998 resultados para FICÇÃO CIENTÍFICA
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This work’s main purpose is to research how the scientific speech is outlined on the Revista Língua Portuguesa in statements made by linguists. Statements issued in the previously mentioned magazine have been analyzed. In order to achieve the proposal, the research was based on the following questions: how both the scientific and the scientific divulgation speeches are formed in the magazine, and whether the opinion texts written by scholars and researchers in the linguistic field identify themselves with opinion articles, scientific articles or scientific divulgation texts. Those questions were discussed from the theoretical-methodological bakhtinian perspective, taking the notion of dialogism, the human activity sphere, genres of discourse and style as conceptual elements. It has been detected that there is a complexity in the construction of the genres in the magazine, always taking into account the journalistic and scientific spheres of circulation. The analyzed statements presented themselves as a confluence of many genres’ characteristics, showing a point of view, a scientific subject, a researcher-author and a language adjustment to the magazine reader, making it more accessible. The analysis showed that the discussed statements resemble opinion articles, scientific articles, and reviews, besides being scientific divulgation at the same time
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Pós-graduação em Ciência da Informação - FFC
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Pós-graduação em Educação - IBRC
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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O Ensino de Ciência do Sistema Terra constitui o eixo articulador de um programa, que integra ações educacionais e de investigação, tendo por objetivo central o desenvolvimento e aplicação de propostas educacionais que incorporam princípios da complexidade. O programa articula as ações educacionais no âmbito de uma investigação-ação. As ações são realizadas em contextos de educação formal e envolvem comunidades escolares da rede pública do município de São José do Rio Preto (SP, Brasil). Os trabalhos e as ações consideram as diretrizes curriculares e as políticas educativas vigentes e seus resultados revelam-se na construção de materiais e práticas polidisciplinares, que exploram as conexões existentes entre as diferentes áreas do conhecimento para ensinar os conteúdos curriculares, em prol de uma educação científica mais efetiva e pertinente. Os resultados, até então obtidos, revelam alguns contributos das ações educacionais e de investigação do programa que, ao potenciar e incentivar o trabalho colaborativo, o diálogo multidisciplinar e a reflexão crítica, favorecem o desenvolvimento de uma percepção mais acurada do significado e alcance da educação científica para a formação do indivíduo e das sociedades.
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The majority of the population knows their role in dengue control, preventing the accumulation of water in containers as potential breeding sites of Aedes aegypti, the main vector of dengue. Also known chemical control, widely used by the institutions responsible for the control of endemic diseases. On the other hand, unaware that an alternative measure such biological control through a microbial biopesticide, safe, harmless to health and the environment, can be adopted. Thus, this work reported for elementary school students, simply and clearly, the biological control of mosquitoes through bacterial biopesticide produced locally. Moreover, promoted the interdisciplinary teaching of science and mathematics through the data tabulation and charting on interviews conducted by students, about the level of knowledge of the population about dengue and other related variables.
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Pós-graduação em Filosofia - FFC
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Pós-graduação em Ciência da Informação - FFC
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Hoffmann wrote several fairy tales, including "Princess Brambilla" (1821), which has an remarkable pictorial component: when it was published, the text went along with eight illustrations by Carl Friedrich Thiele, which were derived from original prints made by the Frenchman Jacques Callot. While Callot images portray the Italian theater of the Commedia dell'Arte, Thiele's works follow the plot of the narrative, representing the characters of Hoffmann, who disguise themselves because of the carnival that is taking place in Rome. The costumes and masks worn by the characters however do not ensure them full secrecy. Instead of a complete undercover, they lead to double meanings and double identities so that narrative levels and artistic references overlap and create an effect similar to a set of a polyphonic orchestra (which is a metaphor implied in the very subtitle, where the narrative is called a Capriccio).
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In the context of the confrontation between the several existing possibilities of comprehension of the term “innovation” in the Linguistic fields, the main goal of this paper is to explore the comprehension of this term considering the adoption of new methodologies, based on the analysis of a specific case, of the Research Group Phonology of Portuguese: Archaic and Brazilian periods, which investigates the phonology of a past period of the language from which there are no more alive native speakers.
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Our aim in this article is to accomplish an afterthought concerning contemporary fiction. Taken as initial the afterthought of the role of the novel as fiction and its linking with the afterthought of mimesis in modernity, we aim to consider the presence of agony not only as a theme but also as a structural element of narratives. Eventually, we will make brief tallies of theses aspects in the work of José Saramago.
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The short story “Os desastres de Sofia” (1964), of Clarice Lispector, can be read as fictional metaphor for the way as the writer elaborated and presented the concept of “Vanguard”. Philosophical reflections of Walter Benjamin (1933) contains the arguments that Clarice, in this narrative, invigorates, by the use of modern keys, vanguardist, according to her conception, which Benjamin sanctioned by the melancholic look of the past. Clarice is notable as a writer of prose affiliated with the brazilian modern poetry.
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From the reading of contemporary Portuguese fiction, after the Carnation’s Revoluction, in 1974, we can observe an opening in the literary and academic ambiences to the treatment of themes, silenced before for the New State despotism. Considering the postmoderns proposals of reviewing the canon, we mark the necessity of a homoerotism inclusion as one of the most fundamental theme for the comprehension of the actual literary production in Portugal.