Managing International Hospitality

To understand today's hospitality industry, executives need to recognize its international dimension. In this, the first part of a two-part article on the international dimension of hospitality, the author considers the forces driving hospitality's internationalization, the advantages drawing foreign investment into the North American market, and the patterns of expansion of American firms in overseas markets. The article is excerpted from Introduction to Management in the Hospitality Industry, New York: John Wiley & Sons, 1992.

Spatial and temporal variation of microbial properties in the water column of Florida Bay

Physical and biological properties of the water column of Florida Bay were examined at seven study sites over an eighteen month period. The results indicated seasonality in some parameters, but was not evident in others. The data displayed statistically significant (P < 0.05) differences between study sites indicating spatial variation. The presence of seagrass affected the overlying water column, especially with respect to the biological parameters: those areas overlying seagrass beds displayed statistically significantly higher values than those over sparsely covered or barren areas. During the period of the study, Florida Bay experienced a seagrass die-off event: microbial activity and numbers were statistically significantly higher over areas of dying seagrass than over healthy or dead areas. The results of this study pointed to phosphorus being the controlling, or limiting factor, for microbial activity in the water column of Florida Bay.

THREE AMERICAN INTERNATIONAL PIANO COMPETITIONS: THE PIANO WORKS THEY COMMISSIONED BETWEEN 1962 AND 2012

Over a period of 50 years—between 1962 and 2012—three preeminent American piano competitions, the Van Cliburn International Piano Competition, the University of Maryland International Piano Competition/William Kapell International Piano Competition and the San Antonio International Piano Competition, commissioned for inclusion on their required performance lists 26 piano works, almost all by American composers. These compositions, works of sufficient artistic depth and technical sophistication to serve as rigorous benchmarks for competition finalists, constitute a unique segment of the contemporary American piano repertoire. Although a limited number of these pieces have found their way into the performance repertoire of concert artists, too many have not been performed since their premières in the final rounds of the competitions for which they were designed. Such should not be the case. Some of the composers in question are innovative titans of 20th-century American music—Samuel Barber, Aaron Copland, Leonard Bernstein, John Cage, John Corigliano, William Schuman, Joan Tower and Ned Rorem, to name just a few—and many of the pieces themselves, as historical touchstones, deserve careful examination. This study includes, in addition to an introductory overview of the three competitions, a survey of all 26 compositions and an analysis of their expressive characteristics, from the point of view of the performing pianist. Numerous musical examples support the analysis. Biographical information about the composers, along with descriptions of their overall musical styles, place these pieces in historical context. Analytical and technical comprehension of this distinctive and rarely performed corner of the modern classical piano world could be of inestimable value to professional pianists, piano pedagogues and music educators alike.

Metamorfoses musicais em concerto

Uma transcrição musical consiste numa composição adaptada de uma obra original para outra instrumentação, que não a inicialmente definida pelo compositor. Nestas, o conteúdo original tende a permanecer o mais fiel possível (De Vente, 2005). A partir do século XIX esta prática tornou-se corrente e prolífica. Atualmente, o uso de transcrições é bastante comum, especialmente quando destinado a instrumentos musicais com uma história recente devido à sua falta de repertório canónico. Um instrumento característico deste último grupo é o saxofone para o qual se tem transcrito uma grande quantidade de obras com especial ênfase nos períodos barroco e romântico. Nesta monografia detalho uma abordagem metodológica à transcrição musical que visa expandir o repertório para saxofone para além dos períodos barroco e romântico, assim como instrumentações e desafios diversos no processo de adaptação tais como: adaptar obras polifónicas para um instrumento monofónico, transcrever gestos técnicos e específicos de um instrumento de corda e criar continuidades sonoras típicas do uso do pedal no piano no saxofone. O processo de transcrição descrito nesta monografia impõe uma metamorfose timbrica às obras originais e oferece ao ouvinte uma perspectiva diferente sobre o conteúdo musical assim como questiona conceitos de autenticidade e autoria. Quatro composições que seguem a atual proposta de transcrição são apresentadas e documentadas. De ressaltar a diversidade de escolhas do repertório transcrito em termos de estilo, e instrumentação que se traduzem num grande desafio na adaptação ao saxofone, entre estas: Dream, John Cage, Chaccone em Sol menor, Tomaso Vitali, Fratres, Arvo Pärt e o Inverno das Quatro Estações, Antonio Vivaldi.

Portfolio of compositions with commentaries 2012-2015

This writing forms part of a portfolio of works which gathers together notations and recordings made between 2012 and 2015. The writing divides into four chapters. The first chapter undertakes an examination of abstraction. From the proposition obtained therein, that it is possible to extend within abstraction beyond a correspondence between its terms and concrete manifestations, I ask in what way abstraction may be considered to function therefrom. The second chapter performs an analysis of radical music notations from the nineteenth, twentieth, and twenty-first centuries. The central analysis identifies what is essentially an evolution of what I call ''figuration'' throughout three non-chronological phases of Christian Wolff's notations. The chapter closes by questioning what form of understanding might yet be pursued in respect of this work given (a) its nature, and (b) the nature of our inquiry. The third chapter reflects on some of the philosophical problematics raised in the preceding chapters, at the same time as it prepares for those that follow in the final chapter. The final chapter is a record of the development of my thought appertaining to my compositional work. It sets out two case studies (prepared piano and postcard notations) before proceeding to a selected set of commentaries. Finally, the notion of the functioning of written and acoustical ''marks'' developed in the preceding commentaries is generalised as I develop an aesthetics of scriptural experience.

