1000 resultados para Exame Nacional de Ensino Médio
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Acompanha: Glossário de termos biológicos em língua brasileira de sinais (GBLI)
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Acompanha: Sequências didáticas para o ensino de teorias atômicas e elementos químicos
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A partir do ano de 2012, lança-se uma proposta de reestruturação no Ensino Mé- dio no Estado do Rio Grande do Sul. Surge nessa proposta um elemento novo na grade curricular chamado de Seminário Integrado. Esse tem por objetivo aliar a formação geral à parte diversificada do currículo através de um planejamento interdisciplinar voltado à pesquisa. Diante desse cenário surge a motivação para elaborar esse trabalho, nele apresenta-se quatro atividades interdisciplinares relacionando a matemática com outras disciplinas. Nossa proposta é que essas atividades possam servir como uma possível base para elaboração e/ou estruturação de atividades nos Seminários Integrados. Junto com cada atividade apresentamos uma proposta de pesquisa relacionada à prática social, bem como em quais sentidos essas atividades poderão preparar o jovem para ser inserido no mercado de trabalho. O material elaborado pelos professores envolvidos e a escolha dos métodos de ensino utilizados são subsidiados por uma pesquisa bibliográfica que fizemos a respeito do tema interdisciplinaridade. As atividades elaboradas foram aplicadas em duas turmas de terceiro ano do Ensino Médio, em uma escola particular na cidade de Pelotas, Rio Grande do Sul. Apresentamos alguns dados que consideramos relevantes em termos de resultados relacionados ao ganho pedagógico.
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Esta dissertação propõe atividades a fim de estabelecer uma aproximação entre a matemática e a música, aproveitando a estreita relação existente entre esses dois assuntos. Aplica-se a história da matemática como ferramenta para o entendimento de conceitos matemáticos e musicais, bem como a evolução da música. Além disso, utiliza-se a resolução de problemas para estabelecer a relação entre a matemática e a música através das funções exponencial e logarítmica e a sequência numérica chamada progressão geométrica (P.G.) Ações efetivas, como questionários relativos ao assunto a ser estudado, debates com o intuito de perceber o nível de conhecimento dos alunos sobre a música e uma atividade prática, a construção de um xilofone de garrafas, envolvendo os conhecimentos adquiridos, auxiliaram para a obtenção do resultado final deste trabalho. Apresenta-se também a análise das atividades que embasaram a proposta desse trabalho quando aplicadas em uma turma de segundo ano do Colégio Sinodal Alfredo Simon, localizada na cidade de Pelotas no estado do Rio Grande do Sul.
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At first moment we present a reflection about the history of theater and later a contextualization of didactic movements oriented to scenic arts. Through at the constant dialogue with authors of areas involving education, theatre, corporeality and music was possible analyzing, develop and criticize a education work under my responsibility involving fourteen classes. At the second moment will occur a critical self about the quality of theater classes his contents and methodologies. The technique will be at side of the emotion and together develop skills aimed at tracing paths for theater developed at a classroom of a especific private school in Natal-RN. At the third moment one class is chosen for analyze of the academic research and many experiments happen after this decision, initiated and sensitized through of the music with a significant look at the corporeality and prioritizing the theater as content in ninth grade - elementary school two. At the conclusion is possible see that learning is mutual and the theater can become life routine as well as the arts in general and when all arts will be regularized into the national educational system for public and private schools we will have more susceptible humans and more intellectual capacity
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This masters thesis discusses the studying and the teaching of drama and its implications among teenagers of the contemporary world. This paper also analyses an extracurricular project entitled Drama in the development of citizenship , which was carried out in the public state school Berilo Wanderley in Natal/RN, between 1999 and 2005 with high school students. It comprises a case study that aimed at understanding how and why they chose to take drama classes outside of the school curriculum and even after they graduated, some of them never left the school project and even started participating in the cultural and artistic context of the city of Natal quite actively, both as part of an audience as well as on artistic, political, social and pedagogical performance. The project was high significant for its participants, for the school and for the community, by creating a sense of recognition of the relevance of the pedagogical and artistic production in the public school, as it managed to yield knowledge that helped students to understand the values of group work, sharing information, collaborative assessment and, most of all, to engender actions of protagonism by the teenagers themselves within their social environments. The empirical process developed is placed in a contemporary historical context where educational paradigms shifts occur, and where categories of youth empowerment and protagonism are fundamental to the educational process in the 21st century. The objective of this study is to reflect upon the pedagogical dimension of drama classes for teenagers, aiming at providing further discussions on the role of acting classes in the construction of the personality among youngsters, thus hoping to contribute to other teaching practices, including drama and other subjects of general education
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O presente trabalho investiga a análise dos critérios de seleção e escolha do livro didático de História pelos professores da rede pública de educação do Colégio Pedro II da cidade do Rio de Janeiro, no período entre 2010-2012, período dos processos de escolha do livro didático, promovidos pelo Programa Nacional do Livro Didático – PNLD e o Programa Nacional do Livro do Ensino Médio. Através da análise dos critérios de seleção do livro didático de história, dos professores da rede pública de educação do Colégio Pedro II da cidade do Rio de Janeiro, propomos compreender os processos educativos formais e não formais que envolvem o fazer docente, nesse caso a própria elaboração do currículo, e as influências do livro didático diretamente nos contextos educacionais, com base nas pesquisas que visam habilitar o historiador-docente a ter capacidade de auxiliar o ensino dos discentes de forma a contribuir significativamente para um ensino pautado em métodos e pesquisas que possibilitem o próprio historiador-docente a desenvolver seu trabalho não somente através de pesquisas, mas também práticas, alcançando a práxis de um currículo pautado em pesquisas historiográficas.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Física, Programa de Pós-Graduação de Mestrado Profissional em Ensino de Física, Mestrado Nacional Profissional em Ensino de Física, 2015.
