A graph-based approach for latency modeling and optimization in multiview video encoding

We present a novel framework for encoding latency analysis of arbitrary multiview video coding prediction structures. This framework avoids the need to consider an specific encoder architecture for encoding latency analysis by assuming an unlimited processing capacity on the multiview encoder. Under this assumption, only the influence of the prediction structure and the processing times have to be considered, and the encoding latency is solved systematically by means of a graph model. The results obtained with this model are valid for a multiview encoder with sufficient processing capacity and serve as a lower bound otherwise. Furthermore, with the objective of low latency encoder design with low penalty on rate-distortion performance, the graph model allows us to identify the prediction relationships that add higher encoding latency to the encoder. Experimental results for JMVM prediction structures illustrate how low latency prediction structures with a low rate-distortion penalty can be derived in a systematic manner using the new model.

The estimation of truncation error by tau-estimation revisited

The aim of this paper was to accurately estimate the local truncation error of partial differential equations, that are numerically solved using a finite difference or finite volume approach on structured and unstructured meshes. In this work, we approximated the local truncation error using the @t-estimation procedure, which aims to compare the residuals on a sequence of grids with different spacing. First, we focused the analysis on one-dimensional scalar linear and non-linear test cases to examine the accuracy of the estimation of the truncation error for both finite difference and finite volume approaches on different grid topologies. Then, we extended the analysis to two-dimensional problems: first on linear and non-linear scalar equations and finally on the Euler equations. We demonstrated that this approach yields a highly accurate estimation of the truncation error if some conditions are fulfilled. These conditions are related to the accuracy of the restriction operators, the choice of the boundary conditions, the distortion of the grids and the magnitude of the iteration error.

Current Mode with RMS Voltage and Offset Control Loops for a Single-Phase Aircraft Inverter Suitable for Parallel and 3-Phase Operation Modes

Rms voltage regulation may be an attractive possibility for controlling power inverters. Combined with a Hall Effect sensor for current control, it keeps its parallel operation capability while increasing its noise immunity, which may lead to a reduction of the Total Harmonic Distortion (THD). Besides, as voltage regulation is designed in DC, a simple PI regulator can provide accurate voltage tracking. Nevertheless, this approach does not lack drawbacks. Its narrow voltage bandwidth makes transients last longer and it increases the voltage THD when feeding non-linear loads, such as rectifying stages. On the other hand, the implementation can fall into offset voltage error. Furthermore, the information of the output voltage phase is hidden for the control as well, making the synchronization of a 3-phase setup not trivial. This paper explains the concept, design and implementation of the whole control scheme, in an on board inverter able to run in parallel and within a 3-phase setup. Special attention is paid to solve the problems foreseen at implementation level: a third analog loop accounts for the offset level is added and a digital algorithm guarantees 3-phase voltage synchronization.

High efficiency envelope tracking buck converter for RFPA using GaN HEMTs

—In this paper, application of a new technological solution for power switches based on Gallium Nitride and a filter design methodology for high efficiency Envelope Amplifier in RF transmitters are proposed. Comparing to Si MOSFETs, GaN HEMTs can provide higher efficiency of the Envelope Amplifier, due to better Figure Of Merit (lower product of on- resistance and gate charge). Benefits of their application were verified through the experimental results. The goal of the filter design is to generate the envelope reference with the minimum possible distortion and to improve the efficiency of the Amplifier, obtaining the optimum trade-off between conduction and switching losses.

Optimum Design of an Envelope Tracking Buck Converter for RF PA using GaN HEMTs

In this paper, filter design methodology and application of GaN HEMTs for high efficiency Envelope Amplifier in RF transmitters are proposed. The main objectives of the filter design are generation of the envelope reference with the minimum possible distortion and high efficiency of the amplifier obtained by the optimum trade-off between conduction and switching losses. This optimum point was determined using power losses model for synchronous buck with sinusoidal output voltage and experimental results showed good correspondence with the model and verified the proposed methodology. On the other hand, comparing to Si MOSFETs, GaN HEMTs can provide higher efficiency of the envelope amplifier, due to superior conductivity and switching characteristics. Experimental results verified benefits of GaN devices comparing to the appliance of Si switching devices with very good Figure Of Merit, for this particular application

