天主聖教日課Tian zhu sheng jiao ri ke.

Contient : I, livre 1誦經勸語。天主經 。聖母經。又聖母經 。信經。解罪時經 。悔罪經 。天主十誡。Song jing quan yu. Tian zhu jing. Sheng mu jing. You sheng mu jing. Xin jing. Jie zui shi jing. Hui zui jing. Tian zhu shi jie ; II, livre 1早課。與彌撒禮。晚課。Zao ke. Yu mi sa li. Wan ke ; III, livre 1聖母德敘禱文Sheng mu de xu dao wen ; IV, livre 1聖母玫瑰經十五端 ; V, livre 1吾主念珠默想規條 。聖母念珠默想規條Wu zhu nian zhu mo xiang gui tiao. Sheng mu nian zhu mo xiang gui tiao ; VI, livre 2耶穌聖體禱文Ye su sheng ti dao wen ; VII, livre 2耶穌聖號禱文Ye su sheng hao dao wen ; VIII, livre 2耶穌受難禱文 ; IX, livre 2聖彌額爾及諸天神列品禱文Sheng mi e er ji zhu tian shen lie pin dao wen ; X, livre 2聖人列品禱文Sheng ren lie pin dao wen ; XI, livre 2聖人若瑟禱文Sheng ren ruo se dao wen ; XII, livre 2煉獄禱文Lian yu dao wen ; XIII, livre 3天主耶穌受難始末Tian zhu ye su shou nan shi mo ; XIV, livre 3向天主父誦。向天主子誦。向天主聖神誦。向聖三誦。向天主耶穌誦。向聖母瑪利亞誦Xiang tian zhu fu song. Xiang tian zhu zi song. Xiang tian zhu sheng shen song. Xiang sheng san song. Xiang tian zhu ye su song. Xiang sheng mu ma li ya song ; XV, livre 3五傷經規程Wu shang jing gui cheng ; XVI, livre 3誦

Tian zhu sheng jiao ri ke.

Contient : I, livre 1Song jing quan yu. Tian zhu jing, etc ; II, livre 1Zao ke. Yu mi sa li. Wan ke ; III, livre 1Sheng mu de xu dao wen ; IV, livre 1Sheng mu mei gui jing shi wu duan ; V, livre 1Wu zhu nian zhu mo xiang gui tiao. Sheng mu nian zhu mo xiang gui tiao ; VI, livre 2Ye su sheng ti dao wen ; VII, livre 2Ye su sheng hao dao wen ; VIII, livre 2Ye su shou nan dao wen ; IX, livre 2Sheng mi e er ji zhu tian shen lie pin dao wen ; X, livre 2Sheng ren lie pin dao wen ; XI, livre 2Sheng ren ruo se dao wen ; XII, livre 2Lian yu dao wen ; XIII, livre 2Zong tu dao wen ; XIV, livre 3Tian zhu ye su shou nan shi mo ; XV, livre 3Xiang tian zhu fu song, etc ; XVI, livre 3Wu shang jing gui cheng ; XVII, livre 3Song ; XVIII, livre 3Xiang sheng yi na jue song. Xiang sheng fang ji ge song ; XIX, livre 3通功神課Tong gong shen ke ; XX, livre 3祈求聖教大行祝文Qi qiu sheng jiao da xing zhu wen ; XXI, livre 3聖母喜樂經Sheng mu xi luo jing

Sheng jiao ri ke.

Contient : I, livre 3Tian zhu ye su shou nan shi mo ; II, livre 3Xiang tian zhu fu song, etc ; III, livre 3Wu shang jing gui cheng ; IV, livre 3Song ; V, livre 3Shan zhong yi ying li dian

袖珍日課Xiu zhen ri ke ; alias : 天主聖教日課Tian zhu sheng jiao ri ke.

