A biografia como registro da memória na obra do Visconde de Taunay

Le but de cet article est de démontrer que la production de textes biographiques a été une activité constante pendant toute la carrière intellectuelle et politique du vicomte de Taunay, de façon à contribuer pour rendre célèbres des personnalités brésiliennes et étrangères qui, selon lui-même, ont joué un rôle important dans le projet de constitution de la nationalité brésilienne. Em outre, ce texte vise signaler un aspect caractéristique de la méthode biographique adoptée par l’écrivain, puisqu’il va au-délà de la chronologie tradionnelle qui considère la naissance et la mort comme points de répère identifiant le début et la fin du récit: d’autres textes (écrits ou non par lui) s’y ajoutent toujours, de manière à le rendre fragmentaire et, par conséquent, plus proche de la discontinuité et du caractère aléatoire de l’existence humaine.

A interdisciplinaridade da obra O homem que calculava, aplicada ao ensino de matemática

Pós-graduação em Matemática - IBILCE

Os diálogos interestruturais na obra de Lourenço Mutarelli : hibridismos e experimentações nas fronteiras entre o romance e o romance gráfico

Pós-graduação em Letras - IBILCE

Em Cristo, poetas denunciam a podridão da modernidade: uma análise da obra Tempo e eternidade

This assignment aims to do a critical and interpretative review of the masterpiece Tempo e Eternidade, published by the Brazilian poets Jorge de Lima and Murilo Mendes in 1935. It is a result of a project called Restaurando a poesia em Cristo, created by many different Brazilian poets as Tristão de Ataíde, Augusto Schimdt, and others. It is worth highlighting the importance of these poems, because of the period when they were published and for the modern proposal, as the theme, which the poets denounce the bad aspects of modernity of the century through the Holly Bible, as also for the new esthetics. In the 30s, Brazil was passing through many changes; in aspects of history - the transition between the governments of Oligarchy to the New State, in governance of Getúlio Vargas; and in the literary context, it was the beginning of the second phase of Modernism, from 1930 to 1945. This period remains the consolidation of the literary movement, in terms of esthetics, since the major proposal of Modernism is freedom of the verse and, in this second phase, the search for a renovation of the language and the enlargement of the themes in poetry, such in the religious aspect or the social-political' themes. In this perspective, it aims to show the importance of the masterpiece for the history of Brazilian literature, coated as part of a turning point between the first and second phase of Modernism, also for the thematic renovation in religious poetry and esthetics, with a new proposal of esthetics. The methodology for the analyses of the poems will be through Antonio Candido's proposal, in O estudo analítico do poema, based on interpretation and comments. Therefore it intends showing through the analyses the relevance of the masterpiece written by the Brazilian poets, to the area of religious poetry and for the literary movement of that time

Do estudo do memorial de Teresa Vergani à análise de sua obra em educação matemática: trilhando o caminho da matemática

Pós-graduação em Educação Matemática - IGCE

Entre o corpo da obra e o corpo do observador

Pós-graduação em Artes - IA

Identidades em movimento: a representação feminina e as relações de gênero na obra de Angela Carter

Pós-graduação em Letras - FCLAS

Religiosidade e mito na obra de José Carlos Mariátegui e a teologia da libertação

Pós-graduação em Ciências Sociais - FCLAR

Os recursos linguísticos no projeto de desliteraturização de Monteiro Lobato: discutindo a obra fábulas

Pós-graduação em Educação - IBRC

Aplicação de modelos hidrológicos para avaliação de reservatórios de retenção e detenção combinados à obra de recuperação do canal de macrodrenagem no controle de cheias em uma bacia hidrográfica urbanizada

The aim of this paper was to evaluate the effect of retention and detention reservoirs along with the regulation in channel flow upgrade on flood for an urban watershed located at Rio Claro, SP. For this purpose, modeling and simulation techniques were applied for runoff determination and its propagation in channel. The Soil Conservation Service – SCS hydrologic model as well as Pulz and non-linear Muskingum-Cunge model were used. The software IPHS1 was applied on simulations. The results pointed out that the combination of retention increasing and detention reservoir implementation (120,000 m3, corresponding to 1.5% of the watershed area) with the streamflow upgrade (n decreasing from 0,04 to 0,02) can minimize the flood on the investigated Servidão watershed. Further, after the proposed intervention, the flood was eliminated for the investigated times of recurrence: 5, 20, 50 and 100 years. The prognostic indicated that the available area occupation had a minor effect on flow increasing due to the observed high urbanization.

Sentimento de culpa na obra freudiana: universal e inconsciente

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

O desenho na obra de Wim Wenders: 'Até o fim do mundo'

The present work is an investigation into the possibilities of development of drawing in the contemporaneity and the detachment which certain poetic art could have to the point of absorbing more than one language in the materialization of the idea as it meets the development of the individual approach from the producer's work.This reading is sought in the work of the filmmaker Wim Wenders, more specifically in his film "Until the End of the World" and the way it presents the images are due to the proximity of different artistic languages. While cropping, framing are part of the procedures present in the artist's creative process to meet the needs of its poetics.

Paisagens íntimas na Obra de Brígida Baltar: 'Projeto Umidades'

Esse artigo apresenta uma abordagem sobre a produção da artista brasileira Brísgida Baltar (1959-), enfatizando-se as obras que compõem o "Projeto Umidades". O recorte proposto prioriza as relações de afetividade e intimidade que se delieniam na poética da artista em ações que transitam entre o interior e exterior e dão sentido à paisagem enquanto permanência sensorial e imaginária.