990 resultados para Chimes Scholarship


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Noting that from its very inception Organization laid claim to having a central interest in the ethics and politics of organization, in this article we review contributions to the Journal over the past 20 years in order to consider the ethical thinking that has developed. We suggest that there is a common thread of ethical interest that characterizes much of this work—one that clearly differentiates it from more conventional approaches to business ethics. While business ethics has as its locus of interest the ethicality of organizations themselves, central issues that have emerged in Organization concern how individuals might (or might not) maintain a valued experience of themselves as ethical subjects despite the behaviour of organizations, and how organizational arrangements might be politically contested in the name of ethics. We explore this in relation to a question that unites much of the study of ethics in Organization: how do we live (and work) together in a world beset by difference? We consider this question in terms of the issue of ethical subjectivity and the relation between an ethics of consensus and an ethics of difference. The article concludes much as the Journal started—with the proposal that ethics remains a pressing challenge for critical scholarship and practice.

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This essay reconceptualizes “social capital” as it relates to scholarship regarding the traditional news media. Much academic attention links the news media to Robert Putnam's view which focuses on social capital as enhancing “civic pride” and collective/community involvement. I suggest Putnam's perspective is often adopted without wider exploration of what the theory may offer the future of the commercial news media in western societies. This essay proposes the term “mediated social capital” may be a more suitable lens through which to consider this theory, taking a cue from Pierre Bourdieu who views social capital as a resource of power that may be utilized to maintain or build a position of advantage.

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Maggie MacKellar in her book Core of my Heart, my Country writes 'What is sense of place? Why is relationship with place so fundamental to our identity as individuals and as communities?' MacKellar rightly acknowledges that 'A sense of place is a complex connection between land and self. Place is both inside and outside; it takes us beyond ourselves, yet allows us to make sense of ourselves. Attachments to place are born into us, but they are also formed through movement, through labour, through words.' My mother Maria Radzimirski-Herzog considered herself truly Swiss and thoroughly Australian. Through one migrant's story this paper explores something of the complex intertwining of place, memory and identity. It grapples with the notion of belonging to one's country of birth and one's adopted country via a rich understanding of place. In Maria's case, place becomes inextricably bound with who she became as a person. In the early 1940s, Maria explored Switzerland on bike and on foot during war-time restrictions on cars and she came to know it intimately. She photographed the land and the mountains; she documented her journeys. Spirn writes perceptively that 'Significance does not depend on human perception or imagination alone.' For Maria significance was, to use Spirn's words, 'there to be discovered, inherent and ascribed, shaped by what senses perceive, what instinct and experience read as significant, what minds know'. For Maria, Landscape was not 'mere scenery'. The ability to see, to listen, to be present in place, stood her in good stead in her adopted country, Australia. Maria called place into being for her children: through her lived experiences, her memories, her story telling, through language, traditions and history, Maria shared her Swiss identity with her children. But imperceptibly she also taught them how to understand her new homeland Australia, their birth country. How did Maria become Australian? Was that her creative response to exile from Switzerland? How did she come to feel at home in both countries, to understand both places? How did they seep into her and she into them? Through my own research on place I have discovered that assessing 'sense of place' is not an exact science but a creative analysis of the attributes of a place. The methodology I have adopted to explore the complex interrelationships between place, memory and identity allows recovery and reclamation, rediscovery, juxtaposing the subjective and the objective, the co-presence of different evidence. This paper draws on place research, on personal papers, letters and photographs, and the author's own experiences and memories. Through story and narrative it interweaves autobiography and biography with theoretical scholarship, to illuminate one migrant's journey from estrangement to a sense of place in her adopted country, Australia.

