Overexploitation, malnutrition and stigma in a woman's illness: chlorosis in contemporary Spanish medicine (1877-1936)

The work was financed by the Project: 'Antecedentes históricos de la nutrición comunitaria en España: los primeros intentos de institucionalización, 1923-1947' (HUM2005-04961-C03-01).

Nostalgic representation of reality in television fiction: an empirical study based on the analysis of the Spanish television series Cuéntame cómo pasó

The Spanish transition from dictatorship to democracy is often described as an example of negotiation or agreement between the elites (Sánchez Cuenca and Aguilar, 2009: 433). Journalistic and political elites, aware of their important historical role, agreed a consensus on certain issues (democracy, constitution, amnesty) or characters (King Juan Carlos I), in order to ensure the stability of the democratic process (Zugasti, 2007, 2008). Television, which articulates the discourse of the masses, has been one of the basic means used to illustrate the development. Among the highlights of recent major audiovisual content, Cuéntame cómo pasó (2001-present) -a TV-series designed to explain changes with a nostalgic tone in Spanish society since 1968 until today- stands out. By choosing a random sample of episodes for this research we propose to verify the validity of the representation of the political process which contextualizes the series. By analyzing many elements, such as the opinions of the main characters, their personal, political and geographical situations, we try to show the construction of a focal point that sanctifies the official version. We also stress the pacifying and nostalgic tone, which constructs stereotypes and taboos about the process and which characterizes this series as a symbolic culmination of the democratization undertaken by the elites.

Local government in the Spanish colonies as provided by the Recopilación de leyes de los Reynos de las Indias,

"Reprint from the Southwestern historical quarterly, July, 1915, volume XIX, no. 1."

Catalogue of the exhibition of Spanish old masters in support of National Gallery funds and for the benefit of the Sociedad de amigos del arte española, Oct. 1913 to Jan. 1914.

Catalogue compiled, with historical introduction, by Maurice W. Brockwell.

Una falta : drama original en tres actos y en verso /

Mode of access: Internet.

The Spanish ballads.

"This Chronicle of the Cid is wholly translation, but it is not the translation of any single work."--Pref. to the Chronicle.

Autores dramáticos contemporáneos y joyas del teatro español del siglo XIX.

"Obra premiada con medalla de oro en la Exposición literario -artistica, madrid, 1884-85."

The Spanish Jesuit Mission in Virginia, 1570-1572,

Foreword, by E. G. Swem.--An historical synthesis: a narrative summary of the documents.--The documents with their translations.--Ajacán and the Chesapeake.--Bibliography (p. 281-287)

Biographia dramatica : or, A companion to the playhouse containing historical and critical memoirs, and original anecdotes of British and Irish dramatic writers from the commencement of our theatrical exhibitions ; among whom are some of the most celebrated actors: also an alphabetical account, and chronological lists, of their works, the dates when printed and observations on their merits: together with an introductory view of the rise and progress of the British stage, originally compiled to the year 1764 /

First edition published anonymously, 1764, under the title "The companion to the playhouse"; 2d ed., by I. Reed, 1782, under present title.

In and out of the old missions of California; an historical and pictorial account of the Franciscan missions,

Mode of access: Internet.

The Library, with Broken Column and Spanish Mortar

Ware and Van Brunt, architect. Built in 1883. An addition was built to the south in 1898. The 1883 portion was torn down in 1918.

Company E., Iron Mountain Volunteers in the Spanish-American War

verso: taken 1898 at Central House, old hotel in Iron Mountain, meeting place for mining men, etc.

Peter Sparling and Charley Sullivan in Javanese Dance/Drama

Hill Auditorium, University of Michigan