907 resultados para Nazism and Religion


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I. The French alliance. Condition of the church. The eve of the reformation, 1550-1559. The war of reformation, 1559-1560. The reformation parliament. John Knox. Maitland and Mary Stewart, 1561-1567. Civil war, 1568-1573. The new religion. Church and state. Bishops and presbyters, 1572-1625. The reign of the moderates. The national covenant, 1625-1638. Presbytery restored, 1638. The Glasgow assembly.--II. The covenant in arms, 1639-1641. The solemn league and covenant, 1641-1643. The royalist reaction, 1644-1648. The theocratic experiment, 1648-1651. The reign of the zealots. The restoration, 1651-1663. The Pentland rising, 1663-1667. The Leighton group, 1667-1674. The Bothwell rising, 1674-1680. Fanaticism and repression, 1680-1685. The revolution, 1685-1688. The revolution settlement, 1688-1695.

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"History of the researches into the sacred writings and religion of the Parsis": p. [1]-62.

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An essay towards making the knowledge of religion easy to the meanest capacity / Edward Synge: v.1, p. 28-57 of main sequence.

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Description based on: vol. 3, 1861.

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"One portion of ... [Dr. Rupp's Von der freiheit, ein zeugniss für das evangelium] now appears for the first time in an English dress in the present volume".--p. xxi.

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This collection is the first to offer a genuinely interdisciplinary approach to Krzysztof Kie?lowski’s Decalogue, a ten-film cycle of modern tales that touch on the ethical dilemmas of the Ten Commandments. The cycle’s deft handling of moral ambiguity and inventive technique established Kie?lowski as a major international director. Kie?lowski once said, “Both the deep believer and the habitual skeptic experience toothaches in exactly the same way.” Of Elephants and Toothaches takes seriously the range of thought, from theological to skeptical, condensed in the cycle’s quite human tales. Bringing together scholars of film, philosophy, literature, and several religions, the volume ranges from individual responsibility, to religion in modernity, to familial bonds, to human desire and material greed. It explores Kie?lowski’s cycle as it relentlessly solicits an ethical response that stimulates both inner disquiet and interpersonal dialogue.