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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Educação, Programa de Pós-Graduação em Educação, 2016.
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Dissertação (mestrado)—Universidade de Brasília, Decanato de Pesquisa e Pós-Graduação, Instituto de Ciências Biológicas, Instituto de Física, Instituto de Química, Faculdade UnB Planaltina, Programa de Pós-Graduação em Ensino de Ciências, Mestrado Profissional em Ensino de Ciências, 2016.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Física, Programa de Pós-Graduação em Física, 2015.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Biológicas, Instituto de Física, Instituto de Química, Faculdade UnB Planaltina, Programa de Pós-Graduação em Ensino de Ciências, Mestrado Profissional em Ensino de Ciências, 2016.
Resumo:
At first moment we present a reflection about the history of theater and later a contextualization of didactic movements oriented to scenic arts. Through at the constant dialogue with authors of areas involving education, theatre, corporeality and music was possible analyzing, develop and criticize a education work under my responsibility involving fourteen classes. At the second moment will occur a critical self about the quality of theater classes his contents and methodologies. The technique will be at side of the emotion and together develop skills aimed at tracing paths for theater developed at a classroom of a especific private school in Natal-RN. At the third moment one class is chosen for analyze of the academic research and many experiments happen after this decision, initiated and sensitized through of the music with a significant look at the corporeality and prioritizing the theater as content in ninth grade - elementary school two. At the conclusion is possible see that learning is mutual and the theater can become life routine as well as the arts in general and when all arts will be regularized into the national educational system for public and private schools we will have more susceptible humans and more intellectual capacity
Resumo:
This masters thesis discusses the studying and the teaching of drama and its implications among teenagers of the contemporary world. This paper also analyses an extracurricular project entitled Drama in the development of citizenship , which was carried out in the public state school Berilo Wanderley in Natal/RN, between 1999 and 2005 with high school students. It comprises a case study that aimed at understanding how and why they chose to take drama classes outside of the school curriculum and even after they graduated, some of them never left the school project and even started participating in the cultural and artistic context of the city of Natal quite actively, both as part of an audience as well as on artistic, political, social and pedagogical performance. The project was high significant for its participants, for the school and for the community, by creating a sense of recognition of the relevance of the pedagogical and artistic production in the public school, as it managed to yield knowledge that helped students to understand the values of group work, sharing information, collaborative assessment and, most of all, to engender actions of protagonism by the teenagers themselves within their social environments. The empirical process developed is placed in a contemporary historical context where educational paradigms shifts occur, and where categories of youth empowerment and protagonism are fundamental to the educational process in the 21st century. The objective of this study is to reflect upon the pedagogical dimension of drama classes for teenagers, aiming at providing further discussions on the role of acting classes in the construction of the personality among youngsters, thus hoping to contribute to other teaching practices, including drama and other subjects of general education
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This work addresses the relationship between University-Firm aims to understand the model of shared management of R&D in petroleum of Petrobras with UFRN. This is a case study which sought to investigate whether the model of cooperation established by the two institutions brings innovation to generate technical-scientific knowledge and contribute to the coordination with other actors in the promotion of technological innovation. In addition to desk research the necessary data for analysis were obtained by sending questionnaires to the coordinators of projects in R&D at the company and university. Also, interviews were conducted with subjects who participated in the study since its inception to the present day. This case study were analysed through the Resource-Based View and Interorganizational Networks theory. The sample data also stands that: searches were aligned to the strategic planning and that 29% of R&D projects have been successful on the scope of the proposed objectives (of which 11% were incorporated into business processes); which was produced technical and scientific knowledge caracterized by hundreds of national and international publications; thesis, dissertations, eleven patents, and radical and incremental innovations; the partnership has also brought benefits to the academic processes induced by the improved infrastructure UFRN and changing the "attitude" of the university (currently with national prominence in research and staff training for the oil sector). As for the model, the technical point of view, although it has some problems, it follows that it is appropriate. From the viewpoint of the management model is criticized for containing an excess of bureaucracy. From the standpoint of strategic allocation of resources from the legal framework needs to be reassessed, because it is focused only on the college level and it is understood that should also reach the high school given the new reality of the oil sector in Brazil. For this it is desirable to add the local government to this partnership. The set of information leads to the conclusion that the model is identified and named as a innovation of organizational arrangement here known as Shared Management of R&D in petroleum of Petrobras with UFRN. It is said that the shared management model it is possible to exist, which is a simple and effective way to manage partnerships between firms and Science and Technology Institutions. It was created by contingencies arising from regulatory stand points and resource dependence. The partnership is the result of a process of Convergence, Construction and Evaluation supported by the tripod Simplicity, Systematization and Continuity, important factors for its consolidation. In practice an organizational arrangement was built to manage innovative university-industry partnership that is defined by a dyadic relationship on two levels (institutional and technical, therefore governance is hybrid), by measuring the quarterly meetings of systematic and standardized financial contribution proportional to the advancement of research. These details have led to the establishment of a point of interaction between the scientific and technological-business dimension, demystifying they are two worlds apart