Women artists of the international avant-garde: the case of "Abstraction-Création" (1931-1936)

Women’s contribution to abstract art in the interwar period is a subject that, to date, has received very little attention. In this article we deal with the untold story of the participation of women artists in Abstraction-Création, the foremost international group dedicated to abstract art in the 1930s. Founded in Paris in 1931, the group took on the work of two previous collectives to become a platform for the dissemination and promotion of abstract art and consisted of around a hundred members. Twelve of these were women, whose writings and works were published in the group’s annual magazine, abstraction creátion art non figuratif (1932-1936), and who participated in a number of the group’s exhibitions. Compared to what had occurred in previous groups, the participation of women, although reduced in number, was comparable to that of the male artists and being members of the group had a generally positive impact on the women’s careers. However, all this came at the expense of relinquishing any gender specificity in their work and the public presentation of it, and demonstrates that the normalization of women’s contributions to the avant-garde could only be brought about alongside a questioning of the more dogmatic views of modernity.

The Long Aftermath: Cultural Legacies of Europe at War, 1936-2016

In its totality, the “Long Second World War”—extending from the beginning of the Spanish Civil War to the end of hostilities in 1945—has exerted enormous influence over European culture. Bringing together leading historians, sociologists, and literary and film scholars, this broadly interdisciplinary volume investigates Europeans’ individual and collective memories and the ways in which they have shaped the continent’s cultural heritage. Focusing on the major combatant nations—Spain, Britain, France, Italy, Germany, Poland, and Russia—it offers thoroughly contextualized explorations of novels, memoirs, films, and a host of other cultural forms to illuminate European public memory.

O povo de Aveiro (1882-1941) e subsídios para a história de um jornal

Resumos indisponíveis

O Administrador de Concelho [1835-1936]: caso de estudo de Portimão

Dissertação de mest., História do Algarve, Faculdade de Ciências Humanas e Sociais, Univ. do Algarve, 2011

Letter, Cheraw, SC, to Ruth, 1941 June 10

This is a letter from Sara Baker to Ruth at the Cheraw Library about overdue books.

University Symphonic Band and University Choir, February 12, 1941

Concert program for University Symphonic Band and University Choir, February 12, 1941

O Plano dos centenários - As escolas primárias (1941-1956)

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em História da Arte Contemporânea

Portugueses na Wehrmacht. Os Voluntários da Divisão Azul (1941-1944)

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em História Contemporânea

Algunos resultados de las anillaciones de Guanay (Phalacrocorax bougainvillii L.) efectuados durante 1939-1941 y 1949-1953

Proporciona información sobre el guanay, ave guanera, que es estudiado para determinar su proceso de anidación y la influencia que tiene en la producción del guano en todo el litoral peruano. Realizan una técnica de marcación de ejemplares para hacerles seguimiento en el periodo de los años 1939 a 1953.

Some Common Iowa Fishes, May 1936

This booklet contains information on the fish industry in Iowa and how to manage and improve it. It also shows drawings of the anatomy of a fish and various breeds that are found in Iowa. It concludes with a list of native fishes known from Iowa.