增訂敬信錄Zeng ding jing xin lu.Le livre du respect et de la fu édition augmentée.

Contient : I太上感應篇Tai shang gan ying pian.Le Tai shang gan ying pian ; II感應篇讀法纂要Gan ying pian du fa zuan yao.Principes pour la lecture du Gan ying pian ; III太上洞玄靈寶梓潼本願眞經Tai shang dong xuan ling bao zi tong ben yuan zhen jing. Autre titre : 文昌帝君本願眞經Wen chang di jun ben yuan zhen jing.Le vrai livre sacré des vœux du dieu de la Littérature ; IV文昌帝君陰騭文Wen chang di jun yin zhi wen ; V文昌帝君勸孝文Wen chang di jun quan xiao wen.Traité pour conseiller la piété filiale, par le dieu de la Littérature ; VI南無大慈大悲觀世音菩薩救苦經Na mo da ci la bei guan shi yin pu sa jiu ku jing.Sūtra de Guan yin miséricordieuse qui sauve du malheur ; VII南無大慈大悲觀世音菩薩救苦經Na mo la ci da bei guan shi yin pu sa gan ying bao sheng jing.Sūtra de Guan yin miséricordieuse qui répond aux pričres et préserve les êtres vivants ; VIII文昌帝君救劫寶章Wen chang di jun jiu jie bao zhang.Précieux articles du dieu de la Littérature pour le salut du monde ; IX文昌帝君聖訓 。蕉窻十則Wen chang di jun sheng xun. Jiao chuang shi ze ; X文昌帝君勸敬字紙文Wen chang di jun quan jing zi zhi wen. Autre titre : 勸敬惜字文Quan jing xi zi wen.Traité pour conseiller le respect des caractères d'écriture ; XI文昌聖願十戒Wen chang sheng yuan shi jie.Les dix défenses du dieu de la Littérature ; XII東嶽大帝回生寶訓Dong yue da di hui sheng bao xun.Précieuses instructions du dieu du Dong yue sur la transmigration ; XIII圓明斗帝勸世文Yuan ming dou di quan shi wen. Autre titre : 斗姥勸世文Dou mu juan shi wen.Conseils au monde, traité de la déesse Yuan ming dou mu ; XIV玄天上帝金科玉律Xuan tian shang di jin ke yu lü.Lois de l'Empereur céleste.Quan shi ge yan.Conseils au monde, par l'Empereur céleste ; XV關聖帝君眞經Guan sheng di jun zhen jing. Autre titre : 關聖帝君寶訓Guan sheng di jun bao xun.Le vrai livre sacré du réveil du monde, par le dieu de la Guerre ; XVI魏元君勸世文Wei yuan jun quan shi wen.Conseils au monde de Wei Yuan jun ; XVII蓮池大師放生文Lian chi da shi fang sheng wen.Traité conseillant de mettre en liberté les êtres qui ont vie, par Lian chi ; XVIII純陽祖師延壽育子歌Chun yang zu shi yan shou yu zi ge.Chant sur la longévité et l'obtention de fils, par le dieu Fu you ; XIX袁了凡先生立命篇Yuan liao fan xian sheng li ming pian ; XX俞淨意公遇竈神記Yu jing yi gong yu zao shen ji ; XXI文昌帝君功過格Wen chang di jun gong ge ge. Autre titre : 太微仙君功過格Tai wei xian jun gong ge ge.Échelle des mérites et des péchés, par le dieu de la Littérature ; XXII呂叔簡先生居官戒刑八章Lü shu jian xian sheng ju guan jie xing ba zhang.Huit conseils aux fonctionnaires, relativement aux châtiments ; XXIII遏淫說E yin shuo ; XXIV戒賭十條Jie du shi thiao.Dix articles contre le jeu ; XXV勸戒溺女言Quan jie ni nü yan.Paroles pour interdire l'infanticide des filles ; XXVI感應篇致福靈驗Gan ying pian zhi fu ling yan.Exemples miraculeux de bonheur produit par le Gan ying pian ; XXVII文昌帝君陰隲文靈驗Wen chang di jun yin zhi wen ling yan.Miracles du Yin zhi wen ; XXVIII損子墮胎異報Sun zi duo tai yi bao.Châtiment extraordinaire de l'infanticide et de l'avortement ; XXIX救急五絕良方Jiu ji Wu jue liang fang.Recettes contre cinq genres de mort ; XXX安胎催生藥方An tai cui sheng yue fang.Remèdes pour faciliter l'accouchement ; XXXI異傳不出天花經驗奇方Yi chuan bu chu tian hua jing yan qi fang.Recettes merveilleuses pour éviter la petite vérole ; XXXII經驗瘧疾方Jing yan yue ji fang.Recette contre la fièvre intermittente ; XXXIII經驗救急良方Jing yan jiu ji liang fang.Formules pour les cas urgents, avec suppléments ; XXXIV勸世良言Quan shi liang yan.Conseils au monde ; XXXV百忍說Bai ren shuo.Traité des cent résignations ; XXXVI百忍歌Bai ren ge.Chant des cent résignations ; XXXVII文昌帝君救世文Wen chang di jun jiu shi wen.Traité pour sauver le monde, par le dieu de la Littérature ; XXXVIII道德天尊像Dao de tian zun xiang.Portrait de Lao zi ; XXXIX靈通萬應丸Ling tong wan ying huan.Pilules de la pénétration spirituelle et des 10. 000 effets ; XL敬信陰隲文獲報Jing xin yin zhi wen he bao.Effets miraculeux du Yin zhi wen ; XLI牙頤神方Ya yi shen fang.Formules merveilleuses contre le mal de dents et la fluxion ; XLII功過格分類彚編Gong ge ge fen lei hui bian.Liste méthodique des mérites et des péchés