Contient : I, livre 1天主經 。聖母經 。又聖母經。信經 。解罪時經 。悔罪經 。天主十誡。Tian zhu jing, etc ; II, livre 1Zao ke. Yu mi sa li. Wan ke ; III, livre 1Sheng mu de xu dao wen ; IV, livre 1Sheng mu mei gui jing shi wu duan ; V, livre 1Wu zhu nian zhu mo xiang gui tiao ; VI, livre 1Sheng mu nian zhu mo xiang gui tiao ; VII, livre 1遇急救人事宜。要理六端Yu ji jiu ren shi yi. Yao li liu duan ; VIII, livre 2Ye su sheng ti dao wen ; IX, livre 2Ye su sheng hao dao wen ; X, livre 2Ye su shou nan dao wen ; XI, livre 2Sheng mi e er ji zhu tian shen lie pin dao wen ; XII, livre 2Sheng ren lie pin dao wen ; XIII, livre 2聖若瑟禱文Sheng ruo se dao wen ; XIV, livre 2Lian yu dao wen ; XV, livre 3Tian zhu ye su shou nan shi mo ; XVI, livre 3Xiang tian zhu fu song, etc ; XVII, livre 3Wu shang jing gui cheng ; XVIII livre 3Song ; XIX, 1er livre supplémentaireWu bai li. Wu xie li ; XX, 1er livre supplémentaireSheng mu ci xin zhong ku qi zhang ; XXI, 1er livre supplémentaireXiang sheng ruo se song ; XXII, 1er livre supplémentaireXiang sheng yi na jue song, etc ; XXIII, 1er livre supplémentaireSheng zong tu dao wen ; XXIV, 1er livre supplémentaireWei yi wang zhu jiao ; XXV, 1er livre supplémentaire為已亡鐸德.Wei yi wang duo de ; XXVI, 1er livre supplémentaire瘞塋禮典.Yi ying li dian ; XXVII1er livre supplémentaire. 聖心規程.Sheng xin gui cheng ; XXVIII, 1er livre supplémentaire獻心頌.Xian xin song ; XXIX, 2e livre supplémentaire聖十字架禱文.Sheng shi zi jia dao wen ; XXX, 2e livre supplémentaire天主聖神禱文.Tian zhu sheng shen dao wen ; XXXI, 2e livre préliminaire聖五傷方濟各禱文.Sheng wu shang fang ji ge dao wen ; XXXII, 2e livre supplémentaire聖伯多祿亞爾甘太辣祝文.Sheng bai duo lu ya er gan tai la zhu wen ; XXXIII, 2e livre supplémentaire與彌撒規條.Yu mi sa gui tiao ; XXXIV, 2e livre supplémentaire領聖灰聖枝二誦.Ling sheng hui sheng zhi er song ; XXXV, 2e livre supplémentaire物爾朋經.Wu er peng jing ; XXXVI, 2e livre supplémentaireHun pei zhu wen ; XXXVII, 2e livre supplémentaire聖體要理畧節.Sheng ti yao li lüe jie ; XXXVIII, 2e livre supplémentaire領聖體問答.Ling sheng ti wen da ; XXXIX, 2e livre supplémentaire滌罪略.Di zui lüe ; XL, 2e livre supplémentaire輔彌撒禮儀.Fu mi sa li yi ; XLI, 2e livre supplémentaire主日灑聖水答應之經文.Zhu ri shai sheng shui da ying zhi jing wen ; XLII, 2e livre supplémentaire輔安所經.Fu an suo jing ; XLIII, 2e livre supplémentaire永瞻禮表 ; XLIV, 2e livre supplémentaire求付洗聖嬰為主保誦.Qiu fu xi sheng ying wei zhu bao song

天主聖教日課Tian zhu sheng jiao ri ke.