ITEM: Inter-Texture Error Measurement for 3D Meshes

We introduce a simple and innovative method to compare any two texture maps, regardless of their sizes, aspect ratios, or even masks, as long as they are both meant to be mapped onto the same 3D mesh. Our system is based on a zero-distortion 3D mesh unwrapping technique which compares two new adapted texture atlases with the same mask but different texel colors, and whose every texel covers the same area in 3D. Once these adapted atlases are created, we measure their difference with ITEM-RMSE, a slightly modified version of the standard RMSE defined for images. ITEM-RMSE is more meaningful and reliable than RMSE because it only takes into account the texels inside the mask, since they are the only ones that will actually be used during rendering. Our method is not only very useful to compare the space efficiency of different texture atlas generation algorithms, but also to quantify texture loss in compression schemes for multi-resolution textured 3D meshes.

Characterization of vineyard's canopy through fuzzy clustering and svm over color images

In this work we propose an image acquisition and processing methodology (framework) developed for performance in-field grapes and leaves detection and quantification, based on a six step methodology: 1) image segmentation through Fuzzy C-Means with Gustafson Kessel (FCM-GK) clustering; 2) obtaining of FCM-GK outputs (centroids) for acting as seeding for K-Means clustering; 3) Identification of the clusters generated by K-Means using a Support Vector Machine (SVM) classifier. 4) Performance of morphological operations over the grapes and leaves clusters in order to fill holes and to eliminate small pixels clusters; 5)Creation of a mosaic image by Scale-Invariant Feature Transform (SIFT) in order to avoid overlapping between images; 6) Calculation of the areas of leaves and grapes and finding of the centroids in the grape bunches. Image data are collected using a colour camera fixed to a mobile platform. This platform was developed to give a stabilized surface to guarantee that the images were acquired parallel to de vineyard rows. In this way, the platform avoids the distortion of the images that lead to poor estimation of the areas. Our preliminary results are promissory, although they still have shown that it is necessary to implement a camera stabilization system to avoid undesired camera movements, and also a parallel processing procedure in order to speed up the mosaicking process.

A regular perturbation approach to surface tension driven flows

Surface tension induced convection in a liquid bridge held between two parallel, coaxial, solid disks is considered. The surface tension gradient is produced by a small temperature gradient parallel Co the undisturbed surface. The study is performed by using a mathematical regular perturbation approach based on a small parameter, e, which measures the deviation of the imposed temperature field from its mean value. The first order velocity field is given by a Stokes-type problem (viscous terms are dominant) with relatively simple boundary conditions. The first order temperature field is that imposed from the end disks on a liquid bridge immersed in a non-conductive fluid. Radiative effects are supposed to be negligible. The second order temperature field, which accounts for convective effects, is split into three components, one due to the bulk motion, and the other two to the distortion of the free surface. The relative importance of these components in terms of the heat transfer to or from the end disks is assessed

