David and Esther : from Julius Nathanson's production "David and Esther" ; a musical romance ; as sung by Julius Nathanson and Ola Lillith

music by Illia Trilling. Lyrics by Chaim Tauber. Libretto by Louis Freiman

The Favorite Songs from the Musical Drama Ner Tomid The Eternal Light

A.Schor

Musical Celebrites

Signatur des Originals: S 36/F10533

Sergei Rachmaninoff's Portraits from the collection of the State Central Museum of Musical Culture (Glinka Museum)

Signatur des Originals: S 36/F12277

Sergei Rachmaninoff's Portraits from the collection of the State Central Museum of Musical Culture (Glinka Museum)

Signatur des Originals: S 36/F12278

Sergei Rachmaninoff's Portraits from the collection of the State Central Museum of Musical Culture (Glinka Museum)

Signatur des Originals: S 36/F12279

Sergei Rachmaninoff's Portraits from the collection of the State Central Museum of Musical Culture (Glinka Museum)

Signatur des Originals: S 36/F12280

Sergei Rachmaninoff's Portraits from the collection of the State Central Museum of Musical Culture (Glinka Museum)

Signatur des Originals: S 36/F12281

Sergei Rachmaninoff's Portraits from the collection of the State Central Museum of Musical Culture (Glinka Museum)

Signatur des Originals: S 36/F12282

Sergei Rachmaninoff's Portraits from the collection of the State Central Museum of Musical Culture (Glinka Museum)

Signatur des Originals: S 36/F12283

Sergei Rachmaninoff's Portraits from the collection of the State Central Museum of Musical Culture (Glinka Museum)

Signatur des Originals: S 36/F12284

Couture, Élève de Mr. Dauverné, Gymnase musical militaire.

Signatur des Originals: S 36/G00670

Domange, Lauréat du Gymnase Musical Militaire, Elève de Mr. Caussinus, Professeurau Conservatoir

Signatur des Originals: S 36/G00730

The musical infant sisters, 4 and 7 Years of Age. Now exhibiting at the Egyptian Hall Piccadilly

Signatur des Originals: S 36/G04500

Carmen de Juan : transformaciones de su estilo musical en su carrera compositiva

La investigación da cuenta de los cambios en estilo y lenguaje musical que la compositora mendocina del siglo XX, Carmen de Juan, adoptó a lo largo de su carrera. En sus comienzos, sus composiciones se caracterizan por una escritura tonal con algunos rasgos impresionistas; más adelante se volcó a la técnica del dodecafonismo, que adaptó de una manera muy personal a sus necesidades expresivas. Finalmente Carmen de Juan escribió su música en un lenguaje atonal más libre, incorporando algunos recursos aleatorios que se manifiestan gráficamente en sus partituras.