Français 2313

Contient : 1° « Traductions faictes par le roy CHARLES neufiesme, que luy bailloit à faire son precepteur si renommé, Jacques Amiot, evesque d'Auxere et grand aumosnier de France », à savoir ; 1 « Oraison de CICERON pour T. Annius Millon » ; 2 « Oraison de CICERON pour M. Marcellus » ; 3 « Ordre de l'oracion de CICERON pour la loy de Manlius » ; 2° Exercices littéraires, à savoir ; 1 Exorde d'oraison funèbre ; 2 Dissertation en forme de lettre sur « la condition de ceux que le monde appelle grandz » ; 3 Discours politique sur l'obéissance due au prince ; 3° « Responce de POLEMANDRE à la lettre de Cleophon (Colombey) sur les affaires de ce temps » ; 4° Dialogue de « Dotour et d'Angoulevant » ; 5° Fragment de lettre ; 6° « Table contenant la division des universelz » ; 7° « Discours sur l'endurcissement au peché, en forme de comparaison, traduit par M. LE MAISTRE » ; 8° « Discours satyrique contre l'ode de Godeau presentée au roy... par monsieur COSTAR, prestre » ; 9° « Preceptes de la predication »

Histoire de la tour de Nesle

Collection : Illustrations littéraires

Oeuvres poétiques de Boileau : avec des notes de tous les commentateurs

Collection : Chefs d'oeuvre littéraires du XVIIe siècle, collationnés sur les éditions originales et publiés par Lefèvre

Oeuvres poétiques de Boileau Despréaux / avec une notice biographique et littéraire et des notes par E. Géruzez,...