Contient : I, livre 1誦經勸語Song jing quan yu ; II, livre 1萬民四終Wan min si zhong ; III, livre 1要理六端Yao li liu duan ; IV, livre 1上等悔經Shang deng hui jing ; V, livre 1天主十誡Tian zhu shi jie ; VI, livre 1聖教會四規Sheng jiao hui si gui ; VII, livre 1聖號經Sheng hao jing ; VIII, livre 1信經Xin jing ; IX, livre 1天主經Tian zhu jing ; X, livre 1聖母經Sheng mu jing ; XI, livre 1朝拜聖母經Chao bai sheng mu jing ; XII, livre 1解罪經Jie zui jing ; XIII, livre 1聖事之迹Sheng shi zhi ji ; XIV, livre 1天主要知Tian zhu yao zhi ; XV, livre 1早課 。晚課Zao ke. Wan ke ; XVI, livre 1與彌撒禮Yu mi sa li ; XVII, livre 1通功神課Tong gong shen ke ; XVIII, livre 1誦 ; XIX, livre 1多瑪斯聖師向聖體四字詩Duo ma si sheng shi xiang sheng ti si zi shi ; XX, livre 1領聖體前後可行之功Ling sheng ti qian hou ke xing zhi gong ; XXI, livre 1領聖體前後默想七端Ling sheng ti qian hou mo xiang qi duan ; XXII, livre 1領大赦經Ling da sha jing ; XXIII, livre 1Sheng mu mei gui jing shi wu duan ; XXIV, livre 1Sheng mu de xu dao wen ; XXVVoir Chinois CHINOIS 7354, article VIII ; XXVI, livre 1Sheng ren lie pin dao wen ; XXVII, livre 1Lian yu dao wen ; XXVIII, livre 1公審判之文Gong shen pan zhi wen ; XXIX, livre 1Shan zhong yi ying li dian ; XXX, livre 1為已亡主教或鐸德Wei yi wang zhu jiao huo duo de ; XXXI, livre 2Ye su sheng hao dao wen ; XXXII, livre 2Ye su sheng ti dao wen ; XXXIII, livre 2贊聖體四字經文Zan sheng ti si zi jing wen ; XXXIV, livre 2誦 ; XXXV, livre 2恩赦要知 ; XXXVI, livre 2Wu zhu nian zhu mo xiang gui tiao ; XXXVII, livre 2Sheng mu nian zhu mo xiang gui tiao ; XXXVIII, livre 2彌撒奇妙事情略說Mi sa qi miao shi qing lüe shuo ; XXXIX, livre 2Tian zhu ye su shou nan shi mo ; XL, livre 2正學警言 。榮福經Zheng xue jing yan. Yong fu jing ; XLI, livre 2Mi sa li jie ; XLII, livre 2五拜禮Wu bai li ; XLIII, livre 2五謝禮Wu xie li

Television script for Corn Girl

Television script for commercial "Corn Girl" featuring the song "Mellow Yellow"

The last resort : spa therapy and the docile body in Victorian St. Catharines /

By relying on existing cultural models, the Victorian spa promoted health and wellness. Advertising, together with other forms of promotion, strengthened the legitimacy of its claims to cure a variety of health problems. By the use of some links to science and a mystical folk belief about the efficacy of the local mineral waters, three spas emerged in St.Catharines: the Stephenson House, the WeIland House, and the Springbank. As the twentieth century approached, the spa movement declined and institutionalized medicine struggled to establish a monopoly on health care. This thesis argues that the health spas in St. Catharines occupied that transitional space in nineteenth century medicine between home remedy and hospital. The interplay between scientific discovery and business enterprise produced a climate in which the Victorian health resort flourished. This phenomenon, combined with the various maladies brought on by industrialization, nineteenth-century lifestyle, and the absence of medical options, created a surge in the popularity of health spas and mineral spring therapies. By the tum of the twentieth century, interest in mineral water treatments had declined. The health resorts that had blossomed between 1850 and 1899 began to experience a serious decrease in business. This popular movement became outmoded in the face of emerging medical and scientific knowledge. In St. Catharines, the last resort to remain standing, the WeIland House, finished out the city's spa era as a hospital.

