Jean Baptiste Rebel, Ganzfigurbildnis, beim Komponieren

Signatur des Originals: S 36/G03541

Jean-Baptiste Faure als Mephisto, Colin als Faust, Christine Nilsson als Marguerite, Opernszene, Gruppenbildnis, in: Charles Gounod: Faust (Marguerite)

Signatur des Originals: S 36/G03811

Titelblatt mit Szenenbild zu: Jean Baptiste Arban: Quadrille Brillant Les Braconniers (Jacques Offenbach)

Signatur des Originals: S 36/G03845

Titelblatt mit Szenenbild zu: Jean Baptiste Arban: Quadrille über Boule de Neige (Jacques Offenbach)

Signatur des Originals: S 36/G03846

Hippolyte-André-Jean-Baptiste Chelard, Hüftbild

Signatur des Originals: S 36/G03972

Jean-Baptiste-Charles Dancla, Kniestück

Signatur des Originals: S 36/G03993

Jean-Baptiste Lully, Brustbild

Signatur des Originals: S 36/G04191

Jean-Baptiste Lully, Brustbild

Signatur des Originals: S 36/G04192

Etienne Jean Baptiste Pastou, Ganzfigurbildnis

Signatur des Originals: S 36/G04296

Titelblatt mit Szenenbild zu: Jean-Baptiste Arban: Quadrille aus: Jacques Offenbach: La Princesse de Trébizonde

Signatur des Originals: S 36/G04489

Jean-Baptiste Échivard, Proèmes philosophiques de saint Thomas d’Aquin à ses commentaires des oeuvres principales d’Aristote / Thomas d’Aquin ; traduction et présentation de Jean-Baptiste Échivard, Presses Universitaires de l’IPC : Parole et Silence, Paris, 2008, ISBN:978-2-84573-703-7. 185 pp.

Fil: Mendoza, José María Felipe.

Jean-Baptiste Échivard, Une introduction à la philosophie: Les proèmes des lectures de saint Thomas d’Aquin aux oeuvres principales d’Aristote, Tome 4, Métaphysique, F.X. De Guibert (L’OEIL), Paris, 2007, ISBN : 978-2-7554-0106-6. 237 pp.

Fil: Mendoza, José María Felipe.

The Irregular Ribbed Vault of the Sacristy of the Cathedral of Saint-Jean Baptiste in Perpignan

The vault of the sacristy of the Cathedral of Saint-Jean Baptiste in Perpignan (France), constructed by the Majorcan architect Guillem Sagrera between 1433 and 1447, is an outstanding, yet strikingly unknown, example of rib vaulting. This paper analyzes the overall construction of the form of the vault, characterized by its highly irregular perimeter, with particular attention to an isolated decorated corbel which solves the problem of the wall support of a group of six ribs and is in stark contrast with the rest of the supports, which are completely unadorned. Given the extreme rigour of Sagrera in all his works (and this one in particular), this apparent “capriccio” must be justified not only by decorative or formal requirements, but also by the constructive logic of Gothic vaulting system

Oeuvres de Jean-Baptiste Rousseau : tome premier.

Mode of access: Internet.

Oeuvres de Jean-Baptiste Rousseau : tome quatrieme.

Mode of access: Internet.