892 resultados para Ensino da escrita e leitura


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This article deals with the relationship between the reader formation and the teaching of strategies of reading. We based our discussion in reading and childhood literature researchers as: Arena (2007a, 2007b, 2008 and 2010), Bajard (2002), Chiappini (1997), Coelho (2000), Cosson (2007), Foucambert (1994), Harvey & Goudivs (2007), Perroti (1986), Smith (1999), Soares (1999), Solé (2009), Zilberman (2005), and others. We dialogue with some points from the historical-cultural perspective, having a strong focus on a humanitarian literary education in elementary schools.

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Aiming it contribute to discussions on teaching and learning of reading and writing, is presented, in the form of critical review, the analysis of textual configuration of the book Será que fui eu?, by Alzira Silveria. This analysis was developed based on the assumption that reading and producing written texts are specifically human activities whose function and importance beyond the boundaries of the school and change ways of thinking, feeling, will and act, promoting qualitative changes in process of human development and providing active participation in the public world of written culture, and therefore in society and history. This is the main “life lesson” that the author of the book teaches all interested in the subject, especially to school teachers responsible for teaching reading and writing, which can only be successful if and when they understand themselves as historical and social people who, also experience reading and producing written texts, not only as necessary acturties for their teaching performance, but rather as essential activities for human development, of people who are author of their own speech frow and about their life and history.

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The discussion about reading as a cultural practice is a requirement that points to the school relevance to take itself as a social space of meanings construction and the need to use methodologies that focus on the knowledge construction process and the individual development in considering the teaching dynamics that encourage the strategies discovery for individual and collective work, facilitating that human culture object appropriation . The focus is on the relationships in the classroom and school context mediated by language to written language acquisition, with emphasis on reading. This study intends to contribute for the refl ection on the pedagogical implications derived from the organization of a teaching context, intentionally aimed at the teaching organization of reading strategies in the written language acquisition process. The hypothesis is that the reading strategies contribute to the contexts organization with pedagogical coherent and to the competent reader formation during the education act. The studies are based on Brazilian educators Girotto; SOUZA, 2010) and on North American educators (HAMPTON & Resnick, 2008; OWOCKI, 2003; WEDWICH & Wutz, 2008; HARVEY AND GOUDVINS, 2007), with the action research methodology.

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Este estudo tem por objetivo compreender e discutir as concepções sobre a aprendizagem da leitura na perspectiva de um grupo de professoras alfabetizadoras e analisar como trabalham a leitura com seus alunos e qual a importância das atividades de leitura em sua prática docente. Para tanto, foram organizados três encontros com um grupo de professoras alfabetizadoras que lecionam nos 1º e 2º anos do Ensino Fundamental de uma Escola Municipal de Rio Claro-SP, a fim de produzir dados sobre a metodologia utilizada por elas para o ensino da leitura e analisar como entendem o processo de aquisição da leitura pelos alunos. A análise das concepções e práticas das professoras é discutida a partir das contribuições de Soares, Jolibert, Costa Val, Freire, Lajolo, Penacc, Micotti, Ferreiro, Foucambert, Lerner, entre outros.

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This research intend to situate the process of literacy as a practice interlocutive acquisition of written language, through which students interact with each other and the teacher, and through these interactions are constituted as a subject of dialogue and history. So he had as an aim to investigate through the key concepts of dialogism Bakhtin and discourse analysis, the possibilities of teaching and learning of reading and writing, using language in use, showing the dialogical practices in order to demonstrate that the verbal interactions that result from the actual discursive situations, actually originated in the classroom, from working with the genre can guide the teaching of reading and writing and its social use. Therefore, I base this research on the methodological framework of literature and field. This takes place in view of observed teaching practice related to the early years of literacy and, therefore, to investigate such activities are carried out that reading and writing during the teaching of mother tongue, as are utilized practices of orality and literacy in room classroom and, even if the teacher makes use of this type of language for the acquisition of written language. The results of analysis of data collected by the instruments used, namely, questionnaires, systematic observation and textual production of the students, point to the fact that the literacy teaching practices, classroom researched are far from forming a student literate because the fact of the teachers surveyed knew not the key content for teaching the language, means that they will lead to literacy, from the point of view of language as a monologic process.

