura escandinava, y uno de los ejemplos de referencia para entender la cultura arquitectónica nórdica moderna en relación a su tradición. Del estudio contrastado de los distintos proyectos y versiones del cementerio, ejecutados conjuntamente o por separado, se obtienen los valores compartidos entre ambos arquitectos, así como sus afinidades o diferencias respecto a un mismo tema. Estos aspectos, extrapolados al resto de sus trabajos, permiten entender sus actuaciones según las referencias e influencias mutuas, y la definición de las variables que configuran sus respectivos espacios arquitectónicos. La investigación se ha estructurado en ocho capítulos: La Escuela Klara, que trata la relación de Asplund y Lewerentz en su época de estudiantes, así como la influencia de sus maestros respectivos; El Grand Tour, que analiza sus viajes y las miradas de cada uno de ellos en sus visitas a los mismos lugares; Los Estudios, que profundiza en sus caracteres, reflejados a través de la comparación de los distintos lugares de trabajo; Las Tumbas, donde se concretan a pequeña escala los temas desarrollados ampliamente en el Cementerio del Bosque, constituyendo así un laboratorio de ideas; La Exposición de Estocolmo de 1930, que vuelve a aclarar las posturas divergentes de ambos, en este caso, en relación a un tema lúdico, y que supuso un giro de su arquitectura y, con ello, un importante apoyo a los cambios sociales del momento; Los Concursos, realizados por separado, donde se observan con precisión las afinidades y las diferencias respecto a un mismo planteamiento inicial; Los Accesos del Cementerio del Bosque, que supone un trabajo conjunto con alternancia de decisiones, en el que se perfila con claridad los intereses específicos de ambos; y por último, las Capillas del Cementerio del Bosque, especialmente la Capilla del Bosque y de la Resurrección, que concretan, en los dos lugares más íntimos del cementerio, las ideas y personalidades opuestas de Asplund y Lewerentz en relación al tema común de la muerte. Las conclusiones de este estudio comparado y centrado en varios temas, determinan una confluencia de intereses en la conexión de sus obras con la topografía como medio de contextualización, en las acciones sobre la vegetación como un aspecto fundamental y no sólo como un acompañamiento a la arquitectura, y en la manipulación de la luz como hecho diferencial del carácter de los distintos espacios. Se reúnen así en esta tesis unas constantes del trabajo de Asplund y Lewerentz, que planteadas muchas veces de forma distinta, apuntan directamente a los sentimientos del Hombre en el momento de la muerte y ante una despedida en relación a la Arquitectura. ABSTRACT The thesis Asplund versus Lewerentz analyses, by means of comparative methodology, the constants, the convergences and the divergences between the works of the Swedish architects Erik Gunnar Asplund and Sigurd Lewerentz. They are the authors of Stockholm’s Woodland Cemetery, which they developed in collaboration over a period of more than twenty years, one of the masterpieces of Swedish architecture and one of the key examples in terms of understanding modern Nordic architectural culture in relation to its tradition. From the contrasted study of the various projects and versions of the cemetery, executed jointly or separately, one obtains the values shared by both architects as well as their affinities or differences with respect to one and the same theme. These aspects, extrapolated from the rest of their works, permit an understanding of their actions according to mutual references and influences, and the definition of the variables that shape their respective architectural spaces. The research is divided into eight chapters: The Klara School, dealing with Asplund and Lewerentz’s relationship during their student days, as well as the influence of their respective teachers; The Grand Tour, which analyses their travels and the viewpoints of each of them on their visits to the same places; The Studies, looks closely at their personalities, reflected by a comparison of their different workplaces; The Tombs, where the themes extensively developed in the Woodland Cemetery are set out on a small scale, thus constituting one of their laboratories of ideas; The Stockholm exhibition of 1930, which again clarifies the diverging postures of the two, in this case, in relation to a recreational topic which represented a turnabout in their architecture and, moreover an important support for the social changes of the age; The Competitions, which they carried out separately, where one closely observes affinities and differences with respect to an initial approach; The Accesses to the Woodland Cemetery, which represents a joint work with alternating decision-making, in which the interests of both are clearly outlined; and finally, the Chapels of the Woodland Cemetery, especially the Woodland Chapel and the Chapel of the Resurrection, which, in the two most intimate spots in the cemetery, embody the opposing ideas and personalities of Asplund and Lewerentz in relation to the common theme of death. The conclusions of this comparative study centred on various topics, determine a confluence of interests in the connection of their works with the topography as a means of contextualization, in actions relating to vegetation as a fundamental aspect and not just an accompaniment to architecture, and in the manipulation of light as a differential factor in the character of the different spaces. Thus this thesis brings together some of the constants of the work of Asplund and Lewerentz which, frequently dealt with in a different manner, point directly to Man’s feelings at the point of death and in the face of a farewell in relation to Architecture.

