869 resultados para Good and evil.


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"References" at end of chapters.

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Reprinted from "Days and nights", 1889; "Silhouettes" 1892; "London nights", 1895; "Amoris victima", 1897; "Images of good and evil", 1899. "Amoris victima" and "Images of good and evil" are reprinted almost without alteration.

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Includes index.

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"Abdruck aus L. Pelt's theologischen Mitarbeiten, Band II, Heft 4."

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Prologue [on the essay] Dr. Rawley's life of Lord Bacon. Ben Jonson's testimony. Aubrey's gossip. Introduction. Contemporary bibliography. Later bibliography. Lists of texts comprised in this harmony.--I. A harmony of the first group of ten essays.--II. Meditiations sacræ.--III. Of the colours of good and evil.--IV. A harmony of the second group of twenty-four essays.--V. A harmony of the third group of six essays.--VI. A harmony of the fourth group of eighteen essays.--VII. The fragment of an essay, Of fame.--Additional notes.

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Reprinted from "Days and nights", 1889; "Silhouettes" 1892; "London nights", 1895; "Amoris victima", 1897; "Images of good and evil", 1899. "Amoris victima" and "Images of good and evil" are reprinted almost without alteration.

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Half-title: The works of Francis Bacon.

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"Reprinted from "Days and nights", 1889; "Silhouettes" 1892; "London nights", 1895; "Amoris victima", 1897; "Images of good and evil", 1899. "Amoris victima" and "Images of good and evil" are reprinted almost without alteration.

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This study was to explore the psychoanalytic process that writers experience when they write memoirs. With psychoanalytic theory, the findings were that when writers compose memoirs which include repressed information, the writer's word choice or word block is heavily influenced by his/her own moral code. This idea led to the assertions that first, we are fragmented because of the discordance that arises between the structures of morality and language, the latter which includes good and evil; second, when we write memoirs, we must create a fictional identity that allows the different fragments of identity to operate under the illusion of continuity that language provides; and third, the language we use may transcend our repressed information into consciousness. The conclusion was that when past immoral truths are uncovered, the various fragments with their selfish aims and the fictional identity cease to exist in the wake of being. ^