Marginal/minority popular music : the concept of the "third space" and the case for "hybridities" of cultures/identities /

The topic of this thesis is marginaVminority popular music and the question of identity; the term "marginaVminority" specifically refers to members of racial and cultural minorities who are socially and politically marginalized. The thesis argument is that popular music produced by members of cultural and racial minorities establishes cultural identity and resists racist discourse. Three marginaVminority popular music artists and their songs have been chosen for analysis in support of the argument: Gil Scott-Heron's "Gun," Tracy Chapman's "Fast Car" and Robbie Robertson's "Sacrifice." The thesis will draw from two fields of study; popular music and postcolonialism. Within the area of popular music, Theodor Adorno's "Standardization" theory is the focus. Within the area of postcolonialism, this thesis concentrates on two specific topics; 1) Stuart Hall's and Homi Bhabha's overlapping perspectives that identity is a process of cultural signification, and 2) Homi Bhabha's concept of the "Third Space." For Bhabha (1995a), the Third Space defines cultures in the moment of their use, at the moment of their exchange. The idea of identities arising out of cultural struggle suggests that identity is a process as opposed to a fixed center, an enclosed totality. Cultures arise from historical memory and memory has no center. Historical memory is de-centered and thus cultures are also de-centered, they are not enclosed totalities. This is what Bhabha means by "hybridity" of culture - that cultures are not unitary totalities, they are ways of knowing and speaking about a reality that is in constant flux. In this regard, the language of "Otherness" depends on suppressing or marginalizing the productive capacity of culture in the act of enunciation. The Third Space represents a strategy of enunciation that disrupts, interrupts and dislocates the dominant discursive construction of US and THEM, (a construction explained by Hall's concept of binary oppositions, detailed in Chapter 2). Bhabha uses the term "enunciation" as a linguistic metaphor for how cultural differences are articulated through discourse and thus how differences are discursively produced. Like Hall, Bhabha views culture as a process of understanding and of signification because Bhabha sees traditional cultures' struggle against colonizing cultures as transforming them. Adorno's theory of Standardization will be understood as a theoretical position of Western authority. The thesis will argue that Adorno's theory rests on the assumption that there is an "essence" to music, an essence that Adorno rationalizes as structure/form. The thesis will demonstrate that constructing music as possessing an essence is connected to ideology and power and in this regard, Adorno's Standardization theory is a discourse of White Western power. It will be argued that "essentialism" is at the root of Western "rationalization" of music, and that the definition of what constitutes music is an extension of Western racist "discourses" of the Other. The methodological framework of the thesis entails a) applying semiotics to each of the three songs examined and b) also applying Bhabha's model of the Third Space to each of the songs. In this thesis, semiotics specifically refers to Stuart Hall's retheorized semiotics, which recognizes the dual function of semiotics in the analysis of marginal racial/cultural identities, i.e., simultaneously represent embedded racial/cultural stereotypes, and the marginal raciaVcultural first person voice that disavows and thus reinscribes stereotyped identities. (Here, and throughout this thesis, "first person voice" is used not to denote the voice of the songwriter, but rather the collective voice of a marginal racial/cultural group). This dual function fits with Hall's and Bhabha's idea that cultural identity emerges out of cultural antagonism, cultural struggle. Bhabha's Third Space is also applied to each of the songs to show that cultural "struggle" between colonizers and colonized produces cultural hybridities, musically expressed as fusions of styles/sounds. The purpose of combining semiotics and postcolonialism in the three songs to be analyzed is to show that marginal popular music, produced by members of cultural and racial minorities, establishes cultural identity and resists racist discourse by overwriting identities of racial/cultural stereotypes with identities shaped by the first person voice enunciated in the Third Space, to produce identities of cultural hybridities. Semiotic codes of embedded "Black" and "Indian" stereotypes in each song's musical and lyrical text will be read and shown to be overwritten by the semiotic codes of the first person voice, which are decoded with the aid of postcolonial concepts such as "ambivalence," "hybridity" and "enunciation."

