980 resultados para Fux, Luiz
Resumo:
The present work has as its theme the group of St. Louis School of Paraitinga: historical context (the 1930 to 1970). This work has the distinction the subject rarely addressed in academic, school groups in the region of Vale do Paraiba, these schools are not constant theme of research, making this differentiation materials present little used, but extremely important for understanding of education present in the region of Vale do Paraíba. For the realization was made to read the legislation in the period 1930 to 1970, the documentation provided by the Department of Education, reading and analysis of documentation presented, one can understand the historical context of the school group to be targeted by the study: School Group Colonel Domingues de Castro. Objective of this study was to understand how the group of the school of St. Louis was shaping up Paraitinga laws and guidelines in the historical context of the decades from 1930 to 1970, contextualizing historical events general and the specific events of São Luiz do Paraitinga. The methodology used is studies of educational phenomena along with the narrative-biographical study of respondents to this survey
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With the degradation of Atlantic Forest over the years, the area that this ecosystem has occupied before decreased and in a lot of cases it was separated in little fragments, each one isolated in a different way depending of the local antropic action. In this context, this study compares the helminth fauna of anurans from two different fragments of Atlantic Forest, one inset in a matrix of eucalyptus (Eucaliptus sp.) reforestation and the other in a matrix of pasture (Brachiaria sp.), verifying if there is any difference between the structure of helminth communities. There were collected 155 anurans in both fragments, being 77 Hypsiboas albopunctatus, 18 Hypsiboas faber, 27 Hypsiboas polytaenius e 33 Dendropsophus minutus. These were weighted and their snout-vent lengths were measured. After the animals were euthanatized and their internal organs and coelomatic cavity were evaluated for helminth infection. There were identified one trematode species (Haematoloechus fuelleborni) and 14 nematode species (Aplectana sp., Cosmocerca parva, Cosmocerca sp1., Cosmocerca sp2., Cosmocercoides sp., Falcaustra mascula, Cosmocercidae larvae, nematode larvae, Physaloptera sp. larvae, Ochoterenella sp., Oswaldocruzia subauricularis, Raillietnema simples, Rhabdias sp. e Schrankiana sp.). The hylids' helminth fauna studied in São Luiz do Paraitinga fragments were relatively rich, being registered 15 helminth species in the captured anurans. The comparison between the fragments did not show differences in relation of the composition and abundance of helminth fauna in spite of the individualities of each environment
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Director Luiz Fernando Carvalho’s artistic performances, specially the miniseries Hoje é dia de Maria (2005), A Pedra do Reino (2007) and Capitu (2008), target a true setting of commitment, preoccupation and conciliation towards its spectator’s education. And the purpose of this text is to talk about such reeducation of senses explored by Carvalho’s artistic performances.
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Pós-graduação em Ciências Sociais - FCLAR
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Some esthetical particularities of Luiz Fernando Carvalho’s micro-series reveal, in the nineteenth century Brazil, the capacity of the literary and audiovisual discourse to represent some singularities of the Brazilian social life from the past, as well as pointing to existential problems of the class representative that leads the plot, instigating reflections in the present. The treatment offered to the class struggle by the Machadian narrative and by the Rede Globo’s adaptation, just as the way in which the existential drama is expounded, disclose a kind of reception among readers/viewers which is capable of reviewing the historical past in times that ask for such a revision, even though the television series bets on the non-conventional. Machado presented the tension between representation and truth (as well as between emotion production and reflection) with the transfiguration of the tragic pathos and the mobilization of the patriarchal figure to the melodramatic bias. Although increased by the irony orchestrated by the scenic elements, in the audiovisual version such Machadian solutions would be apt to lose their strength to unmask the social subjects; on the other side, the intensification of the melodrama can make evident what Machado disguised with less obvious narrative intentions.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)