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Pós-graduação em Educação - IBRC

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Written language is a form of communication between humans and, as is not acquired naturally, needs educational interventions systematized to be learned. However, the teaching of writing is still mechanically imposed on the student, and could make use of other features such as games and plays. As a result, this research we analyze the writing development of phases, the psychic functions present in its development and the construction of a paradigm games and games that can be used as auxiliary tools in the teaching of writing. We describe the operation of each and identify how they can be used in the classroom. The survey was conducted through a qualitative approach of empirical type. The data concluded that these instruments are not used in class and often writing has no social relevance for the child. We also conclude that some usage scenarios of play occurred among children, are not used for didactic purposes as an example of sign-symbol relationship by teachers to teach writing

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Educação - IBRC

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This study aimed to evaluate the effects of a systematic teaching of relation between printed words and Brazilian Sign Language on the emergence of reading in one child with deafness, user of Brazilian Sign Language, diagnosed with deafness bi-lateral deep user of hearing, with 9 years and 4 months of age, enrolled in 4th year elementary school. Baseline evaluation selected nine words and their signs and figures to compose the teaching steps and tests that consisted of: (a) relationship between a sign and figure teaching, (b) the relationship between sign and printed word, (c) test of relationship between figure and the printed word and its symmetric (d) test signal in front of picture and the printed word. The participant learned the relationship between sign, figure and printed word and demonstrated reading. This procedure was effective for the participant to emit signals, verbally agreed with the community of Libras in front of textual stimuli, which is characterized as reading.

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Este estudo tem por finalidade promover a reflexão sobre a prática pedagógica, analisando-a por meio do registro de um projeto de leitura e escrita, desenvolvido junto a uma turma de 4ª série (atual 5º ano) do Ensino Fundamental, realizado em uma Escola da Rede Pública Estadual de SP, Iracema de Barros Bertolaso, no município de Mauá. Tem também, a intenção de sensibilizar educadores sobre a importância do trabalho compartilhado com os alunos, do respeito às ideias infantis e da convicção do quanto se faz necessário atrelar o ensino e a aprendizagem ao prazer. O projeto em questão deu origem ao livro Histórias hilárias de uma 4ª série (e outros resgates), editado pela SCORTECCI e lançado no ano de 2008. Para reconstruir essa história, foram recuperados os registros de percurso do trabalho docente realizado por mim no ano de 2006 e realizado o levantamento de documentos como fotos, relatos, produções de alunos e matérias publicadas em jornais das quais os mesmos participaram. A pesquisa me levou a uma reaproximação com alguns ex alunos para compor, também por meio de entrevistas, este quadro onde o intento é dimensionar o alcance do trabalho realizado. Retratar a própria prática e coloca-la em situação de pesquisa configurou-se em ferramenta valiosa para a reconstrução do sentido de nossas ações à medida que nos ofereceu dados significativos a reflexão. Vincular esta análise ao estudo da trajetória formativa pessoal, feita por meio da abordagem biográfica, permitiu-nos ampliar nossa compreensão do quanto, e em que medida, trazemos para o exercício docente as influência do vivido. Acreditamos que a análise da trajetória formativa pessoal e da experiência vivida junto a um grupo de alunos, nesta pesquisa, justifica-se à medida que contribui para os estudos que se ocupam desta questão.

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The field of experience and reflection in this dissertation is the Pau and Lata: Artisticpedagogical project and its activities in the field of music education It was created in 1996, by the Community School Sementes da Luz, located on Tabuleiro do Martins district, Maceió / AL. The work extended to the Rio Grande do Norte and later returned to Alagoas, keeping their activities in both states, involving approximately 280 people. The issues that moved us front the experience of Pau e Lata were: What are the main references and theoretical-methodological elements that constitute the formation of the musician in Pau e Lata? How members perceive this project and include themselves in the educational process of music formation? How it works and what is the meaning of the use of instruments and the learning of musical writing and reading? These questions lead us to undertake this dissertation, in order to deepen reflection on the processes of musical training on Pau e Lata, relating the experiences of its members in the process and the theoretical references governing their educational practice. In this sense, we outline the research objectives, which are: describe the Pau e Lata project, focusing on their context of action and their methodological processes; investigate the relationship between the effective participation of its members in the process of composition of the artistic and pedagogical repertoire and its performance in the field of cultural militancy in the environment where it operates. The writing process of this research is based on the phenomenological perspective. Therefore constitute our methodological research path two roads that communicate: 1) the organization and description of historical record of Pau e Lata (supporting documents, certificates, posters, etc.) and memories of the researcher and from other members of the group. 2) the formation of focal groups and writing and sending, via online, testimonials the participants of Pau and Lata relating to issues scrap and onomatopoeia, respectively. Participated in this process 11 components, adding the presence of the researcher, with the age between 21-45 years, all members of Pau e Lata, Core UFRN. The results of this research are focused on the discussion of three axes that describe and guide the work of the Pau e Lata: collective work, the use of the scrap as instrument and the onomatopoeia as base of a methodological process of musical training. This score was composed of three parts. The first part is presented from a collection of references from Pau e Lata, composed of printed and videographic records. The second part refers to the instrument used by Pau e Lata, and the perception of group members on these instruments, which occurs so that they are integrated in the training of the musician.The third axis tells how and what it means learning of music writing and reading, that occurs in two related aspects: the teaching-learning process and the body as a musical element in this process, associated with other actions characterized as studies and theoretical deepening

