921 resultados para Figured worlds


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Describe las características climáticas y el mundo de las selvas desde las de América del Sur a los bosques tropicales de Australia, descubriendo las plantas y los animales que allí viven y las preocupaciones ecológicas para conservar este ecosistema.

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Habla de los diferentes medios de exploración del espacio tales como cohetes, telescopios, sondas, y las estaciones espaciales, así como la sostenibilidad de la vida en otros planetas.

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Introduce a los niños en el mundo marino desde los arrecifes a las increíbles criaturas de las profundidades y los esfuerzos para proteger los que están en peligro de extinción. Incorpora diferentes elementos de aprendizaje. Búsqueda de actividades a lo largo de referencias cruzadas. Descúbrelo por ti mismo. Preguntas en recuadros. Tiene índice y glosario Índice.

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This paper presents our experience with combining statistical principles and participatory methods to generate national statistics. The methodology was developed in Malawi during 1999–2002. We demonstrate that if PRA is combined with statistical principles (including probability-based sampling and standardization), it can produce total population statistics and estimates of the proportion of households with certain characteristics (e.g., poverty). It can also provide quantitative data on complex issues of national importance such as poverty targeting. This approach is distinct from previous PRA-based approaches, which generate numbers at community level but only provide qualitative information at national level.

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This chapter develops a comparative analysis of sequences from the films of two directors who made eloquent use of widescreen formats but who seem to be in all other respects wholly contrasting figures. The article includes a historiographical element in grounding the argument in the critical history of widescreen aesthetics and the directors’ work. It moves from a close analysis of three sequences, and an exploration of strategies in the use of the widescreen frame, to broader questions of style and its interpretation, narration, point of view and epistemology. The article connects with other work on Preminger, and on the critical history of mise-en-scène, while extending this through the comparative analysis of two figures from different Hollywood contexts and characterised by very different approaches.

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