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 Much of the focus of scholarship around cultural diversity and museums has taken the advent of multiculturalism in 1973 as a starting point. However, public museums also collected and exhibited items relating to culturally diverse communities from the time they were set up from the 1850s onwards, and my research seeks to produce a pre-history of contact between museums, governments and culturally diverse communities and individuals. By using objects and collections life histories from the time they enter the museum for collection and/ or exhibition purposes, I will analyse the way that these relationships have changed over time. One case study is of the gamelan Digul, parts of which are currently on display in the Australian Journeys gallery at the National Museum of Australia. The gamelan Digul first entered the collection of the National Museum of Victoria in 1946 when the museum accepted the donation of these musical instruments from Indonesians who were being deported after World War II. The gamelan remained in this collection until 1976 when it was deacessioned to Monash University who restored and exhibited it in 1999. The National Museum of Australia borrowed some instruments from the gamelan in 2009. Some of the questions I will explore are: What were the motivations behind the former political prisoners/ Indonesian citizens in donating the gamelan Digul to the National Museum of Victoria and why did the museum accept it? Why was the gamelan Digul deaccessioned to Monash University?  How does the display of these instruments at the NMA represent the historical Indonesian communities in Australia which was deported? 

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In this Special Section we highlight existing and emerging scholarship on Belonging in countries with white majority cultures. We argue that ‘belonging’ is a familiar and well researched concept that continues to be relevant today because it is central to the joy and vitality of life that enables us to inhabit multiple worlds. Drawing on intellectual and personal journeys in USA, Canada and Australia, the contributors of ‘Indian’ heritage raise questions that urge us to unsettle hierarchies of belonging in western societies. They build on interdisciplinary theoretical and empirical insights by thinking about the potentialities of bodies for interdependence in a place we call home.

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It has been many years since Raphael Lemkin’s archival papers were donated to three institutions across the US: the American Jewish Archives (in 1965), the American Jewish Historical Society (1975) and the New York Public Library (1982). Each archive contains Lemkin’s personal letters, research notes, historical papers, essays on philosophical, anthropological and economic approaches to, and outcomes of, genocide. One archive holds Lemkin’s unfinished autobiography and another his research into historical case studies of genocide, although both have been recently published. Despite these current publications, the plethora of archival material in the three institutions, and Dominik J. Schaller and Ju¨rgen Zimmerer’s 2005 special issue of this journal on Lemkin as an historian of mass violence, there has been little engagement with Lemkin’s intellectual writing in his archival papers. In addition, a one-day international conference titled ‘Genocide and human experience: Raphael Lemkin’s thought and vision’, organized by Judith Siegel and hosted by the Center for Jewish History in New York in 2009 centred on the economic, legal and cultural aspects of genocide in relation to Lemkin’s unpublished work. Yeshiva University Museum in November 2009 opened a six-month exhibition on Lemkin, and some of his archives have been digitized at the American Jewish Historical Society. It was Siegel’s visionary decision to initiate these activities. Despite this resurgence of Lemkin scholarship, and considering that genocide studies is now a thriving area within academia, it is curious, then, why many of Lemkin’s erudite writings have been largely neglected. Tony Barta’s recent commentary on Axis rule in occupied Europe, beyond chapter nine on genocide, argues that ‘we owe [Lemkin] much more than the word “genocide”’, namely ‘both respect and a serious critique’; the former has been abundant, the latter, minimal. Implicitly, Barta is urging genocide studies scholars to seek primary source material on Lemkin’s theories, rather than reiterating truncated articles on his life and often-repeated quotations from his published work.

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Perhaps due to her later fame as the newspaper columnist and controversial radio personality known as “Andrea,” the early film career of Dorothy Gordon has been largely overlooked. Certainly her significant celebrity in Australia in the 1 960s overshadowed her comparatively lesser achievements as a silent cinema extra, actor, screenwriter, and art director. The recognition of her contribution to the Australian film industry is further diminished by the loss of her major work as star of Raymond Longford’s Hills of Hate (1926). In addition, her reputation as an entertaining raconteur fond of telling tall stories, especially about herself, leav es much room for doubt about the recorded detail of her early career in both Holly wood and Australian silent films.

