Disciplina clericals /

Edited by J. Labounderie.

Jukugo ruijū Meiji bunshō taisei

Mode of access: Internet.

Jacob van Maerlants Merlijn : naar het eenig bekende Steinforter Handschrift /

Based on Robert de Boron's Old French prose version of the legend of Merlin.

Histoire des livres populaires, ou de la littérature du colportage : depuis l'origine de l'imprimerie jusqu'à l'établissement de la commission d'examen des livres du colportage, 30 novembre 1852 /

Includes bibliographical references and index.

Apostrophe,

Spanish poems with a translation into French prose.

The method of teaching and studying the belles lettres; or, An introduction to languages, poetry, rhetoric, history, moral philosophy, physics, &c. : with reflections on taste, and instructions with regard to the eloquence of the pulpit, the bar, and the stage; the whole illustrated with passages from the most famous poets and orators, ancient and modern, with critical remarks on them; designed more particularly for students in the universities /

Translation of: De la manière d'enseigner et d'étudier les belles-lettres.

Le mémorial dos viciaritudes et des progrès de la langue française en Canada ...

"Ródigó dans un hameau de la seigneurio Deguire en 1870; revu à Montréal en 1876 et 1878."

The Mary Carleton narratives, 1663-1673, a missing chapter in the history of the English novel,

The singular life and curious biographies of Mary Carleton.--The Carleton publications of 1663.--The minor publications of 1673.--"The counterfeit lady," a fiction.--The narrative technique of "The counterfeit lady."--The historical significance of "The counterfeit lady."--The current doctrine of the rise of the English novel.--Bibliographical difficulties.

Frazeologizmy w polskich przekładach współczesnej prozy francuskiej (na wybranych przykładach)

Wydział Filologii Polskiej i Klasycznej: Instytut Filologii Polskiej

Les étrangers aux frontières de la France : étude de récits de migration (1870 à nos jours)

In this dissertation, I examine how migration narratives make an ambiguous contribution to the democratization of French national borders. National borders are essentially spaces of crises from which it is possible to study the constant evolution of national identity. Migration narratives, regardless of their ideological dimension, offer representations of the border and of the foreigner that result from a tension between the difficulty to think identity outside of the national frame and the questioning of such a strong tie between identity and the nation. At the border, identities are fundamentally unstable. The first part is focused on the north-eastern and the southern borders of France at the end of the 19th century. The French nationalist literature at the time, advocating for the return of Alsace-Lorraine to the Republic, is characterized by a tension between nationalism and regionalism. The ideology of latinity constitutes a second major feature of the discourse on French identity. Developed by Louis Bertrand, it claims that France can only be regenerated in Algeria. However, a gap between his fictional works and his essays reveals latinity as hybrid and heterogeneous. Borders are also polysemic, namely, they do have the same meaning for everyone. The second part of the dissertation focuses on the southern border of France from the 30s to the 90s. The study of films and novels demonstrate that former borders are still active, especially colonial borders. Finally, the third part of the dissertation addresses the representation of migrants who were trapped in the north of France, at the border of the Schengen area, from the 90s to 2009. Migration narratives bring attention to the totalitarian tendencies of the state, but they also struggle with the contradictions of the humanitarian discourse and the analogies made with previous immigration waves.

Numérifrag, Suivi de corps discursif et dispositif dans Le centre blanc de Nicole Brossard

Numérifrag, la première partie de ce mémoire, se présente en tant que code source d’un projet de poésie numérique où les balises html ont été trafiquées de manière esthétique. L’effet répétitif et parasitant du code oblige le lecteur à effectuer un travail de décryptage afin de rendre aux poèmes leur lisibilité. Si le texte est linéaire sur papier, la programmation de chaque poème en tant que page web incite le lecteur à naviguer dans l’œuvre et à actualiser son potentiel d’a-linéarité. La seconde partie de ce mémoire, Corps discursif et dispositif dans Le centre blanc de Nicole Brossard, s’intéresse à la notion de dispositif en tant que subversion, dans le recueil Le centre blanc (1970) de Nicole Brossard. L’élaboration de ce dispositif passe par le corps qui s’exprime au-travers du texte et trouve son souffle chez le lecteur, par l’acte d'interprétation.

