987 resultados para parada card


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Cardboard tube in which the scroll was sent. The scroll was sent to relatives within a cardboard tube which was 7 1/4 inches long. The wording on the cardboard tube is "O.H.M.S. Valuable Document - with card. If not delivered return to Secretary, Militia Council (Director of Records), Militia Headquarter, Ottawa, Ontario.". It was sent to Alfred S. Woodruff at 137 Ontario St., St. Catharines.

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The description on the reverse states "The Majesty and Beauty of Niagara. The Horse Shoe Fall." There is also a No. associated with the card, but the original printed number (5800_01) has been crossed out and replaced in ink with 5795.

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The description of the image reads "Magnificent outlook over Niagara, world's grandest waterfall, from Prospect Point to Horseshoe Falls". The side of the card is also stamped "By Royal Command to Their Imperial Majesties King George V and Queen Mary".

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1. Notice of a testimonial to Samuel Zimmerman to be held at Moffatt’s Hotel, Niagara Falls on Feb. 13th 1854. Members of the committee were Walter H. Dickson, Daniel McDougal, William Kingsmill and Joseph A. Woodruff, 1854. 2. Business card of Granger and Billings House, Sign and Ornamental Painters of Queen Street, Niagara Falls, 1855. 3. Membership card of Agricultural Society, Electoral Division No. 25 of the Town and Township of Niagara made out to W. S. Winterbottom, 1881. 4. Invitation to the Centennial Celebration of the settlement of the Niagara District by the United Empire Loyalists to be held on Aug. 14, 1884. The card is from Dan Servos, secretary of the committee, June 1884.

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1. Invitation and program to the Merritton Hose Co. No. 1 Grand Masquerade Ball and Supper. The invitation is for Mrs. J. Wilson. Ladies are by invitation only. Ladies without masks are charged 10 cents. The supper was held at the Union Hall and the dance was held in the Merritton Town Hall. Phalen’s Full Orchestra was providing the music, Feb. 16, 1900. 2. Business card of Long’s Hotel of Niagara. Rooms were $1.50 per day and the proprietor was Wm. Long, n.d. 3. Business card of Niagara Tannery of Niagara, Ontario. Blake and Burk were the proprietors. They were wholesale manufacturers of oak tanned, hose, belting and harness leather, n.d. 4. Business card of James B. Secord of Niagara, Ontario. His office was in the town hall. He was a notary public, conveyancer, clerk of first division court and Commissioner. He also had money to loan, n.d.

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1. Business card of Nouveautes of Delaware Ave., Buffalo, N.Y., n.d. 2. Calling card for Mrs. Hamilton Cassels Jr., n.d. 3. 3 Calling cards for Mrs. Hamilton K. Woodruff, n.d. 4. Calling card for Miss Margaret J. Woodruff, n.d.

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1. Calling card for Mrs. Percy Carruthers Band, n.d. 2. 2 calling cards for Mrs. Charles H. French, n.d. 3. 14 calling cards for Mr. and Mrs. Charles H. French, n.d.

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Woodruff coat of arms (rough sketch - labeled), including a letter to Margaret from “Uncle Tom” regarding the coat of arms. Also included are 4 small cards and one Easter card bearing the coat of arms. [The Woodruff/Woodroffe crest originated in England. Sit Dux Sapientia (Wisdom be our guide). The arm holding a plant is supposed to be a dexter [right] arm, bent, holding a branch of honeysuckle vertically. Some members of the family believe that the plant is actually woodruff], Jan. 18, 1926.

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Various clippings and notes which were found tucked within the pages of the Woodruff books including: Ezekiel Woodruff’s birth date written on an envelope, a recipe for a rose jar, a note regarding Donald Fraser, an unsigned Christmas card, a verse entitled “Woodland friends” a list of names and a program for the New York State Historical Association and Ontario Historical Society. There are also clippings which include articles about: nutritional value of bread, a movie 45 on Hitler, Col. Merritt, stamp collecting, preparing boys to fly, a flying hero, an exhibition of antiques and pioneer days [these items are not particularly relevant to the collection, but offer an insight into daily life and interests], 1936-1937, 1943

