998 resultados para Michael, Robert


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Murray Valley encephalitis (MVE) virus is a mosquito-borne flavivirus causing severe encephalitis with a resultant high morbidity and mortality. In the period 1989-1993. we undertook a cross-sectional and longitudinal studs by annually screening members of a small remote Aboriginal community in northwestern Australia for MVE virus antibodies. Of the estimated 250-300 people in the community. 249 were tested, and 52.6% had positive serology to MVE. The proportion testing positive increased with increasing age group. and males were slightly more likely to be positive than females. During the study period. a high proportion of the population seroconverted to MVE: the clinical/subclinical ratio seems to be lower than previously reported. Although MVE is mostly asymptomatic, the devastating consequences of clinical illness indicate that advice should be provided regarding the avoidance of mosquito bites. Our longitudinal study showed that the risk of seroconversion was similar for each age group. not just the young.

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The Internet has the potential for delivering innovative, interactive physical activity (PA) interventions to large numbers of people. This study was designed to test the efficacy. of ant Internet intervention that consisted of a Web site plus 12 weekly e-mail tip sheets, compared with a waiting list control group. The Internet intervention was theory based and emphasized clear, graphical presentation of PA information. Sixty-five (30 intervention and 35 control) sedentary adult employees of several large hospitals (9 men and 56 women) were randomly assigned to 1 of the 2 study arms. Of the 65 participants, 57 completed the 1-month follow-up, and 52 completed the 3-month follow-up. At both 1 and 3 months, those in the intervention group were significantly more likely to have progressed, in stage of motivational readiness for PA than participants in the control group: 1 month, chi(2)(1, N = 52) = 4.05, p

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No presente trabalho, o autor procura analisar, ou mais exatamente desconstruir, a essência do pensamento dito de “estratégia” e de governança das organizações, atualmente dominante na cena acadêmica da administração. Servindo-se de uma leitura tanto histórica, heurística, como epistemológica e metodológica da obra e do sistema dominantes no assunto, denominado por ele “porterismo”, o autor faz um balanço crítico do conjunto de teorias da “estratégia” gerencial em geral e daquela do autor mais considerado no assunto: Michael Porter.

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Dealing with ancient manuscript or old printed texts often constitutes a difficult task, especially to philologists and editors, for two main reasons: the precarious state of preservation of the documents and the uncertainty regarding their origin, authenticity and authorship. These problems are aggravated by spurious versions, due to the publication of truncated works, poorly supervised miscellanies and non-authorised editions. Sir Robert Sidney’s literary text constitutes an exception amidst such vicissitudes, once the original corpus is wholly contained in a notebook exhibiting the organisation and unity conceived by the author himself. Today, there is no evidence that any loose poems, either autograph or copied by amanuenses, were in circulation among members of the Elizabethan court society. The notebook was kept in private collections for four centuries, which probably explains why it was so well preserved. In fact, only in 1984 would P.J. Croft’s fine edition bring the youngest Sidney’s Poems into light. In this work, I approach Croft’s perceptive, accurate philological study that eventually rescued from oblivion a remarkable piece both of the Elizabethan lyric poetry and of the English Renaissance, and, at the same time, look into Robert Sidney’s peculiar, careful and original formatting of his own autograph manuscript.

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O tema sobre o qual me proponho escrever insere-se no âmbito da 'tradução intersemiótica', já que se trata de uma análise comparativa da obra Der Sturz des Ikarus, de Pieter Brueghel, e do poema Schimmernde Inselchen im Meer, de Robert Walser, em que estamos perante um exemplo flagrante de transposição de uma obra pictórica para a escrita. No artigo, darei, ainda, especial enfoque à questão de aquele quadro representar, também ele, um exemplo de 'tradução intersemiótica' (neste caso, uma passagem da palavra às artes plásticas), uma vez que Brueghel faz, nele, uma recontextualização do mito de Ícaro, ao transpor para a tela um poema de Ovídio (estamos, assim, mais uma vez, perante um exemplo de mudança de medium). Dado que a questão da 'tradução intersemiótica' se inscreve numa outra, mais vasta ainda, que éa da intertextualidade, tentarei enquadrar uma na outra, tecendo, na introdução do artigo e, sempre que oportuno, ao longo do mesmo, algumas considerações breves sobre a função significante do mitema, as metamorfoses do mito e o papel do mito no 'diálogo intermedial das artes' ao longo dos tempos. Nesta análise comparativa, parto do pressuposto de estarmos, em qualquer tradução, face a um acto de re-escrita, pelo que há que reflectir, particularmente no caso da 'tradução intersemiótica', sobre a (nova) dimensão interpretativa conferida pelo processo de transposição mediática