Asplund versus Lewerentz

La tesis Asplund versus Lewerentz analiza, por el método comparado, los invariantes, las convergencias y las divergencias entre las obras de los arquitectos suecos Erik Gunnar Asplund y Sigurd Lewerentz. Autores del Cementerio del Bosque de Estocolmo, que desarrollaron en colaboración durante más de veinte años, supone una de las obras maestras de la arquitectura escandinava, y uno de los ejemplos de referencia para entender la cultura arquitectónica nórdica moderna en relación a su tradición. Del estudio contrastado de los distintos proyectos y versiones del cementerio, ejecutados conjuntamente o por separado, se obtienen los valores compartidos entre ambos arquitectos, así como sus afinidades o diferencias respecto a un mismo tema. Estos aspectos, extrapolados al resto de sus trabajos, permiten entender sus actuaciones según las referencias e influencias mutuas, y la definición de las variables que configuran sus respectivos espacios arquitectónicos. La investigación se ha estructurado en ocho capítulos: La Escuela Klara, que trata la relación de Asplund y Lewerentz en su época de estudiantes, así como la influencia de sus maestros respectivos; El Grand Tour, que analiza sus viajes y las miradas de cada uno de ellos en sus visitas a los mismos lugares; Los Estudios, que profundiza en sus caracteres, reflejados a través de la comparación de los distintos lugares de trabajo; Las Tumbas, donde se concretan a pequeña escala los temas desarrollados ampliamente en el Cementerio del Bosque, constituyendo así un laboratorio de ideas; La Exposición de Estocolmo de 1930, que vuelve a aclarar las posturas divergentes de ambos, en este caso, en relación a un tema lúdico, y que supuso un giro de su arquitectura y, con ello, un importante apoyo a los cambios sociales del momento; Los Concursos, realizados por separado, donde se observan con precisión las afinidades y las diferencias respecto a un mismo planteamiento inicial; Los Accesos del Cementerio del Bosque, que supone un trabajo conjunto con alternancia de decisiones, en el que se perfila con claridad los intereses específicos de ambos; y por último, las Capillas del Cementerio del Bosque, especialmente la Capilla del Bosque y de la Resurrección, que concretan, en los dos lugares más íntimos del cementerio, las ideas y personalidades opuestas de Asplund y Lewerentz en relación al tema común de la muerte. Las conclusiones de este estudio comparado y centrado en varios temas, determinan una confluencia de intereses en la conexión de sus obras con la topografía como medio de contextualización, en las acciones sobre la vegetación como un aspecto fundamental y no sólo como un acompañamiento a la arquitectura, y en la manipulación de la luz como hecho diferencial del carácter de los distintos espacios. Se reúnen así en esta tesis unas constantes del trabajo de Asplund y Lewerentz, que planteadas muchas veces de forma distinta, apuntan directamente a los sentimientos del Hombre en el momento de la muerte y ante una despedida en relación a la Arquitectura. ABSTRACT The thesis Asplund versus Lewerentz analyses, by means of comparative methodology, the constants, the convergences and the divergences between the works of the Swedish architects Erik Gunnar Asplund and Sigurd Lewerentz. They are the authors of Stockholm’s Woodland Cemetery, which they developed in collaboration over a period of more than twenty years, one of the masterpieces of Swedish architecture and one of the key examples in terms of understanding modern Nordic architectural culture in relation to its tradition. From the contrasted study of the various projects and versions of the cemetery, executed jointly or separately, one obtains the values shared by both architects as well as their affinities or differences with respect to one and the same theme. These aspects, extrapolated from the rest of their works, permit an understanding of their actions according to mutual references and influences, and the definition of the variables that shape their respective architectural spaces. The research is divided into eight chapters: The Klara School, dealing with Asplund and Lewerentz’s relationship during their student days, as well as the influence of their respective teachers; The Grand Tour, which analyses their travels and the viewpoints of each of them on their visits to the same places; The Studies, looks closely at their personalities, reflected by a comparison of their different workplaces; The Tombs, where the themes extensively developed in the Woodland Cemetery are set out on a small scale, thus constituting one of their laboratories of ideas; The Stockholm exhibition of 1930, which again clarifies the diverging postures of the two, in this case, in relation to a recreational topic which represented a turnabout in their architecture and, moreover an important support for the social changes of the age; The Competitions, which they carried out separately, where one closely observes affinities and differences with respect to an initial approach; The Accesses to the Woodland Cemetery, which represents a joint work with alternating decision-making, in which the interests of both are clearly outlined; and finally, the Chapels of the Woodland Cemetery, especially the Woodland Chapel and the Chapel of the Resurrection, which, in the two most intimate spots in the cemetery, embody the opposing ideas and personalities of Asplund and Lewerentz in relation to the common theme of death. The conclusions of this comparative study centred on various topics, determine a confluence of interests in the connection of their works with the topography as a means of contextualization, in actions relating to vegetation as a fundamental aspect and not just an accompaniment to architecture, and in the manipulation of light as a differential factor in the character of the different spaces. Thus this thesis brings together some of the constants of the work of Asplund and Lewerentz which, frequently dealt with in a different manner, point directly to Man’s feelings at the point of death and in the face of a farewell in relation to Architecture.

