A view of South America and Mexico : comprising their history, the political condition, geography, agriculture, commerce, &c. of the republics of Mexico, Guatemala, Columbia, Peru, the united provinces of South America and Chile, with a complete history of the revolution in each of these independent states /

1839 ed. published under title : History of South America and Mexico.

History of South America and Mexico; comprising their discovery, geography, politics, commerce and revolutions.

Earlier edition published anonymously under title: "A view of South America and Mexico ... By a citizen of the United States."

A view of South America and Mexico, comprising their history, the political condition, geography, agriculture, commerce, &c. of the republics of Mexico, Guatemala, Columbia, Peru, the United Provinces of South America and Chili, with a complete history of the revolution in each of these independent states.

Mode of access: Internet.

The seven laws of teaching /

Mode of access: Internet.

A collection of farces and other afterpieces : which are acted at the Theatres Royal, Drury-Lane, Covent-Garden and Hay-Market. /

v.6. The deuce is in him / by George Colman. Edgar and Emmeline / by John Hawkesworth. Richard Coeur de Lion / [by M.J. Sedaine] The maid of the Oaks / by John Burgoyne. Tom Thumb / [by Henry Fielding] The doctor and the apothecary / [by James Cobb] The first floor / [by James Cobb] The adopted child / by Samuel Birch. The farm house / [by Charles Johnson]--v.7. Lodoiska / by J.P. Kemble. Ways and means / by George Colman. The school for authors / by John Tobin. Midas / [by Kane O'Hara] The waterman / by Charles Dibdin. The author / by Samuel Foote. The old maid / [by Arthur Murphy] The miller of Mansfield / by Richard Dodsley. Comus / altered from John Milton.

Ezzelin III. von Romano : I. Teil: Die grundung der Signorie (1194-1244).

Thesis (doctoral)--Universitat Freiburg i.B.

A new study of English poetry,

"The greater part of the twelve essays" delivered as "lectures of the Professor of Poetry at the Royal Society of Literature."--Pref.

Early Tudor poetry, 1485-1547,

At head of title: Studies in Tudor literature. First published in 1920.

Systems engineering mathematics.

Prentice-Hall international series in space technology.

Brain and mind in the 'long' eighteenth century

How should the 'long' eighteenth century be defined? January 1, 1700 and December 31, 1799 are quite arbitrary dates. Why should they be chosen to segment our history rather than more significant periods of time, periods which have a coherent content, or are marked, perhaps, by the working out of a theme? Students of English literature sometimes take the long eighteenth century to extend from John Milton (Paradise Lost, 1667) to the passing of the first generation of Romantics (Keats (d. 1821), Shelley (d. 1822), Byron (d. 1824), Coleridge (d. 1834)). Students of British political history often take it to start with the accession of Charles II (the Restoration) in 1660 or, alternatively, the so-called Glorious Revolution of 1688 and to end with the great Reform Act of 1832. Others might choose different book ends. In the history of science and philosophy the terminus a quo is sometimes taken as the publication of Descartes' scientific philosophy or, in more Anglophone zones, the 1687 publication of Newton's Principia with its vision of a 'clockwork universe'. 'Nature and Nature's laws' as Alexander Pope enthused, 'lay hid in Night: God said, Let Newton be! and all was light!'.

Les fêtes d'Hébée, ou, Les talents liriques: ballet

mis en musique par M. Rameau, et réprésenté pour la premiere fois, par l'Académie royale de musique, au mois de may 1739.

Abu Hassan: Oper in einem Act

Gedicht von J.F. Hiemer ; Musik von Carl Maria von Weber ; vollständiger Clavierauszug vom Componisten.

Der Wildschütz, oder, Die Stimme der Natur: komische Oper in drei Akten

Musik von Albert Lortzing ; vollständiger Klavierauszug [von F.L. Schubert.]

Euryanthe: grosse romantische Oper in 3 Aufzügen

Dichtung von Helmine von Chezy, geb. Freyinn von Klencke ; in Musik gesetzt ... von Carl Maria von Weber ... ; vollständiger vom Componisten verfertigter Clavier-Auszug.

John Gledson reescreve Milton Hatoum: a teoria e a experiência da tradução cultural

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)