Using causal mapping to find new avenue for organizational fit research

Although organizational fit is strongly linked to important psychological outcomes such as motivation, satisfaction, turnover and performance, there is still a lot of confusion about definitions and conceptualizations of the construct. One reason for this is that fit researchers have almost exclusively conducted theory-driven nomothetic studies that have utilized varying approaches to the term. In this paper, we call for exploratory research that listens to how workers construct their own sense of fit and suggest that researchers should adopt idiographic data gathering techniques, coupled with nomothetic analysis tools, to do so. To enable this, we explain how fit researchers might use causal maps and thereby develop a stronger understanding of organizational fit that is grounded in how people conceive it.

The strange and the familiar : seeing beyond when we know

My novel is a collection of interrelated stories. Each story is framed by the idiosyncrasies and prejudices of a different first-person voice. There are gaps in narrative time and there is disparity between the narrators’ voices. The result is a ‘discontinuous narrative’; this term describes the early work of Frank Moorhouse: ‘an innovative narrative method using interconnected stories’ (Griffith University 2011).
As I draft and re-draft the stories, I am forced to assess the interaction between the voices. I am aware of the disjuncture, and I ask myself: Why not tell the story through the eyes of one narrator? Why not choose a third-person perspective, an omniscient narrator who might collect all of the voices together, in a coherent way?
As I second-guess my approach, I realise that the splintering of voices feels like the right way to tell the story and, in this way, I approach the question of methodology. I am aware that a sense of disjuncture arises out of the medley of voices, but I also realise that the disjuncture is carefully constructed; it is not accidental. This is an intuitive judgement.
If I edit my novel ethically, I ask what the discontinuity achieves, rather than how it fails in the context of logic. This means that I recognise that the narrative begins from a place that does not worry about logic, and I realise that second-guessing the surface content of the narrative, from a rational perspective, may be counterproductive.
The conscious mind, fettered as it is with inhibitions, may fail to see that the logical track is not necessarily the most productive route. The conscious mind may not recognise that going off-track is the way forward and, perhaps, the only way that the story can become something other than what I, in my rational mind, believe that it should be.
Ethical editing means that I am attentive to my intuitive response to the narrative; it means that I tolerate incongruous elements of the narrative, even if they do not fit the criteria of logic.
Ethical editing is a meeting of minds (both mine); the fully conscious mind meets the work of the subconscious mind with surprise and approval, at best, skepticism and derision, at worst. The work of the subconscious mind is elusive but it need not be subjugated to logical, rational considerations, for this means that I delimit the work of the subconscious; it means I assess the discontinuity on the basis of an external operating system; it means that I impose certain criteria upon the surface narrative, criteria that has nothing to do with understanding why the discontinuity exists in the first instance.
Alternatively, when I pay heed to a primal moment of narrative composition, a moment that is not necessarily consciously determined or logical, I apprise the surface of the narrative as a metaphorical map, I attempt to engage with the possibilities for meaning that the map encompasses; this constitutes a quest for the unstable how of meaning attribution.

Promoting fit bodies, healthy eating and physical activity among Indigenous Australian men : a study protocol

Background: Overall the physical health of Indigenous men is among the worst in Australia. Research has indicated that modifiable lifestyle factors, such as poor nutrition and physical inactivity, appear to contribute strongly to these poor health conditions. To effectively develop and implement strategies to improve the health of Australia’s Indigenous peoples, a greater understanding is needed of how Indigenous men perceive health, and how they view and care for their bodies. Further, a more systematic understanding of how sociocultural factors affect their health attitudes and behaviours is needed. This article presents the study protocol of a communitybased investigation into the factors surrounding the health and body image of Indigenous Australian men.
Methods and design: The study will be conducted in a collaborative manner with Indigenous Australian men using a participatory action research framework. Men will be recruited from three locations around Australia (metropolitan, regional, and rural) and interviewed to understand their experiences and perspectives on a number of issues related to health and health behaviour. The information that is collected will be analysed using modified grounded theory and thematic analysis. The results will then be used to develop and implement community events in each location to provide feedback on the findings to the community, promote health enhancing strategies, and determine future action and collaboration.
Discussion: This study will explore both risk and protective factors that affect the health of Indigenous Australian men. This knowledge will be disseminated to the wider Indigenous community and can be used to inform future health promotion strategies. The expected outcome of this study is therefore an increased understanding of health and health change in Indigenous Australian men, the development of strategies that promote healthy eating and positive patterns of physical activity and, in the longer term, more effective and culturally-appropriate interventions to improve health.

Applying SPSE model to the comprehension of text organization by EFL learners

In order to test the effect of discourse organization on reading comprehension, two expository texts having an SPSE (situation- problem solution-evaluation) pattern were adminestered to a group of 30 undergraduate EFL students from Shahid Chamran University of Ahwaz who had been screened from among 100 students. These students had scored 60 and over from a language proficiency test having 75 items. The results of the study confirmed that the subjects had relatively more difficulty in recalling the evaluation and the solution sections, and in particular the details of 'solution', than other sections of the expository texts. It is concluded that in addition to language proficiency, other factors such as voice and cognition which contribute to the organization of text and hence to the comprehensibility of it are essential.

Educating the person for democratic participation

English language

Embodied choreography and performance of gender

Norms of fitting embodied behaviour for males and females, as promoted in Australian public arenas of popular culture and the everyday, disempower and marginalise those not inclined to embody in gendernormative and heteronormative ways.

This thesis engages with concepts of embodiment as meaning the manner of physical deportment in which a physical practice is performed, and with concepts of gender as social constructions of femininity and masculinity. It investigates the demands and implications of dominant norms of gender embodiment for those whose embodied inclinations do not fit comfortably with such dichotomous models. It interrogates gender inequitable machinations of education and performance arts disciplines by which educators and arts practitioners train, teach, choreograph, and direct those with whom they work, and theorises ways of broadening personal and social notions of possible, aesthetic, and acceptable embodiment for all persons, regardless of biological sex or sexual orientation.

This research is grounded in two major qualitative methods of enquiry. First, through an autoethnographic lens, it focuses on the impacts that social constructions of masculinity have on me, both as a person in the everyday and as a performance arts practitioner/educator. Through writing, illustration, choreography, and performance, as well as interviews with 3 members of my family, I analyse the delicacy of the relationship between social control/surveillance and personal agency over my embodiment of gender. Second, through empirical ethnographic fieldwork with some 400 high school students and 160 educators and performance arts practitioners, I utilise a combination of performance, discussion, practical workshop, and avenues for anonymous response to explore the potential of the performance arts in challenging inequitable notions of gender embodiment.

My findings demonstrate that inherent ideologies in dominant discourses regarding the execution and display of feminine and masculine embodiment continue to work, overtly and covertly, as definitive and restrictive barriers to the realm of possibilities of embodied gender expression and appreciation in the everyday and in the performance arts. This thesis recommends drawing individuals’ attention to embodied gender inequities and enculturation processes, not ordinarily critiqued within mainstream society, as a key toward safeguarding the well-being of those whose embodied performance inclination is at odds with prescribed norms of behaviour. Performance arts arenas are powerful sites in which such deconstructive work can occur, both cognitively and practically. However, as this thesis explores and illustrates, performance arts practitioners/educators need to first scrutinise existing and hidden inequities regarding the embodiment of gender within their own habitus, perspectives, taste, and practices.