Unveiling of the statue of John Paul Jones, Washington, April 17, 1912.

Mode of access: Internet.

Record of the annual Hench and Dromgold reunion held in Perry County, Pa., from 1897 to 1912. These records contain the genealogies of Nicholas Ickes, Johannes Hench, Zachariah Rice, John Hartman, Thomas Dromgold and kindred families who were among the early settlers of Chester Co., and served in the revolution.

Mode of access: Internet.

John L. Lavan, UM Baseball, 1910-1912 (Doc Lavan)

[later varsity basketball coach, 1918-1919, and director of intramural athletics]

Clinical and radiographic outcomes of acetabular impaction grafting without cage reinforcement for revision hip replacement : a minimum ten-year follow-up study

Impaction bone grafting for reconstitution of bone stock in revision hip surgery has been used for nearly 30 years. We used this technique, in combination with a cemented acetabular component, in the acetabula of 304 hips in 292 patients revised for aseptic loosening between 1995 and 2001. The only additional supports used were stainless steel meshes placed against the medial wall or laterally around the acetabular rim to contain the graft. All Paprosky grades of defect were included. Clinical and radiographic outcomes were collected in surviving patients at a minimum of 10 years following the index operation. Mean follow-up was 12.4 years (SD 1.5; range 10.0-16.0). Kaplan-Meier survivorship with revision for aseptic loosening as the endpoint was 85.9% (95% CI 81.0 to 90.8%) at 13.5 years. Clinical scores for pain relief remained satisfactory, and there was no difference in clinical scores between cups that appeared stable and those that appeared loose radiographically.

Investigations Of Iron Adducts Of C-60 - Novel Fec60 In The Solid-State With Fe Inside The C-60 Cage

By carrying out contact-arc vaporization of graphite in a partial atmosphere of Fe(CO)5, an iron-adduct with C60 has been obtained. The adduct has been characterized by various techniques including mass spectrometry, Fe-57 Mossbauer spectroscopy and Fe K-EXAFS. Properties of this adduct are compared with those of an adduct prepared by solution method where Fe is clearly outside the cage. Results suggest that FeC60 obtained from the gas phase reaction has the Fe atom in the cage.

Letras, 1991-1992, nº 25-26 (número completo)

Contenido: Palabras del Señor Rector / Guillermo P. Blanco – Testimonio / Juan Roberto Courrèges – Historia de un fervor / Teresa Iris Giovacchini – Homenaje / Luis Martínez Cuitiño – Paul Claudel en una de sus “Odas” / Ángel J. Battistessa – Apertura de Nuevos Mundos: 1492-1969 (Documentos igualmente augurales) / Raúl H. Castagnino – Valor condicional de adjetivos con rasgos de predicativos / Hilda Albano de Vázquez – Buzzati, dos en uno / Daniel H. Capano – La estructura circular de “Adán Buenosayres” / Norma Carricaburo – Una constante poética en la producción dramática de Armando Discépolo: continuidad e innovación en el realismo / Jorge Adrián Dubatti – La Saya/Fuga de J. B. o la novela épico-lúdica de un juglar laborioso / Teresa Iris Giovacchini – Algunas notas sobre el didactismo del Libro de Buen Amor / Elsa C. González Bolia – La “Noche oscura”, de San Juan de la Cruz, poema en diálogo / Teresa Herraiz de Tresca – Bernal Díaz del Castillo y las comunicaciones hispano-aztecas / Ernesto Livacic Gazzano – Hacia una teoría borgeana de la recepción / Luis Martínez Cuitiño – El Árbol, el Bosque y John Fowles (A propósito de la reedición de “The tree”) / Rosa E. M. D. Penna – El orden primero recuperado: “Le livre de Christophe Colomb de Paul Claudel / Paulette Rachou – La Torre de Apolidón y el influjo del Libro de Marco Polo en el Amadís de Gaula / Aquilino Suárez Pallasá – Jorge Manrique en la tradición literaria del amor y de la muerte / Lía Noemí Uriarte Rebaudi – Reseñas bibliográficas

Direito e interpretação na tradição do positivismo jurídico: uma análise de John Austin, H. L. A. Hart e seus críticos

O objetivo desta dissertação de mestrado é examinar as teses centrais do positivismo jurídico de John Austin e de H. L. A. Hart. Analiso inicialmente as críticas que Hart faz à teoria do direito como comando, proposta inicialmente por Austin na primeira metade do século XIX. Em seguida, ocupo-me das críticas de Ronald Dworkin ao positivismo jurídico, bem como das tentativas recentes de se retomar a teoria do direito como comando. Por fim, procuro mostrar de que forma a discussão em torno das críticas ao positivismo legal foi recebido no contexto do debate teórico-jurídico no Brasil.