474 resultados para Illusion romanesque


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Which changes has the official dismantling of apartheid brought in the novel writing of the two South African Nobel Prize winners? Focussing on Gordimer’s Get a life and Coetzee’s Elizabeth Costello, this study tries to reflect that main question. Theoretically, some elements of the cultural studies such as the popular, the liberalism and the fiction as a political work, help me develop my work. Narratology and structuralism help me for the literary study of the narratives, which constitute the core of my reflexion. From my study it appears that the post-apartheid novel as written by Coetzee and Gordimer has the same ideological orientation as their writing during the apartheid era. They write from the dominant perspective and dominant group. This situation challenges as Gordimer’s as Coetzee’s popularity on the ground of South African literature.

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With “Marx Illusion”, Claudiu Coman recalls sociology - this science of analytic and methodological strictness - to its uncorrupted philosophical dignity. Not only the theorization - that is the seduction of quality essay, Claudiu Coman demonstrating here a single ability - but the philosophy itself: a science, if we want, but as a way of cognitive enclosure of the beings of the world, firstly of those who make the world possible, but of the transcendent world that transcends them making possible - as a 20th century scientist would say - the man’s connection to an existence that is not his own, but that identifies itself with the difference. Being in the world - M. Heidegger writes (in 1928, after the apparition of the work “The Being and Time”) - it is specific only to the man - and here within the Territory of Existence I have the impression that philosophy and sociology responded together. However, working together with philosophy, the sociology extends enveloping the “world less” beings, too. These things would already been in the world as “direct” things (“handy”) being caught by the man by referring to them in the world itself.

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Recent advances in the field of statistical learning have established that learners are able to track regularities of multimodal stimuli, yet it is unknown whether the statistical computations are performed on integrated representations or on separate, unimodal representations. In the present study, we investigated the ability of adults to integrate audio and visual input during statistical learning. We presented learners with a speech stream synchronized with a video of a speaker's face. In the critical condition, the visual (e.g., /gi/) and auditory (e.g., /mi/) signals were occasionally incongruent, which we predicted would produce the McGurk illusion, resulting in the perception of an audiovisual syllable (e.g., /ni/). In this way, we used the McGurk illusion to manipulate the underlying statistical structure of the speech streams, such that perception of these illusory syllables facilitated participants' ability to segment the speech stream. Our results therefore demonstrate that participants can integrate audio and visual input to perceive the McGurk illusion during statistical learning. We interpret our findings as support for modality-interactive accounts of statistical learning.

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Motion-induced blindness (MIB) occurs when target stimuli are presented together with a moving distractor pattern. Most observers experience the targets disappearing and reappearing repeatedly for periods of up to several seconds. MIB can be viewed as a striking marker for the organization of cognitive functioning. In the present study, MIB rates and durations were assessed in 34 schizophrenia-spectrum disorder patients and matched controls. The results showed that positive symptoms and excitement enhanced MIB, whereas depression and negative symptoms attenuated the illusion. MIB was more frequently found in normal subjects. The results remained consistent after adjusting for reaction time and error rates. Hence, MIB may provide a valid and reliable measure of cognitive organization in schizophrenia.

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Informationstheorie handelt nicht davon, was gesagt wird, sondern von dem, was gesagt werden könnte. Unter informatischen Bedingungen sind nicht die sogenannten "Inhalte" entscheidend, sondern die Anordnung und Verknüpfung von Daten. Der fundamentale Unterschied zwischen digitalen und analogen Bildern ist, dass digitale Bilder Information haben. Sie beschränken sich auf die Endlichkeit einer Datenmenge, deren Informationsgehalt streng genommen das ist, was nach maximaler, verlustfreier Kompression übrigbleibt. Mit dem Akt der gewalttätigen Repräsentation, mit der Beschneidung der analogen Unendlichkeit erkauft sich das Digitale gewissermaßen die Freiheit seiner Speicherbarkeit, seiner Übertragbarkeit und seiner Prozessierbarkeit. Der ganze Komplex der "Digitalisierung" und Vernetzung bedeutet dabei viel mehr als eine Übersetzungsleistung vorhandener "Inhalte" in ein anderes technisches "Medium". Die sogenannten "Inhalte", die Verkehrsformen und das Wissen einer Disziplin überhaupt existieren nicht unabhängig von ihren technischen Gegebenheiten, ihren Institutionen und Inszenierungsweisen. Kunstgeschichte, wie wir sie kennen, wird nicht als digitalisierte zu haben sein, sie gerät dabei zwangsläufig zu einer anderen und wir können nicht absehen, wie diese aussieht.

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BACKGROUND Bodily sensations are an important component of corporeal awareness. Spinal cord injury can leave affected body parts insentient and unmoving, leading to specific disturbances in the mental representation of one's own body and the sense of self. OBJECTIVE Here, we explored how illusions induced by multisensory stimulation influence immediate sensory signals and tactile awareness in patients with spinal cord injuries. METHODS The rubber hand illusion paradigm was applied to 2 patients with chronic and complete spinal cord injury of the sixth cervical spine, with severe somatosensory impairments in 2 of 5 fingers. RESULTS Both patients experienced a strong illusion of ownership of the rubber hand during synchronous, but not asynchronous, stroking. They also, spontaneously reported basic tactile sensations in their previously numb fingers. Tactile awareness from seeing the rubber hand was enhanced by progressively increasing the stimulation duration. CONCLUSIONS Multisensory illusions directly and specifically modulate the reemergence of sensory memories and enhance tactile sensation, despite (or as a result of) prior deafferentation. When sensory inputs are lost, and are later illusorily regained, the brain updates a coherent body image even several years after the body has become permanently unable to feel. This particular example of neural plasticity represents a significant opportunity to strengthen the sense of the self and the feelings of embodiment in patients with spinal cord injury.

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An old explanation of the moon illusion holds that various cues place the horizon moon at an effectively greater distance than the elevated moon. Although both moons have the same angular size, the horizon moon must be perceived as larger. More recent explanations hold that differences in accommodation or other factors cause the elevated moon to appear smaller. As a result of this illusory difference in size, the elevated moon appears to be more distant than the horizon moon. These two explanations, both based on the geometry of stereopsis, lead to two diametrically opposed hypotheses. That is, a depth interval at a long distance is associated with a smaller binocular disparity, whereas an equal depth interval at a smaller distance is associated with a larger disparity. We conducted experiments involving artificial moons and confirmed the hypothesis that the horizon moon is at a greater perceptual distance. Moreover, when a moon of constant angular size was moved closer it was also perceived as growing smaller, which is consistent with the older explanation. Although Emmert's law does not predict the size–distance relationship over long distances, we conclude that the horizon moon is perceived as larger because the perceptual system treats it as though it is much farther away. Finally, we observe that recent explanations substitute perceived size for angular size as a cue to distance. Thus, they imply that perceptions cause perceptions.