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This thesis is a writing of (d)enunciation because it reveals the language experiencies of those individuals who take, in social school space, the social role of the teacher and of the student, for some reason, they feel restrained by a demand which prevents them of teaching and learning how to write – and, even, their own writing. On this basis, we consider some questions concerning Benveniste‘s theory of enunciation and the teaching and learning process in Portuguese from the triad among teacher – teaching of writing/ knowledge – student, making this theoretical area closer to the pedagogical one. We support in the working hypothesis that is based on the position of the loosening of this triad has its effects in the process of intervention-interference to the point where it does not leave a scar which can remain working on productive effects on the student‘s writing. As a consequence, we show two findings which allow us to think the teaching of writing in Portuguese is a space for writing creativity in such a way it reveals itself as a sine qua non condition for the institutionalized and subjective writing. The first finding is that taking genre as a model has some implications in the teaching and learning process of writing according to the instructions of the official documents. The second finding, as a result of the first one, is the assumption that genre is at the same time a model and a transgression and taking it as a (ex)sample opens space for writing creativity which ―is a transposition of the interior language‖ (BENVENISTE, 2014 [1968-1969], p. 132) in a way this creativity makes it intelligible and highlights what is a model (interactiveness) and a transgression (inventiveness). From such findings, we organize our heterogeneous corpus according to these procedures: recording the classes in audio; recording the interviews we made with teachers and students in audio; and constituting an archive with the students‘ writing production. From this corpus, we analyzed the (d)enunciative mo(ve)ments in the teacher – teaching of writing/ knowledge – student triad and the history of (d)enunciations, of language experiences. Besides, we analyzed the teacher‘s discourse in relation to the way he plans his classes based on the knowledge that must be taught and his own way of managing this knowledge in order to understand his interference in his students‘ writings. Our analyses (re)affirm that when the loosening of the triad happens, the students become lost, what makes them unable of working upon their own writing epilinguisticaly. Because of it, schools have lost their specificity as a place for teaching students how to read and write as they open space for training, only. On this basis, we consider that the effect of such a loosening generates complaints and denunciations. Therefore, based on such (d)enunciations, we present the Primary sketches of a proposition for intervention-interference in teaching how to write and we aim at introducing much knowledge to teachers and students in order to allow them to think about possible ways out.

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Este estudo, desenvolvido no âmbito da Prática Pedagógica Supervisionada B2 e Seminário de Investigação Educacional B2, do Mestrado em Ensino do 1.º e 2.º Ciclo do Ensino Básico, tem como finalidade desenvolver propostas de rentabilização da diversidade linguística e cultural como forma de promover a escrita, em contexto sala de aula com alunos do 1.º CEB. Tratando-se de um estudo assente numa investigação qualitativa do tipo investigação-ação, este baseou-se no desenvolvimento de um projeto didático em contexto 1.º CEB que decorreu entre os dias 13 e 17 de abril de 2015, com 26 alunos, numa escola da periferia de Aveiro e procurou articular a diversidade linguística e cultural com a escrita. Assim, é imprescindível que se inicie a sensibilização à diversidade linguística e cultural desde cedo, para que as crianças desenvolvam competências pessoais, culturais e linguísticas, que lhes permitam integrar na realidade social atual. Para isso, a diversidade linguística e cultural deverá ser desenvolvida através de atividades que estimulem as crianças aos mais diversos níveis, despertando o seu interesse e canalizando a sua energia para promover a escrita. Enquadrado nesta perspetiva surge o presente trabalho, cujos objetivos se prendem com a caracterização da diversidade linguística e cultural presente em sala de aula e desenvolver atividades relacionadas com a diversidade linguística e cultual, promovendo a escrita em sala de aula. Após a análise de conteúdo dos dados, recolhidos através da observação direta, dos trabalhos dos alunos, inquérito por questionário e grelhas de observação, podemos concluir que as atividades implementadas proporcionaram aos alunos estabelecer comparações entre as diferentes culturas e línguas abordadas ao longo do projeto de intervenção e o desenvolvimento de atitudes positivas, como a compreensão, a amizade e o respeito pelo Outro, despertando a curiosidade, a vontade e a predisposição para trabalhar atividades de escrita, tal como, recados, recontos e elaboração de frases.