The impossible anamesis. Memory versus history in Hubert Aquin’s « Blackout »

Soon after joining the Canadian Confederation in 1867, the province of Quebec adopted the phrase « Je me souviens » ("As I recall") as its "national" motto, although many Québécois do not remember today what they were supposed to memorize, as collective subject, when their government voted this motion. My thesis is that contrary to other countries which have a strong sense of history based on a secular tradition, this process was more complicated in Quebec — as if a collective memory loss lied at the heart of it's history. Through a rereading of Hubert Aquin's cult novel, Trou de mémoire (in its English translation Blackout), first published in 1968, I try to illustrate this paradox and to emphasize the heuristic functions of memory blanks, gaps and lapses in certain postmodern narratives, after the historical breakdown of "the great narratives" (Lyotard). In this perspective, the example of Quebec, through the voice of one of its more gifted yet controversial novelist, can be seen as emblematic of what happens when the mnemonic impossibility of rewriting history opens up new possibilities for writing fiction.

Numérifrag, Suivi de corps discursif et dispositif dans Le centre blanc de Nicole Brossard

Numérifrag, la première partie de ce mémoire, se présente en tant que code source d’un projet de poésie numérique où les balises html ont été trafiquées de manière esthétique. L’effet répétitif et parasitant du code oblige le lecteur à effectuer un travail de décryptage afin de rendre aux poèmes leur lisibilité. Si le texte est linéaire sur papier, la programmation de chaque poème en tant que page web incite le lecteur à naviguer dans l’œuvre et à actualiser son potentiel d’a-linéarité. La seconde partie de ce mémoire, Corps discursif et dispositif dans Le centre blanc de Nicole Brossard, s’intéresse à la notion de dispositif en tant que subversion, dans le recueil Le centre blanc (1970) de Nicole Brossard. L’élaboration de ce dispositif passe par le corps qui s’exprime au-travers du texte et trouve son souffle chez le lecteur, par l’acte d'interprétation.

The impossible anamesis. Memory versus history in Hubert Aquin’s « Blackout »

Soon after joining the Canadian Confederation in 1867, the province of Quebec adopted the phrase « Je me souviens » ("As I recall") as its "national" motto, although many Québécois do not remember today what they were supposed to memorize, as collective subject, when their government voted this motion. My thesis is that contrary to other countries which have a strong sense of history based on a secular tradition, this process was more complicated in Quebec — as if a collective memory loss lied at the heart of it's history. Through a rereading of Hubert Aquin's cult novel, Trou de mémoire (in its English translation Blackout), first published in 1968, I try to illustrate this paradox and to emphasize the heuristic functions of memory blanks, gaps and lapses in certain postmodern narratives, after the historical breakdown of "the great narratives" (Lyotard). In this perspective, the example of Quebec, through the voice of one of its more gifted yet controversial novelist, can be seen as emblematic of what happens when the mnemonic impossibility of rewriting history opens up new possibilities for writing fiction.

The Vida of Queen Fredegund in Tote Listoire de France: vernacular translation and genre in thirteenth-century French and Occitan literature

This article examines the role that translation may have played in the development of medieval vernacular literature. It analyses an extract of an early 13th-c. translation into a hybrid French-Occitan vernacular of an 8th-c. historical text, the 'Liber Historiae Francorum'. The translation coincides with the adoption of narrative prose both in Old French and in Occitan literature, which reflects a growing interest in historical writings. The second half of the article compares the anecdote with the narrative structures and content of one of the troubadour 'vidas' and 'razos' - biographical texts in prose that emerged in the same period and regions as this translation. The article concludes by suggesting that the new vernacular genre shares narrative features with the early medieval Latin text that are preserved in its translation.