Collection : Nouvelles éditions classiques, publiées avec des notes historiques et littéraires

The new woman, femininity and modernity in Margery Allingham's detective novels of the 1930s /

This thesis examines Death of a Ghost (1934), Flowers for the Judge (1935), Dancers in Mourning (1937), and The Fashion in Shrouds (1938), a group of detective novels by Margery Allingham that are differentiated from her other work by their generic hybridity. The thesis argues that the hybrid nature of this group of Campion novels enabled a highly skilled and insightful writer such as Allingham to negotiate the contradictory notions about the place of women that characterized the 1930s, and that in dOing so, she revealed the potential of one of the most popular and accessible genres, the detective novel of manners, to engage its readers in a serious cultural dialogue. The thesis also suggests that there is a connection between Allingham's exploration of modernity and femininity within these four novels and her personal circumstances. This argument is predicated upon the assumption that during the interwar period in England several social and cultural attitudes converged to challenge long-held beliefs about gender roles and class structure; that the real impact of this convergence was felt during the 1930s by the generation that had come of age in the previous decade-Margery Allingham's generation; and that that generation's ambivalence and confusion were reflected in the popular fiction of the decade. These attitudes were those of twentieth-century modernity--contradiction, discontinuity, fragmentation, contingency-and in the context of this study they are incorporated in a literary hybrid. Allingham uses this combination of the classical detective story and the novel of manners to examine the notion of femininity by juxtaposing the narrative of a longstanding patriarchal and hierarchical culture, embodied in the image of the Angel in the House, with that of the relatively recent rights and freedoms represented by the New Woman of the late nineteenth-century. Pierre Bourdieu's theory of social difference forms the theoretical foundation of the thesis's argument that through these conflicting narratives, as well as through the lives of her female characters, Allingham questioned the Hsocial myth" of the time, a prevailing view that, since the First World War, attitudes toward the appropriate role and sphere of women had changed.

Comics carnet : the graphic novelist as global nomad

An interdisciplinary approach is used to identify a new graphic novel genre, 'comics camet', and its key features. The study situates comics camet in a historical context and shows it to be the result of a cross-pollination between the American and French comics traditions. Comics camet incorporates features from other literary genres: journalism, autobiography, ethnography and travel writing. Its creators, primarily European rriales, document their experiences visiting countries that Europe has traditionally defined as belonging to the 'East'. A visual and narrative analysis, using theoretical perspectives derived from cultural and postcolonial studies, examines how comics camet represents the non-European other and identifies the genre's ideological assumptions. Four representative texts are examined: Joe Sacco's Palestine (2001), Craig Thompson's, Camet de Voyage (2004), Guy Delisle's Pyongyang (2005) and Mrujane Satrpi's Persespolis 2 (2004). The study concludes that the comics camet genre simultaneously reinforces and challenges stereotypical assumptions about non-European people and places.

Steeltown scene : genre, performance and identity in the alternative independent music scene in Hamilton, Ontario

This thesis examines the independent alternative music scene in the city of Hamilton, Ontario, also known, with reference to its industrial heritage, as "Steeltown." Drawing on the growing literature on the relationship between place and popular music, on my own experience as a local musician, direct observation of performances and of venues and other sites of interaction, as well as ethnographic interviews with scene participants, I focus on the role of space, genre and performance within the scene, and their contribution to a sense of local identity. In particular, I argue that the live performance event is essential to the success of the local music scene, as it represents an immediate process, a connection between performers and audience, one which is temporally rooted in the present. My research suggests that the Hamilton alternative music scene has become postmodern, embracing forms of "indie" music that lie outside of mainstream taste, and particularly those which engage in the exploration and deconstruction of pre-existing genres. Eventually, however, the creative successes of an "indiescene" permeate mass culture and often become co-opted into the popular music mainstream, a process which, in turn, promotes new experimentation and innovation at the local level.

Blood, Sweat and Cheers: Absurdist Crime Films and Contemporary Society

Within the crime film tradition there is a plethora of sub-genres all of which relate to crime and its consequences. However, directors Joel and Ethan Coen, Quentin Tarantino and David Lynch, all of whom create plots around crime and criminality, have been difficult to pin down and attribute to any given sub-genre. This thesis demonstrates that an absurdist philosophy can be used to effectively examine the content of the previously mentioned filmmakers. Through an analysis of these filmmakers and their better known works compelling evidence is revealed suggesting that these filmmakers may all belong to the emerging crime film sub-genre known as absurdist crime films.