Poetry of heroism,

Running title: Poetry of empire.

Crowd Control? Depictions of the Many in Anglo-Saxon Literature, with Particular Reference to the Old English Legend of the Seven Sleepers

This article argues for the distinctiveness of the presentation of crowds in the Old English version of the Legend of the Seven Sleepers . In traditional Old English poetry, crowds are mostly conspicuous by their absence, since the social groupings portrayed are typically those ofthe lord's retinue and the fellowship of the hall. In writings deriving from Latin traditions (in Anglo-Latin, Old English prose and strands of Old English poetry) such as historiography andhagiography, crowds are presented in highly conventional terms based on literary models. The crowd scenes in the Legend of the Seven Sleepers , on the other hand, have an immediacy and urgency that seem based on real-life experience of Anglo-Saxon England rather than simply imitative of the work's Latin (ultimately Greek) source or of other literary models. Drawing upon crowd theory and historical studies, the article demonstrates that the crowds in this text are presented in “domesticated” Anglo-Saxon terms and may be seen as reflective of growing urbanization in late Anglo-Saxon England. “Real” crowds are glimpsed elsewhere in Anglo-Saxon literature but in the Legend of the Seven Sleepers they are particularly foregrounded; this text also presents the literature's liveliest picture of town life more generally.

The work of death in Brontë's and Dickinson's poetry

Death determines distinctly different, almost inverse, responses and outcomes for Emily Dickinson and Emily Brontë. Death is an imaginative poetic solution for Dickinson, demonstrating her belief that art is the only way to transcend death. But death is the ultimate solution for Brontë, for whom freedom of the imagination leads to mystical unity and continuity.

Spanish folk songs,

Mode of access: Internet.

Passages from modern English poets.

Mode of access: Internet.

Convention and revolt in poetry,

Mode of access: Internet.

The breaking of the circle; studies in the effect of the "new science" upon seventeenth century poetry.

Mode of access: Internet.

The English ode from Milton to Keats,

Issued also as thesis (PH. D.) Columbia university.

Georgian poetry, 1913-1915.

Prefatory note signed: E. M. [i. e. E. H. Marsh]

The poetry of the sentiments,

Disbound Original Held in Oak Street Library Facility.

The Wheatley manuscript : a collection of Middle English verse and prose contained in a ms. now in the British museum. Add. mss. 39574 /

Fifteenth century manuscript named in honor of Dr. H.B. Wheatley.

Poetry in the light of war,

Mode of access: Internet.

A miscellany of poetry, 1919 /

Mode of access: Internet.

Children's poetry index,

"Key to symbols" in pocket.