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The Imperial Order Daughters of the Empire was founded by Margaret Polson Murray in 1900 following the outbreak of the second Boer War. The organization gave charitable aid to soldiers and it assisted the dependents of deceased soldiers. The federation of women was formed to promote patriotism, loyalty and service to others. The mayors of Canada’s major cities were urged to call together the prominent women of their communities to join in this endeavor. In 1979, the name I.O.D.E was officially adopted. The organization is federally chartered not-for-profit. The focus is on improving the quality of life for children, youth and the underprivileged through educational, social service and citizenship programs. The Colonel Kerby Chapter of Fort Erie, Ontario began on August 19, 1914 under the direction of Captain the Reverend A.C. Mackintosh. The chapter was named after Colonel James Kerby who was a legislator and a soldier. This chapter worked during two world wars raising large sums of money for war work, the community, health and education. In 1931, this chapter created the Douglas Memorial I.O.D.E. Hospital Fund to assist needy veterans. Other fundraisers included: their Salvage Shop, card parties and the Margaret Graham Memorial which raised funds for the Canadian Institute for the Blind. In June of 1989 the last meeting of the chapter took place.

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Tesis (Maestría en Salud Pública) UANL.

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Ce mémoire tente d’identifier la nature du lien entre les stratégies d’organisation syndicale et le résultat des campagnes de syndicalisation. À l’aide d’une étude du cas des campagnes d’organisation menées par les Travailleurs et travailleuses unis de l’alimentation et du commerce (TUAC) chez Wal-Mart au Québec, nous avons examiné l’impact que peuvent avoir différentes variables sur le succès d’une campagne. La littérature sur le renouveau syndical nous a permis d’identifier trois types de campagnes, soit la campagne traditionnelle, la campagne intégrale et la campagne de mouvement social, et nous a amenés à postuler que le type de campagne privilégié aura un effet sur l’impact de la campagne. Nos résultats nous permettent d’arriver à trois conclusions. Premièrement, nous notons deux tactiques relevant de la campagne traditionnelle ayant eu un impact positif sur le résultat des campagnes : l’utilisation de la technique du blitz et le recrutement de poteaux solides. Deuxièmement, le degré d’opposition patronale à la syndicalisation semble avoir un impact sur le degré de succès d’une campagne. Troisièmement, l’analyse des résultats nous permet de constater l’impact significatif du cadre juridique. L’un des éléments les plus importants est l’accréditation par décompte des adhésions comparativement à l’accréditation suite à un vote.

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Thomas G. Brown, Ph.D., co-directeur de recherche

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À partir des années 90, parmi les transformations qu’entraine l’effondrement de l’Union soviétique à Cuba et au milieu des redéfinitions de la cubanité, apparaissent des œuvres narratives contre-discursives et actualisées sur la négritude, la race et le racisme. La représentation du Noir dans les romans de cette période prend toute sa signification du fait que se configure alors un champ de discussion dans lequel convergent différentes modalités et perceptions. Notre recherche explore le terrain discursif entourant les définitions de la cubanité et la négritude qui circulent à cette période à Cuba, pour ensuite voir de quelle manière elles se répercutent sur les auteurs et textes littéraires. À travers l’analyse des oeuvres des écrivains Eliseo Altuanga et Marta Rojas, cette thèse reconstruit leurs dialogues avec l’historiographie littéraire cubaine, l’Histoire de l’Ile et les discours plus actualisés quant au débat ethno-racial. Au moyen de visualisations opposées par rapport à l’histoire de Cuba, Altuanga et Rojas élaborent des œuvres et des personnages avec des différences idéoesthétiques marquées. Ainsi, le premier focalisera sur la recherche d’une rupture épistémologique quant à la conception du Noir dans l’imaginaire cubain, soulignant les événements de l’histoire nationale qui considèrent le Noir comme protagoniste, ce qui renforce l’idée d’une continuité dans son état de subalternisation. En ce qui concerne les protagonistes de Rojas, elle fait appel à des mulâtresses pour raconter le processus de transculturation par lequel, à son point de vue, s’est consolidée l’identité culturelle actuelle des Cubains. Suspendue dans un espace d’énonciation intermédiaire entre les premières décennies de la Révolution et la Période spéciale en Temps de Paix, Rojas construit une trilogie romanesque qui s’efforce à signaler la coupure entre les périodes pré- et postrévolutionnaires quant au traitement du Noir.