La luz natural como generadora del espacio arquitectónico de la catedral gótica

La historia de la construcción de las catedrales góticas es la historia de la búsqueda de la luz. Esta afirmación casi metafísica, recoge una realidad asumida por todos los historiadores tanto de la arquitectura antigua como del resto de las artes. La luz en el gótico ha sido descrita bajo múltiples matices como son su carácter simbólico, cromático e incluso místico, sin embargo no existe, en el estudio del conocimiento de la luz gótica, ninguna referencia a la misma como realidad física cuantificable, cualificable y por tanto, clasificable. La presente tesis doctoral aborda el concepto de la iluminación gótica desde una perspectiva nueva. Demuestra, con un método analítico inédito, que la iluminación gótica es cuantificable y cualificable. Para ello analiza en profundidad la iluminación de una selección de 6 edificios muestra, las catedrales de Gerona, Toledo, Sevilla y León, la basílica de Santa María del Mar y la capilla de la Sainte Chapelle de París, mediante una toma de datos “in situ” de iluminación y su comparación con los datos lumínicos obtenidos por un programa de soleamiento de la simulación en tres dimensiones de los distintos proyectos originales góticos. El análisis exhaustivo de las muestras y su introducción en el método analítico descrito, permite determinar, en primer lugar, unas cualidades inéditas que identifican la luz de los espacios góticos según unos parámetros nuevos como son la intensidad, expresividad, recorrido, distorsión y color. También describe cuales son los factores determinantes, de nuevo inéditos, que modulan cada una de las cualidades y en que proporción lo hacen cada uno de ellos. Una vez establecidas las cualidades y los factores que las definen, la tesis doctoral establece los rangos en los que se mueven las distintas cualidades y que conformarán la definitiva clasificación según “tipos de cualidad lumínica”. Adicionalmente, la tesis propone un procedimiento abreviado de acercamiento a la realidad de la iluminación gótica a través de unas fórmulas matemáticas que relacionan los factores geométricos detectados y descritos en la tesis con el resultado luminoso del espacio en lo que concierne a las dos cualidades más importantes de las reflejadas, la intensidad y la expresividad. Gracias a este método y su procedimiento abreviado, la clasificación se hace extensible al resto de catedrales góticas del panorama español y europeo y abre el camino a nuevas clasificaciones de edificios históricos de distintas épocas, iniciando un apasionante camino por recorrer en la recuperación de “la luz original”. Esta clasificación y sus cualidades podrán a su vez, ser utilizadas como herramientas de conocimiento de un factor determinante a la hora de describir cualquier espacio gótico y su aportación pretende ser un nuevo condicionante a tener en cuenta en el futuro, ayudando a entender y respetar, en las posibles intervenciones a realizar sobre el patrimonio arquitectónico, aquello que fue en su inicio motor principal del proyecto arquitectónico y que hoy día no se valora suficientemente tan solo por falta de conocimiento: su luz. The history of the construction of the Gothic cathedrals is the history of the search for light. This almost etaphysical statement reflects a reality accepted by all historians both of ancient architecture and other arts. Light in the Gothic period has been described under multiple approaches such as its symbolic, chromatic and even mystical character. However, in the study of the Gothic light, no references exist to it as a physical quantifiable and qualifiable reality and therefore, classifiable. This dissertation deals with the concept of Gothic light from a new perspective. With a new analytical method, it shows that Gothic lighting is quantifiable and can be classified regarding quality. To this end, a selection of 6 buildings light samples are analyzed; the cathedrals of Gerona, Toledo, Seville and León, the basilica of Santa María of the Sea and the Sainte Chapelle in Paris. "In situ" lighting data is collected and it is compared with lighting data obtained by a program of sunlight of the 3D simulation of various Gothic original projects. The comprehensive analysis of the samples and the data introduced in the analytical method described, allows determining, first, important qualities that identify the light of Gothic spaces according to new parameters such as intensity, expressiveness, trajectory, distortion and color. It also describes the determinant factors, which modulate each of the qualities and in what proportion they do it. Once the qualities and factors that define them have been established, in this doctoral dissertation the ranges regarding different qualities are set, which will make up the final classification according to "types of light quality". In addition, this work proposes an abbreviated procedure approach to the reality of the Gothic lighting through some mathematical formulae, relating the geometric factors identified and described in the study with the bright result of space regarding the two most important qualities of the light,intensity and expressiveness. Thanks to this method and to the abbreviated procedure, the classification can be applied to other Spanish and European Gothic cathedrals and opens up the way to new classifications of historic buildings from different eras, starting an exciting road ahead in the recovery of the "original light". This classification and its qualities may in turn be used as tools to know a determinant factor when describing any Gothic space. Its contribution is intended to be a new conditioning factor to keep in mind in the future, helping to understand and respect, in possible interventions on the architectural heritage, what was the main engine to start the architectural project and which today is not valued enough due to the lack knowledge: the light.

Determination of the magnetostrictive atomic enviroments in FeCoB alloys

The atomic environments of Fe and Co involved in the magnetostriction effect in FeCoB alloys have been identified by differential extended x-ray fine structure (DiffEXAFS) spectroscopy. The study, done in amorphous and polycrystalline FeCoB films, demonstrates that the alloys are heterogeneous and that boron plays a crucial role in the origin of their magnetostrictive properties. The analysis of DiffEXAFS in the polycrystalline and amorphous alloys indicates that boron activates magnetostriction when entering as an impurity into octahedral interstitial sites of the Fe bcc lattice, causing its tetragonal distortion. Magnetostriction would be explained then by the relative change in volume when the tetragonal axis of the site is reoriented under an externally applied magnetic field. The experiment demonstrates the extreme sensitivity of DiffEXAFS to characterize magnetostrictive environments that are undetectable in their related EXAFS spectra.

