973 resultados para Newton, Isaac, Sir, 1642-1727
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Available on demand as hard copy or computer file from Cornell University Library.
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By Addison and Steele.
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Goldsmiths'-Kress no. 17133.
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Authorship attributed to Sir Henry Taylor.
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271 numbers, originally issued in folio, three times a week, April 12, 1709, to January 2, 1710 [i.e. 1711]. About 188 numbers were by Steele, who was also the projector; 42 by Addison and 36 by them jointly.
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Vol. 3-5 have imprint: London, C. K. Paul & co., 1878.
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271 numbers, originally issued in folio, three times a week, April 12, 1709, to Jan. 2, 1710 [i.e. 1711]. About 188 numbers were by Steele; 42 by Addison and 36 by them jointly.
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Camden society reports, list of members, etc.: 35 p. at end.
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Mode of access: Internet.
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Each vol. has a separate index.
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Each part except "Poems on several occasions" has special t.p.
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Includes index.
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El artículo ofrece una edición y traducción de una soghitha atribuida a ‘Isaac el Maestro, que se encuentran en el Sinaí siriaco 10. A la vista de la gran cantidad de memre inéditos atribuidos a uno u otro de los tres poetas siriacos de los siglos V y VI de nombre Isaac, un apéndice proporciona una lista alfabética de los incipits de todos los memre atribuidos a un Isaac que se encuentran en manuscritos tempranos datables en los siglos VI y VII.
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The picturesque aesthetic in the work of Sir John Soane, architect and collector, resonates in the major work of his very personal practice – the development of his house museum, now the Soane Museum in Lincoln’s Inn Fields in London. Soane was actively involved with the debates, practices and proponents of picturesque and classical practices in architecture and landscape and his lectures reveal these influences in the making of The Soane, which was built to contain and present diverse collections of classical and contemporary art and architecture alongside scavenged curiosities. The Soane Museum has been described as a picturesque landscape, where a pictorial style, together with a carefully defined itinerary, has resulted in the ‘apotheosis of the Picturesque interior’. Soane also experimented with making mock ruinscapes within gardens, which led him to construct faux architectures alluding to archaeological practices based upon the ruin and the fragment. These ideas framed the making of interior landscapes expressed through spatial juxtapositions of room and corridor furnished with the collected object that characterise The Soane Museum. This paper is a personal journey through the Museum which describes and then reviews aspects of Soane’s work in the context of contemporary theories on ‘new’ museology. It describes the underpinning picturesque practices that Soane employed to exceed the boundaries between interior and exterior landscapes and the collection. It then applies particular picturesque principles drawn from visiting The Soane to a speculative project for a house/landscape museum for the Oratunga historic property in outback South Australia, where the often, normalising effects of conservation practices are reviewed using minimal architectural intervention through a celebration of ruinous states.
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Medical personnel serving with the Defence Forces have contributed to the evolution of trauma treatment and the advancement of prehospital care within the military environment. This paper investigates the stories of an Australian Medical Officer, Sir Neville Howse, and two stretcher bearers, Private John Simpson (Kirkpatrick) and Private Martin O’Meara, In particular it describes the gruelling conditions under which they performed their roles, and reflects on the legacy that they have left behind in Australian society. While it is widely acknowledged that conflicts such as World War One should never have happened, as civilian and defence force paramedics, we should never forget the service and sacrifice of defence force medical personnel and their contribution to the body of knowledge on the treatment of trauma. These men and women bravely provided emergency care in the most harrowing conditions possible. However, men like Martin O’Meara may not have been given the same status in society today as Sir Neville Howse or Simpson and his donkey, due to the public’s lack of awareness and acceptance of war neurosis and conditions such as post traumatic stress disorder, reactive psychosis and somatoform disorders which were suffered by many soldiers during their wartime service and on their return home after fighting in war.