Leyendas españolas,

In verse.

Leyendas histoŕicas mexicanas,

Mode of access: Internet.

Las noches del Albaicín : tradiciones, leyendas y cuentos granadinos /

Mode of access: Internet.

Cuentos históricos, leyendas antiguos y tradiciónes populares de España.

In verse.

Cantos del trovador : colleccion de leyendas y tradiciones historicas /

Mode of access: Internet.

Leyendas históricas mexicanas costumbes [sic] y mitología,

"Dictionary of Spanish words": p. [169]-203.

Leyendas de amor.

Mode of access: Internet.

Época colonial : México viejo, noticias históricas, tradiciones, leyendas y costumbres /

New edition of the author's two series of essays which were published separately, 1891 and 1895. The first series appeared originally in El Nacional, 1890-91.

Yucatán : artículos amenos acerca de su historia, leyendas, usos y costumbres, evolución social, etc., etc. /

Mode of access: Internet.

Écfrasis y Lecturas Icono-textuales en las "Leyendas" de Gustavo Adolfo Bécquer

The relationship between literature and the visual arts is ancient and it has been studied from different conceptual frames. Scholars agree that both have a descriptive function and therefore share the common goal of portraying a fictional or nonfictional reality. Based on this correspondence between two different modes of artistic expression, the Roman poet Horace coined the well-known simile ut pictura poesis --as is painting so is in poetry-- which in turn functions as the theoretical underpinning of ekphrasis, a rhetorical device through which one medium of art tries to describe the essence and form of another medium of art, with the purpose of enhancing the original work described. Spanish post-romantic poet and writer Gustavo Adolfo Bécquer (1836-1870) mastered this rhetorical strategy by expertly weaving all of his artistic interests into his prose. The purpose of this dissertation is to analyze how Bécquer makes his readers both see and hear through his prose. My semiotic research encompasses the various forms of ekphrasis used by Bécquer in the “Leyendas”. It shows how both images and symbols produce in readers sensory experiences that enhance their role as active participants in the creation of meaning. Thus, Bécquer´s prose is like a painting which not only tells a story, but also reflects reality through the eyes of the reader’s imagination. By using these ekphrastic strategies in his collection of short stories, Bécquer makes words, paintings, and music converge and collide with iconography, visual culture, and intertextuality. These components must be read, seen, heard, and understood to be more than just complementary to the text, but rather crucial elements, equal in importance to verbal expression. This analysis shows how Bécquer’s “Leyendas” not only tackle notions such as fantasy, figuration, and imagination, but also the importance of the reader´s gaze. Bécquer integrates processes such as imaginative action, iconization and visualization, into a semantic web whereby the reader creates his own particular hermeneutic image.

En contacto con las gemas y sus leyendas : piedras fascinantes

Fondo Margaritainés Restrepo

Leyendas urbanas o relatos que rondan por las esquinas: ¡psss, pssss! ¿Supiste el chisme?

Fondo Margaritainés Restrepo

Las leyendas romanas en el "Prólogo" de El Victorial de Gutierre Díaz de Games

Fil: Pérez, Santiago A.. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Las leyendas romanas en el "Prólogo" de El Victorial de Gutierre Díaz de Games

Fil: Pérez, Santiago A.. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.