Righteous sounds and reproductive justice : the influence of Ani DiFranco's music for reproductive rights activists

In this thesis, I explore how the folk-rock music of Ani DiFranco has influenced the activist commitments, sensibilities, and activities of reproductive rights activists. My interest in the relation of popular music to social movements is informed by the work of Simon Frith (1987, 1996a, 1996b), Rob Rosenthal (2001), and Ann Savage (2003). Frith argues that popular music is an important contributor to personal identity and the ways that listeners see the world. Savage (2003) writes that fans develop a unique relationship with feminist/political music, and Rosenthal (2001) argues that popular music can be an important factor in building social movements. I use these arguments to ask what the influence of Ani DiFranco's music has been for reproductive rights activists who are her fans. I conducted in-depth interviews with ten reproductive rights activists who are fans of Ani DiFranco's music. All ten are women in their twenties and thirties living in Ontario or New York. Each has been listening to DiFranco's music for between two and fifteen years, and has considered herself a reproductive rights activist for between eighteen months and twenty years. I examine these women's narratives of their relationships with Ani DiFranco's music and their activist experience through the interconnected lenses of identity, consciousness, and practice. Listening to Ani DiFranco's music affects the fluid ways these women understand their identities as women, as feminists, and in solidarity with others. I draw on Freire's (1970) understanding of conscientization to consider the role that Ani's music has played in heightening women's awareness about reproductive rights issues. The feeling of solidarity with other (both real and perceived) activist fans gives them more confidence that they can make a difference in overcoming social injustice. They believe that Ani's music encourages productive anger, which in turn fuels their passion to take action to make change. Women use Ani's music deliberately for energy and encouragement in their continued activism, and find that it continues to resonate with their evolving identities as women, feminists, and activists. My study builds on those of Rosenthal (2001) and Savage (2003) by focusing on one artist and activists in one social movement. The characteristics of Ani DiFranco, her fan base, and the reproductive rights movement allow new understanding of the ways that female fans who are members of a female-dominated feminist movement interact with the music of a popular independent female artist.

Behavioural, mensural, and ecological correlates of polygyny in the eastern meadowlark (Sturnella magna)

During 1982 and 1983 I studied male attributes and attributes of the territory of male Eastern Meadowlarks (Sturnella magna) in order to determine whether there was a correlation between any of the attributes investigated and the number of females attracted by a male. Seventeen males, nine of which were polygynous and eight monogamous, were studied in 1982 and sixteen males.of which .. seven were polygynous and nine ~onogamous, were studied in 1983. The study was conducted in Short Hills Park, 10 km southwest of St. Catharines, Ontario and was designed to compare two hypotheses: the "sexy son" hypothesis (Weatherhead and Robertson,1977) and the polygyny threshold model (Verner and Willson,1966, Orians, 1969). Male attributes investigated were male size and song behaviour. Six measures of male size were taken: weight, flattened and natural wing chord length, culmen length, bill depth and length of the tarsometatarsus. In 1983 song repertoire size and song versatility measures were investigated. Attributes of the territory studied were: territory size, density of plant stems, percentage plant cover and measures of vegetation structure. In 1983 Arthropods were collected from each territory and sorted according to taxonomic group and size. During 1983, territory attributes were sampled twice, once early and once later in the nesting season. Analysis of data involved univariate comparisons between monogamous and polygynous males using T-tests and multivariate comparisons were made using discriminant function analysis (DFA) and principle components analysis (PCA).No correlations were found between the number of females attracted with, .ny measure of male size or with me, .sures of song versatili or size of song repertoire. Also no correlation was found between terri size and the number of females nesting on a terri . Some attributes of the male's terri id distinguish between monog,mous and po s males of thistudy. Analysis of Arthropod numbers showed that e~ .eran counts were significantly great~r on polygynous territories, a1 the total numb~rs of Arthropods collected showed no s fico .nt differences between territories of monogamous and po males. DFA chose ear teran and Hymenopteran counts as multivariate discriminators; both variables we' e more vegetation revealed that there were no univariate differences between the two groups of males fOT 1982 stem densities, but ~ spp. and Solidago spp. were chosen DFA as multivariate discriminators. The total number of plant stems and of Vicia spp. stems were s ficantly the early 1983 ing on monogamous territories for however DFA found no multivariate discriminators" Variables concerned with the overall aspects of vegetation structure showed significant differences between territories of monogamous and polygynous males. DFA of the 1982 sampling of vegetation structure showed significantly greater mat depth and vegetation height on polygynous territories, a finding which was not supported, however, by peA. For the early 1983 sampling period, plant height was greater on polygynous territories. Multivariate analysis identified greater green cover on polygynous territories, greater ground cover on monogamous territories, and greater depth of mat material on monogamous territories as discriminators between territories of monogamous and polygynous males. A DFA on the major variables of the study showed no significant difference between the territories of monogamous and polygynous male Meadowlarks. Of the correlations found, some were for non-prey Arthr~ods, for cover plants with very small samples sizes, or for variables which were greater for monogamous males during one sampling period and polygynous males during the next. While multivariate discriminators were found, peA showed no grouping of monogamous or polygynous males according to any of the variables investigated. On the basis of the univariate and multivariate analysis of major variables, I concluded that there were no correlations between the number of females attracted with male attributes and no unambiguous correlation with attributes of the territory. My study does not unequivocally support either the "sexy son" or the polygyny threshold hypothesis.