A Selaginella lepidophylla Trehalose-6-Phosphate Synthase Complements Growth and Stress-Tolerance Defects in a Yeast tps1 Mutant1

The accumulation of the disaccharide trehalose in anhydrobiotic organisms allows them to survive severe environmental stress. A plant cDNA, SlTPS1, encoding a 109-kD protein, was isolated from the resurrection plant Selaginella lepidophylla, which accumulates high levels of trehalose. Protein-sequence comparison showed that SlTPS1 shares high similarity to trehalose-6-phosphate synthase genes from prokaryotes and eukaryotes. SlTPS1 mRNA was constitutively expressed in S. lepidophylla. DNA gel-blot analysis indicated that SlTPS1 is present as a single-copy gene. Transformation of a Saccharomyces cerevisiae tps1Δ mutant disrupted in the ScTPS1 gene with S. lepidophylla SlTPS1 restored growth on fermentable sugars and the synthesis of trehalose at high levels. Moreover, the SlTPS1 gene introduced into the tps1Δ mutant was able to complement both deficiencies: sensitivity to sublethal heat treatment at 39°C and induced thermotolerance at 50°C. The osmosensitive phenotype of the yeast tps1Δ mutant grown in NaCl and sorbitol was also restored by the SlTPS1 gene. Thus, SlTPS1 protein is a functional plant homolog capable of sustaining trehalose biosynthesis and could play a major role in stress tolerance in S. lepidophylla.

A Divine Round Trip: the Literary and Christological Function of the Descent/Ascent Leitmotif in the Gospel of John

