Glimpses of British Guiana at the Colonial and Indian Exhibition, 1886

This paper uses the example of the British Guiana Court at the Colonial and Indian Exhibition of 1886 as a case study to demonstrate how British Guiana (now Guyana) was represented in Britain at the time, by cross-referencing different materials (e.g. objects, correspondence, reports, and newspapers from that period). This exhibition also shows which raw materials from the British Guiana were of interest to Britain and the involvement of Royal Botanic Gardens, Kew in this matter. Nevertheless, the exhibition not only displayed objects and commodities, such as the case of sugar, but also displayed people. Here, particular attention is paid to the Amerindians who were portrayed as living ethnological exhibits at the exhibition. This paper aims to understand how British Guiana was seen and administered by its mother country and also how Everard im Thurn (1852-1932), the explorer, sought to manoeuvre that representation, as well as his relation with RBG, Kew. Taking into consideration that this colony was a neglected area of the British Empire, even in im Thurn’s time, this exhibition was an opportunity not only to display the empire but also for advertising the potential of the neglected colony and to ensure that it would not be forgotten.

Map showing properties under jurisdiction of the Architect of the Capitol : [Capitol Hill, Washington, D.C.] /

Also shows government buildings and block numbers.

Guide to the Santa Barbara Botanic Garden, Santa Barbara, California.

Includes index.

The botanic garden ; consisting of highly finished representations of hardy ornamental flowering plants, cultivated in Great Britain ; with their names, classes, orders, history, qualities, culture, and physiological observations.

"With this were issued in portions : 'The auctarium of the Botanic garden', the 'Floral register','A dictionary of English-Latin terms'...and 'The fruitist'." - British mus.(Nat. hist.) Catalogue.

Brooklyn Botanic Garden record.

Includes the garden's Annual report, 1st-33d, 1911-44; v. 18-21, 28-32 include the garden's Guide, no. 2-16.

Hortus Elginensis, or, A catalogue of plants, indigenous and exotic, cultivated in the Elgin Botanic Garden, in the vicinity of the city of New-York : established in 1801 /

Includes index.

An account of the botanic garden in the island of St. Vincent : from its first establishment to the present time.

Mode of access: Internet.

Hortus cantabrigiensis, or An accented catalogue of indigenous and exotic plants cultivated in the Cambridge Botanic Garden /

Includes index.

Catalogue of plants, &c. &c. in the Dublin Society's botanic garden, at Glasnevin : viz arboretum, fruticetum, gramina vera, hortus tinctorius ... /

Verso of t.p. and p. [xiv] blank.

Guide to the University Botanic Garden, Cambridge,

Bibliography: p. [xvi]

GPX - Gardens Point XML Information Retrieval at INEX 2004

Traditional information retrieval (IR) systems respond to user queries with ranked lists of relevant documents. The separation of content and structure in XML documents allows individual XML elements to be selected in isolation. Thus, users expect XML-IR systems to return highly relevant results that are more precise than entire documents. In this paper we describe the implementation of a search engine for XML document collections. The system is keyword based and is built upon an XML inverted file system. We describe the approach that was adopted to meet the requirements of Content Only (CO) and Vague Content and Structure (VCAS) queries in INEX 2004.

Concerning the house museum and the picturesque landscape in the work of Sir John Soane : with raw hints for post-heritage museum space

The picturesque aesthetic in the work of Sir John Soane, architect and collector, resonates in the major work of his very personal practice – the development of his house museum, now the Soane Museum in Lincoln’s Inn Fields in London. Soane was actively involved with the debates, practices and proponents of picturesque and classical practices in architecture and landscape and his lectures reveal these influences in the making of The Soane, which was built to contain and present diverse collections of classical and contemporary art and architecture alongside scavenged curiosities. The Soane Museum has been described as a picturesque landscape, where a pictorial style, together with a carefully defined itinerary, has resulted in the ‘apotheosis of the Picturesque interior’. Soane also experimented with making mock ruinscapes within gardens, which led him to construct faux architectures alluding to archaeological practices based upon the ruin and the fragment. These ideas framed the making of interior landscapes expressed through spatial juxtapositions of room and corridor furnished with the collected object that characterise The Soane Museum. This paper is a personal journey through the Museum which describes and then reviews aspects of Soane’s work in the context of contemporary theories on ‘new’ museology. It describes the underpinning picturesque practices that Soane employed to exceed the boundaries between interior and exterior landscapes and the collection. It then applies particular picturesque principles drawn from visiting The Soane to a speculative project for a house/landscape museum for the Oratunga historic property in outback South Australia, where the often, normalising effects of conservation practices are reviewed using minimal architectural intervention through a celebration of ruinous states.

Gardens le grande

The gardens of Versailles are a prime example of the beauty that can be attained where art and horticulture meld on a truly grand scale. Carrying on that tradition in the former veggie garden of the French palace is one of the world's most prestigious landscape architecture schools. Julian Raxworthy, a senior lecturer in landscape architecture at Queensland University of Technology recently taught a workshop at the Versailles school. As he explains, the concepts that underlie the school's teaching and the formal grandeur of the gardens of Versailles continue to be as innovative and relevant today as they were in the 17th century.

Reflection on the 'Landscapes of Rights' Conference, Adelaide, 2009

This article presents a reflective view of three teaching colleagues from Queensland University of Technology, Brisbane who had attended and participated in the 'Landscapes of Rights' Conference in Adelaide, July 2009. The conference is a biennial event run by the Reggio Emilia-Australia Information Exchange. The authors explore and reflect on the provocations posed throughout this conference and consider these in light of their ongoing work in the field of teacher education, of early childhood teaching and as active supporters of children's rights.