De la diferencia entre lo temporal y eterno : crisol de desengaños, con la memoria de la eternidad, postrimerías humanas y principales misterios divinos ... /

Mode of access: Internet.

La differenza fra il temporale e l'eterno /

Mode of access: Internet.

Diferencia entre lo temporal y eterno : crisol de desengaños, con la memoria de la eternidad, postrimerias humanas y principales mysterios diuinos /

Mode of access: Internet.

De la diferencia entre lo temporal, y eterno : crisol de desengaños con la memoria de la eternidad, postrimerìas humanas, y principales mysterios diuinos /

Mode of access: Internet.

Diferencia entre lo temporal y eterno, crisol de desengaños con la memoria de la eternidad ... /

Mode of access: Internet.

La differenza fra il temporale e l'eterno /

Mode of access: Internet.

Della differenza tra il temporale, e l'eterno /

Mode of access: Internet.

El último tirano, su historia y duelo eterno de la patria. Dedicado al pueblo venezolano, al victorioso Ejército legalista y á los dignos redactores de "La Linterna."

Mode of access: Internet.

Autopsia da Velhice do Padre Eterno.

At head of title: Padre Senna Freitas.

Relação das solemnes exequias celebradas na Cathedral de Coimbra pelo eterno descanso do D. Francisco de Lemos de Faria Pereira Coutinho, mandadas fazer pelos estudantes e mais algumas pessoas do corpo academico.

Mode of access: Internet.

El eterno cantar /

Poems.

O eterno retorno como paródia e como colagem na filosofia da diferença de Gilles Deleuze

Gilles Deleuze hás commented on many philosophers, but his relationship with Nietzsche plays a singular role in his thought: appropriating the concept of the “eternal return” to think the central axis of his thesis, Difference and repetition (1968). Terms “difference” and “repetition” appeared associated to eternal return in his Nietzsche and philosophy (1962). Our dissertation thesis analyzes the presentations of that concept in bothworks. Chapter one presents the style construction and critical, methodological aspects of Nietzschean philosophy, fundamental elements to understand Deleuze’s interpretation. It subsequently analyzes the first presentation of that concept, expressed in the following terms: the aesthetic existence, either innocent or justified from the figure of game. We will see how the image of game implies another concept of chance, that leads Deleuze to think of an affirmative philosophical “type”, capable of creating new values. Chapter two evaluates the existential, “ethical-selective”, “physicalcosmological” character of the concept of eternal return, as much as the difficulties it imposes upon Nietzsche’s interpreter. We present afterwards Deleuzian comprehension of eternal return as a “parody” or a “simulacrum of doctrine”. Chapter three analyzes that interpretive position as a transvaluation of values from a rearrange of perspectives in order to overcome the negative comprehensions of existence. We want to question the way Deleuze builds another image of thought from the concept of eternal return – an image that, by a sort of “colagem” and selective elimination of the negativity, proposes a historiographic work and unfolds a lineage of thinkers of immanence and difference, a detour from the thought of identity, the same and the similar. We want thus to understand Deleuze’s critique of “dogmatic image of thought”.

O eterno retorno como paródia e como colagem na filosofia da diferença de Gilles Deleuze

Gilles Deleuze hás commented on many philosophers, but his relationship with Nietzsche plays a singular role in his thought: appropriating the concept of the “eternal return” to think the central axis of his thesis, Difference and repetition (1968). Terms “difference” and “repetition” appeared associated to eternal return in his Nietzsche and philosophy (1962). Our dissertation thesis analyzes the presentations of that concept in bothworks. Chapter one presents the style construction and critical, methodological aspects of Nietzschean philosophy, fundamental elements to understand Deleuze’s interpretation. It subsequently analyzes the first presentation of that concept, expressed in the following terms: the aesthetic existence, either innocent or justified from the figure of game. We will see how the image of game implies another concept of chance, that leads Deleuze to think of an affirmative philosophical “type”, capable of creating new values. Chapter two evaluates the existential, “ethical-selective”, “physicalcosmological” character of the concept of eternal return, as much as the difficulties it imposes upon Nietzsche’s interpreter. We present afterwards Deleuzian comprehension of eternal return as a “parody” or a “simulacrum of doctrine”. Chapter three analyzes that interpretive position as a transvaluation of values from a rearrange of perspectives in order to overcome the negative comprehensions of existence. We want to question the way Deleuze builds another image of thought from the concept of eternal return – an image that, by a sort of “colagem” and selective elimination of the negativity, proposes a historiographic work and unfolds a lineage of thinkers of immanence and difference, a detour from the thought of identity, the same and the similar. We want thus to understand Deleuze’s critique of “dogmatic image of thought”.

O corpo e o sagrado : o renascimento do sagrado atraves do discurso da corporeidade

Universidade Estadual de Campinas . Faculdade de Educação Física