The thesis of this dissertation is that the Descent/Ascent Leitmotif, which includes the language of not only descending and ascending, but also going, coming, and being sent, performs a significant literary and christological function in the Gospel of John. The Evangelist's Descent/Ascent Leitmotif becomes the Gospel's organizing principal, drawing together a constellation of verbs and a number of themes, including Jesus-Son's origin, identity, relationship to God, authority, signs and works, life, and glory. In the introductory chapter, after providing a layout of the dissertation, the discussion turns to the spacial dimensions and christological importance of the vertical and horizontal depictions of the descending, ascending, coming, going, and being sent verbs. The focus of chapter two is to explain and illustrate, using a version of the Cinderella story, a method that serves to identify the Leitmotif and the verbs, motifs, and themes the Leitmotif draws within its constellation. This approach, titled a thematic structural method, integrates works from thematic scholars Horst Daemmrich and Eugene Falk with works from literary structural scholars A. J Greimas and Roland Barthes, and is a tool to analyze the influence of the Leitmotif as the Gospel's organizing principal on the relationships between the Leitmotif and numerous themes from which John's Christology emerges. The task of chapter three is to explain the rationale for the selection of the Leitmotif's verbs of descending, ascending, coming, going, and being sent. Chapters four and five investigate how the Evangelist, with the repetition of the Leitmotif, constructs his narrative to tell the story of the historical Jesus and shape the Evangelist's Christology. Additionally, the focus is to analyze the transforming influences of the Descent/Ascent Leitmotif on the themes of Jesus-Son's origin, identity, relationship to the Father, and authority, through his signs and works, life, and glory. The Descent/Ascent Leitmotif depicts a divine round trip, and the emphasis of chapter six is to examine the role of the Leitmotif in Jesus-Son's departure from the world and return to God. The Evangelist's use of the Leitmotif in Jesus' prayer to the Father (John 17) and the promise of the Paraclete are included in this chapter. Due to the Descent/Ascent Leitmotif's inherent spatial overtones, elements related to Jesus' return, including heaven, world, the hour, and his form after his resurrection, are explored from a cosmological and ontological perspective.

The role of children in the traditional religious house-blessing rite of Salpassa in north-eastern Spain

Salpassa denotes the blessing of houses, land, and other belongings, carried out during Easter week and Resurrection (Easter) Sunday in the Valencia–Catalonia linguistic region of north-eastern Spain. Although it is now remembered mostly as a consecrating ceremony or a religious rite, recent field research has shown that a playful element, carried out by children through their songs and other activities, was also an important aspect of the traditional Salpassa.

Risālat sharḥ al-ʻashr fī maʻshar al-ḥashr / li-Mawlānā ibn Kamāl Bāshā : manuscript, 1584

Title from caption.

Alton Towers Triptych

1 ft. 2 1/4 in.x 1 ft. 5 19/32 in.x 4 41/64 in.; copper gilt with champlevé enamel, bordered by strips of copper gilt, set with six semi-precious stones and partly decorated with vernis brun (brown varnish) on wood

The complete works of Count Tolstóy /

Half title.

The complete works of Lyof N. Tolstoĭ /

War and peace, vols. III-IV. -- War and peace, vols. V-VI. -- Anna Karenina, vols. I-II. -- Anna Karenina, vol. III. ; Childhood, boyhood, youth -- A Russian proprietor ; The Death of Ivan Ilyitch and other stories -- The long exile, and other stories ; Master and man ; The Kreutzer sonata ; Dramas -- What is to be done? ; Life -- The Kingdom of God is within you ; What is art? ; What is religion? -- Resurrection, vols. I-II.

Theological views : comprising the substance of teachings during a ministry of thirty-five years, in New Orleans /

The existence and attributes of God -- The Bible -- Christian miracles -- Objections to the miracles of the New Testament answered -- Thoughts on the subject of sin -- The teachings of Scripture concerning punishment -- An examination of some of the erroneous interpretations of Scripture with respect to future retribution -- Exposition of Matthew 25:41 -- Parable of Dives and Lazarus -- The teachings of Jesus and his Apostles concerning the Resurrection and a future state -- On grace.

The headquarter recruit : and other stories /

The headquarter recruit -- Gougou -- The man in the woods and forests -- How Farlingby flew -- The quality of mercy -- A chintz-covered chair -- "Rouge gagne!" -- The fourth volume -- A stuffed lion -- The resurrection of Freddy -- Liege lady mine -- Toto the tempter -- Clairvoyance -- In the lagoon -- Mrs. Crichton's convert -- Transference -- A subaltern's healing --Todminster's thirst -- White fox -- Realization -- Full-sized James -- A new leaf -- The tribute of Offa.

Writings and translations of Myles Coverdale. Containing The old faith. A spiritual and most precious pearl. Fruitful lessons. A treatise on the Lord's supper. Order of the church in Denmark. Abridgement of the Enchiridion of Erasmus.

Contains reprints of original title-pages.