AS and A level government and politics through diagrams.

Recurso diseñado para la obtención del título de General Certificate of Education Advanced Subsidiary (GCE), en los niveles AS y A2 para las especificaciones AQA, Edexcel y OCR, de 2008. Su contenido se divide cinco secciones: introducción a la política; los ciudadanos, la política y la participación en el Reino Unido; el gobierno de UK; los ciudadanos, la política y la participación en USA; el gobierno de Estados Unidos.

Government and Politics for AS.

Este libro ofrece los hechos e ideas y focos de discusión más específicos y accesibles que son necesarios para tener éxito en la asignatura denominada Política de AS enseñanza secundaria. La razón para publicar una tercera edición de este libro fue, originalmente, la necesidad de reflejar los recientes cambios que han sido realizados en Edexcel en Gobierno y Política. El libro consta de dos unidades, la primera refleja un cambio de actitud en la naturaleza de la democracia en Gran Bretaña a través de los partidos políticos e ideas, el sistema electoral británico en las elecciones generales, se trata la naturaleza y funciones de los grupos de presión. La segunda unidad explica como es el gobierno del Reino Unido, la constitución, el parlamento, el primer ministro y el gabinete, el poder judicial y las libertades civiles.

The sociology of religion and the 'desecularisation of society'

Neste artigo, pretendo delimitar alguns dos mais importantes e recentes avanços na análise e na teorização que a Sociologia das Religiões sofreu na Alemanha, França e no mundo anglo-saxónico, nomeadamente os conceitos de "new cultural sociology", "new paradigm", e o debate sobre a dessecularização da sociedade. O centro encontra-se na crescente importancia da subjectividade e da espiritualidade. Por forma a não se reduzirem a simples aspectos teóricos, relacionamo-los com as alterações societais das sociedades modernas. Contudo, afirmamos que esta nossa abordagem foca especialmente o fenómeno descrito na Europa Central, assim como nas sociedades anglo-saxónicas. Afastando-nos deste enfoque, desejamos que também em Portugal e no Brasil se desenvolvam estudos sobre estes procesos teóricos e as suas relações com as mudanças nas sociedades.

«A majority of one already» : two notes on imagination and politics

This review considers two books on political philosophy not published in English language, Diogo Pires Aurélio's Imaginação e Poder (Imagination and Power, referred as IP) and Viriato Soromenho Marques' A Revolução Federal (The Federal Revolution, RF). All quotations of the books result from translations of my own initiative.

Castes, Social Mobility and Politics in Goa

While the colonial policies and the missionary activities dented the caste system by playing upon the caste rivalries to divide and rule, the post-independence Indian democracy transformed the traditional castes into valuable vote-banks that have permitted non-brahmin castes to achieve political leadership in several States, particularly following the politics of reservation recommended by the Mandal Commission in 1980s.

The light representation of religion and power in sound

The thematic and anathematic in music-making a reflection occurring after listening to an art song and a pop song from the 19th and 20th century Levantine music. Bach’s Orchestral Suites keep popping up, elegantly unveiling “the truth”.

Realism and politics in alienated space: Trevor Griffiths's plays of the 1970s in the television studio

The television studio play is often perceived as a somewhat compromised, problematic mode in which spatial and technological constraints inhibit the signifying and aesthetic capacity of dramatic texts. Leah Panos examines the function of the studio in the 1970s television dramas of socialist playwright Trevor Griffiths, and argues that the established verbal and visual conventions of the studio play, in its confined and ‘alienated’ space, connect with and reinforce various aspects of Griffiths's particular approach and agenda. As well as suggesting ways in which the idealist, theoretical focus of the intellectual New Left is reflexively replicated within the studio, Panos explores how the ‘intimate’ visual language of the television studio allows Griffiths to create a ‘humanized’ Marxist discourse through which he examines dialectically his dramatic characters' experiences, ideas, morality, and political objectives. Leah Panos recently completed her doctoral thesis, ‘Dramatizing New Left Contradictions: Television Texts of Ken Loach, Jim Allen, and Trevor Griffiths’, at the University of Reading and is now a Postdoctoral Researcher on the AHRC funded project, ‘Spaces of Television: Production, Site and Style’, which runs from July 2010 to March 2014.