Caracterización y optimización de un sistema de sonido profesional

El presente proyecto tiene como objeto caracterizar y optimizar un equipo de sonido profesional, entendiendo por “caracterizar” el determinar los atributos particulares de cada uno de los componentes integrados en el sistema, y entendiendo por “optimizar” el hallar la mejor manera de obtener una respuesta plana para todo el rango de frecuencias, libre de distorsión, y en la mayor área posible. El sistema de sonido utilizado pertenece a un grupo musical de directo, por lo que se instala y se configura en cada concierto en función de las características del recinto, sea cerrado o al aire libre. Con independencia de estas particularidades, el sistema completo se divide en dos formaciones, L y R (lado izquierdo y lado derecho del escenario), por lo que cada formación se compone de un procesador digital de la señal, cuatro etapas de amplificación, un sistema line array de ocho unidades, y un conjunto de ocho altavoces de subgraves. Para llevar a cabo el objetivo planteado, se ha dividido el proyecto en las fases que a continuación se describen. En primer lugar, se han realizado, en la cámara anecoica de la EUITT, las medidas que permiten obtener las características de cada uno de los elementos que componen el sistema. Estas medidas se han almacenado en formato ASCII. En segundo lugar, se ha diseñado una interfaz gráfica que permite, utilizando las medidas almacenadas, caracterizar tanto la respuesta individual de cada elemento de la cadena del sistema de sonido como la respuesta combinada de una unidad line array y una unidad de subgraves. La interfaz es interactiva, y tiene además la capacidad de entregar automáticamente los valores de configuración que permiten la optimización del conjunto. Esto es, obtener alineamiento en el rango de frecuencias compartido por ambas unidades. Las medidas realizadas en la cámara anecoica se han utilizado igualmente para modelar el sistema line array al completo y poder realizar simulaciones en campo libre utilizando programas de predicción acústica. Se ha experimentado con los valores de configuración que permiten el alineamiento de los elementos individuales y obtenidos a través de la interfaz desarrollada, para comprobar la validez de los mismos con la formación line array y subgraves al completo. Por otro lado, se han analizado los métodos de optimización de sistemas propuestos por profesionales reconocidos del medio con el objetivo de aplicarlos en un evento real. En la preparación y montaje del evento, se han aplicado los valores de configuración proporcionados por la interfaz, y se ha comprobado la validez de los mismos realizando medidas in situ según los criterios propuestos en los métodos de optimización estudiados. ABSTRACT. This project aims to characterize and optimize a professional sound system. Characterize must be understood as determining the particular attributes of each component integrated in the system; optimize must be understood as finding the best way to get a flat response for all the frequency range, distortion free, in the largest possible area. The sound system under test belongs to a live musical group, so it is setup and configured on each concert depending on the characteristics of the enclosure, whether it’s indoor or outdoor. Apart from these features, the whole system is divided into two clusters, L and R (left and right side of the stage), so that each one is provided with a digital signal processor, four amplification stages, an eight-units line array system, and a set of eight subwoofers . To accomplish the stated objective, the project has been divided into the steps described below. To begin with, measures have been realized in the anechoic chamber of EUITT, which make possible obtaining the characteristics of each of the elements of the system. These measures have been stored in ASCII format. Then, a graphical interface has been designed that allow, using the stored measurements and from graphics, to characterize both the individual response of each element of the string sound system and the combined response of the several elements. The interface is interactive, and also has the ability to automatically deliver the configuration settings that allow the whole optimization. That means to get alignment in the frequency range shared by a line array unit and a subwoofer unit. The measurements made in the anechoic chamber have also been used to model the complete line array system and to perform free-field simulations using acoustical prediction programs. Simulations have been done with the configuration settings that allow the individual elements alignment (provided by the graphical interface developed), in order to check their validity with the full line array and subwoofer systems. On the other hand, analysis about the optimization methods, proposed by renowned professionals of the field, has been made in order to apply them in a real concert. In the setup and assembly of the event, configuration settings provided by the interface have been applied. Their validity has been proved by making measures on-site according to the criteria set in the studied optimization methods.