Effect of age on female choice in the field cricket, Gryllus interger

Female choice is an important element of sexual selection that may vary among females of the same species. Few researchers have investigated the causes of variation in selectivity with respect to potential mates and overall level of motivation toward a stimulus source representative of a mate. This study demonstrates that female age may be one cause of variation in female choice. Females of different ages may have different mate preferences. As females age, they have less time left to reproduce, and their residual reproductive value decreases. This should correspond to a higher reproductive effort which may be represented as increased motivation and/or decreased selectivity. The effect of age on mate choice in Gryllus integer was investigated by using a non-compensating treadmill, called the Kugel, to measure female phonotaxis. Artificially generated male calling songs of varying pulse rates were broadcast in either a singlestimulus or a three-stimulus experimental design. The pulse rates used in the calling song stimuli were 70, 64, 76, 55 and 85 pulses per second. These corresponded to the documented mean pulse rate for the species at the experimental temperature, one standard deviation below and above the mean, and 2.5 standard deviations below and above the mean, respectively. Test females were either 11-14 days or 25-28 days post-ecdysis. Trials usually were conducted two to seven hours into the scotophase. In the single-stimulus experiment, females were presented with stimuli with only one pulse rate. Older females achieved higher vector scores than younger females, indicating that older females are more motivated to mate. Both groups showed little phonotactic response towards 55 or 85 pIs, both of which lie outside the natural range of G. integer calling song at the experimental temperature. Neither group discriminated among the three pulse rates that fell within the natural range of calling song. In the three-stimulus experiment, females were presented with stimuli with one of three pulse rates, 64, 70 or 76 pIs, In alternation. Both age groups had reduced responsiveness in this experiment, perhaps due to an increase in perceived male density. Additionally, younger females responded significantly more to 64 and 70 pIs than to the higher pulse rate, indicating that they are selective with respect to mate choice. Older females did not discriminate among the three pulse rates. Therefore, it was concluded that selectivity decreases with age. A further study was conducted to determine that these effects were due to age and not due to the differing periods without a mating between the two age groups. Again, stimuli were presented in a three-stimulus experimental design. Age was held constant at 28 days and time since last mating varied from 11 to 25 days. Females varyIng in time since last mating did not differ in their responses to the calling song pulse rates. This indicated that the increased motivation and decreased selectivity exhibited In the initial experiments were due to age and not to time without a mating. Neither time of trial nor female weight had an effect upon female phonotaxis. Data are discussed in terms of mate choice, residual reproductive value, and costs of choice.