Jane Fierny, Kniestück, Profil

Signatur des Originals: S 36/F08556

Jane Gay, Rollenbild, Brustbild, Profil

Signatur des Originals: S 36/F08625

Jane Horwitz, Rollenbild, Kniestück

Signatur des Originals: S 36/F08860

Jane Horwitz, Rollenbild, Brustbild

Signatur des Originals: S 36/F08861

Jane Ladine, Brustbild

Signatur des Originals: S 36/F09026

Jane May, Rollenbild, Brustbild, Profil, in: Daniel-Francois-Esprit Auber: L'Enfant prodigue

Signatur des Originals: S 36/F09238

Jane May, Szenenfoto, in: Daniel-Francois-Esprit Auber: L'Enfant prodigue

Signatur des Originals: S 36/F09239

A evolução jurisprudencial dos sistemas regionais internacionais de proteção aos direitos humanos / Jete Jane Fiorati. --

Inclui notas explicativas e bibliográficas.

A convenção interamericana sobre eficácia extraterritorial das sentenças e laudos arbitrais estrangeiros : um paralelo com o direito interno brasileiro e com o projeto de lei de aplicação de normas jurídicas / Jete Jane Fiorati. --

Inclui bibliografia.

The Caustic Pen Is Mightiest: A Tradition of Female Satire in the Novels of Jane Austen, Ivy Compton-Burnett, and Muriel Spark

Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate the problems they have with society more through presentation than judgment in their satire, which places them on the fringes of a society they wish to educate, distinguishing their satire from that written by male satirists who are judging from a privileged height above the society they are attempting to correct. All three women create heroines and secondary female characters who find ways to survive, and occasionally thrive, within the confines of a polite society that has a streak of savagery running just beneath its polished surface.