Rites of Durham, being a description or brief declaration of all the ancient monuments, rites, & customs belonging or being within the monastical church of Durham before the suppression.

"Works most frequently quoted in the following notes": p. [192]; "Books mentioned in the text of Rites": p. [304]

Westward ho! or, The voyages and adventures of Sir Amyas Leigh, knight, of Burrough, in the county of Devon, in the reign of Her Most Glorious Majesty Queen Elizabeth,

Mode of access: Internet.

The lucubrations of Isaac Bickerstaff, Esq.

271 numbers, originally issued in folio, three times a week, April 12, 1709, to Jan. 2, 1710 [i.e. 1711]. About 188 numbers were by Steele; 42 by Addison and 36 by them jointly.

The Tatler : or, lucubrations of Isaac Bickerstaff, Esq.

Mode of access: Internet.

Biographical sketch of Sir Henry Havelock.

Mode of access: Internet.

An inventory of the ancient monuments in Wales and Monmouthshire ...

Sir John Rhys, chairman.

The Tatler; or, Lucubrations of Isaac Bickerstaff, Esq.

Each vol. has a separate index.

Social-conservatism, Australian politics and cricket: The triumvirate of Prime Minister John Howard, Sir Robert Menzies and Sir Donald Bradman

This Article does not have an abstract.

Beyond time and oblivion : Sir Robert Sidney’s autograph manuscript

Dealing with ancient manuscript or old printed texts often constitutes a difficult task, especially to philologists and editors, for two main reasons: the precarious state of preservation of the documents and the uncertainty regarding their origin, authenticity and authorship. These problems are aggravated by spurious versions, due to the publication of truncated works, poorly supervised miscellanies and non-authorised editions. Sir Robert Sidney’s literary text constitutes an exception amidst such vicissitudes, once the original corpus is wholly contained in a notebook exhibiting the organisation and unity conceived by the author himself. Today, there is no evidence that any loose poems, either autograph or copied by amanuenses, were in circulation among members of the Elizabethan court society. The notebook was kept in private collections for four centuries, which probably explains why it was so well preserved. In fact, only in 1984 would P.J. Croft’s fine edition bring the youngest Sidney’s Poems into light. In this work, I approach Croft’s perceptive, accurate philological study that eventually rescued from oblivion a remarkable piece both of the Elizabethan lyric poetry and of the English Renaissance, and, at the same time, look into Robert Sidney’s peculiar, careful and original formatting of his own autograph manuscript.