997 resultados para Crítica de arte contemporânea : Brasil


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This study aims to evaluate structurally a heat exchanger that has been in operation since the mid-60's and was built COSAN for operation in one of its sugar production plants in São Paulo, this equipment as well as many similar devices are operation in plants throughout Brazil, and thus to be acquired by large corporations as in the case of COSAN, pass the scrutiny of inspection work, and work such as recalculations in the latter case in structural evaluations to verify the possible need for adjustments to project or operation and thus ensure the structural integrity of the equipment. To this were first done field survey using techniques of NDT and NDT's for determining the thickness of the main parts of the equipment, made the revaluation dimensional and existing project and considering the loads operating performing the characterization of the equipment as specified in the standard regulatory number 13 - NR13 and the other for this type of equipment and finally an analysis using a static approach, as an analysis tool using the finite element method

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The present work has shown the development of the comic book market in the United States and Brazil, according to Schumpeter's theory of technological innovation. Firstly was made an analysis of the Brazilian market during the years of rising inflation, after the end of dictatorship, in our country, following the trajectory of two publishers, D-arte e Circo that closed their doors due to the economic crisis. The analysis has followed until the current days, showing that the market has changed like the strategies used by publishers to keep launching comic books

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The literary criticism was developed in Brazil in the period that comprehends the end of the 19th century and the beginning of the 20th century. During that time, the mean of dissemination of the criticism were the footnotes of the newspapers, places in which literature was discussed and the critics expressed their personal impressions about literary works with the objective of orientating the good taste of the readers. With the progressive evolution of journalism and of the newspaper's audience, the criticism columns became incompatible with the informative part of the periodicals, being transferred to the literary supplements, during a transition phase, until it was concentrated in the universitary field. This change in the paradigms of the production of criticism also caused a change in the profile of the literary critics and in the criteria to do the criticism. Before, if the critics were professionals that only needed to have enough erudition to judge the literary works, they turn into literature experts and need to use scientific methodologies in the literary analysis, while the cultural journalist begins to look at the events and literary works as products which belong to a market that needs to be reported. This research proposes studying and comparing the critics published in the column Prosa de Sábado, of the literary supplement Sabático, produced by Silviano Santiago, critic of an academic origin, and Sérgio Augusto, journalist critic, with the objective of identifying similarities and contrasts between them, and analyse the relation of this critics with their distinct fields of literary legitimation, as well as reflecting about the presence of the literary criticism and of the critics in the current press

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This proposal offers a possibility of approximation of mathematical knowledge at the prospect of Critical Education defended by researchers such as Ole Skovsmose and Paulo Freire. Using storytelling as a methodological resource is intended to develop an activity that allows students to think critically about real-life situations that have democratic questions as ground. The research is part of the branch of mathematics concerned with the education goals of teaching mathematics in basic education. We discuss the relevance of an educational process that enables the development of a democratic competence in the first years of primary education by showing students that their classroom can and should be seen as a community, where everyone has rights and duties. The interpretation and understanding of real situations can be something very complex and uninteresting for students of that age, looking for an attractive feature such as storytelling, which is based on the tendency of Reading and Writing in Mathematics, proposed by Nacarato and Lopes; Cardoso and Fonseca. Adopting a phenomenological attitude in the research seeks to understand if the storytelling can contribute to the formation of the critical student. Assuming this perspective has developed a didactic sequence from the story 'o que os olhos não vêem' from writer Ruth Rocha. The student's writing, favored by the proposed sequence, subsidizes the understanding of their thinking and acting on the democratic situations

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O presente trabalho tem por objetivo apresentar um estudo documental concernente às relações existentes entre Arte a Educação; partimos da hipótese de que a primeira consagra-se enquanto objeto de pesquisa concomitantemente a sua legitimação enquanto fonte meritória de conhecimento, principalmente no que se refere à produção material da existência humana e as intrínsecas relações político-sociais engendradas por princípios e valores econômicos. Logo, este ensaio foi edificado sobre o alicerce do legado literário de um dos maiores intelectuais do século XX reconhecido na contemporaneidade: o dramaturgo alemão Bertolt Brecht – cuja significância da produção artística se manifesta no exercício da compreensão e análise crítico-reflexiva da função social e educacional da Arte no âmago da sociedade de classes.

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Este trabalho pretende analisar dois contos – “Los primos” e “Orquesta de verano” –, pertencentes ao quarto livro da escritora espanhola contemporânea Esther Tusquets intitulado Siete miradas en un mismo paisaje. O livro, publicado primeiramente em 1981, não foi traduzido no Brasil e obra e autora são praticamente desconhecidas em nosso país. Este incipiente estudo tem por objetivo, pois, constatar de que maneira as personagens femininas principais constroem-se a partir da narração tomando por base a narratologia de Genette (s/d) e na ginocrítica de Elaine Showalter (1994)

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A questão agrária é da essência do modo capitalista de produção. A existência ou não do campesinato nesse modo de produção é justamente o cerne da discussão. A questão agrária pode ser interpretada de diferentes formas, por meio de correntes teóricas ou até mesmo paradigmas, como o caso do Paradigma da questão Agrária e o Paradigma do Capitalismo Agrário. Neste trabalho procuro defender a ideia de que a questão agrária é um problema estrutural do capitalismo, atualizada conjunturalmente por diferentes elementos, sejam eles de cunho social, político ou econômico. Um destes elementos, destacado nesta pesquisa, é justamente a luta pela terra em escala nacional e regional. A criação e recriação do campesinato no Brasil tem se dado, principalmente, a partir da luta pela terra, materializada em ocupações, acampamentos e, conseqüente, criação de assentamentos rurais. Em escala nacional, discuto a diminuição das ocupações de terra e de novos acampamentos nos últimos anos, com o intuito de compreender as possíveis causas. Já, em escala regional, no Pontal do Paranapanema-SP, algumas mudanças no que diz respeito à mobilização das famílias semterra e a esporacidade da vida nos acampamentos são apresentadas a fim de colaborar com a discussão sobre a dinâmica, contemporaneidade e perspectiva da luta pela terra