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This essay, which will be divided between two SOPHIA editions, proposes to test the consensus in Maimonidean scholarship on the alleged intellectualism of Leo Strauss’ Maimonides by making a close interpretive study of Strauss’ 1963 essay ‘How to Begin to Study the Guide for the Perplexed’. While the importance of this essay, which is Strauss’ last extended piece on the Guide, is established in Maimonidean scholarship, its recognised esotericism has been matched by a dearth of detailed studies of the piece. We aim in this essay to try to rectify this situation, by reading ‘How to Begin to Study’ as Strauss directs us to read esoteric texts in Persecution and the Art of Writing. As one control on our exegetical claims, we will close by situating our reading of ‘How to Begin to Study’ and Strauss’ positions there on philosophy, prophecy and the Torah alongside the claims of his earlier, much less esoteric, but also rarely studied: ‘Some Remarks on the Political Science of Maimonides and Farabi’. Because of the now widely recognised foundational importance of Maimonides in understanding Leo Strauss’ own lasting positions, this work will have wider importance in Strauss scholarship, and hopefully make a contribution to the continuing task of trying to understand Strauss’ important thoughts on Athens and Jerusalem, reason and revelation, the city and man.

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This paper discusses a few issues related to teaching improvement that are commonly found in tertiary education, such as curriculum development, student engagement, and ethical considerations. Scholars re- search on resolving these issues are investigated. Corresponding approaches to improving teaching of a year one information technology unit are proposed and experience is shared. The importance of teaching scholarship is also emphasized at the end of this paper.

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Presentation at APLEC 2013. 
Kristoffer Greaves is researching how lawyers who teach lawyers’ skills in PLT engage in scholarly activities regarding their teaching work. This qualitative research involves cross-disciplinary exchanges between law, legal education, education theory and practice, sociology of law, and cultural theory. Data collected for the research includes 30+ hours semi-structured interviews with 35 PLT practitioners working with different PLT providers around Australia.
One question asked during the interviews - Is thinking like a lawyer different to thinking like a teacher? - elicited reflective and diverse responses and insights about how PLT practitioners reconcile ‘thinking like a lawyer’ with their teaching and mentoring work.
This presentation discusses the relevance and significance of these insights in the context of scholarship of teaching in PLT, and practical legal training’s ‘big picture’ purpose to improve protection of clients, protection of the administration of justice, and the assurance of the quality of legal services.

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Legal academics are not only teachers but also creators of knowledge. The role of an academic includes a responsibility to share this knowledge through engagement not just of their students, but also of the wider community. In addition, there is increasing emphasis on legal academics having to account for the so-called ‘impact’ of research. In selecting both the topic of their research and the mode of publication of their knowledge, legal academics act as gatekeepers. There is an increasing critique of the existing paradigm of research publication and its emphasis on the metrics of impact. This critique recognises the limitations of the commercial publication paradigm in the present context of open access and the vast array of citizen-mediated platforms for dissemination of legal knowledge and innovation. Susskind (Tomorrow’s Lawyers 2013) for example identifies expert crowd-sourced legal information as breaking down barriers to access to justice. Tracking their experience with publication of a paper on social media in legal education from the ALTA conference in 2012, the authors share an auto-ethnographic account of their insights into the potential for both impact and engagement of a diverse audience in their research. This highlights the ways in which various media can be used strategically to redefine the role of the gatekeeper.

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This paper will locate the convergence of Foucault’s and ’Deleuze’s critico-political itinerary on the ethics of autopoiesis. It will re-evaluate the aims and objectives of Foucault’s ‘ethical turn’ in the later volumes of the history of sexuality project alongside Deleuzian ideas about the processes of becoming-other. Then, using primary research from a sociological study on bisexual lives, the paper will demonstrate the consonances of their respective theoretical insights about the potential of erotic ‘pleasure’ and ‘desire’ as a force of resistance. The aim of the analysis is twofold: firstly, to set the groundwork for further dialogical exchange between Deleuzian and Foucauldian thinking; and secondly, to highlight a lacuna in queer scholarship on bisexuality.

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This article introduces the Indigenous Media Practice special issue through a discussion of the aims and scope of the edition. It identifies three major currents in contemporary international research on media and indigeneity, which are reflected in the suite of scholarship presented here. The first is the importance of continuing to critically analyse media systems, institutions and policies that enable and constrain the production and dissemination of information for, by and about Indigenous populations. The second emphasises media-related practices in specific media production and social policy contexts, and the third underlines the importance of interrogating underlying and pervasive societal discourses in understanding Indigenous media practice. The contributions to this themed issue highlight that there is a vibrant body of research among a group of Indigenous and non-Indigenous scholars, typically working in teams in the pursuit of better understanding the relationships between media and indigeneity in both global and local contexts.