La Francia sotto le bombe degli Alleati 1940-1945

This book chapter outlines the scope and strategies of Allied bombing raids on France between 1940 and 1945, as well as the reactions of the Vichy state, the French people, and the Resistance.

How many Frenchmen did you kill? British bombing policy towards France (1940-1945)

The Allied bombing of France between 1940 and 1945 has received comparatively little attention from historians, although the civilian death toll, at about 60,000, was comparable to that of German raids on the UK. This article considers how Allied, and particularly British, bombing policy towards France was developed, what its objectives were and how French concerns about attacks on their territory were (or were not) addressed. It argues that while British policymakers were sensitive to the delicate political implications of attacking France, perceived military necessities tended to trump political misgivings; that Vichy, before November 1942, was a stronger constraint on Allied bombing than the Free French at any time and that the bombing programme largely escaped political control from May 1944.

Poetry on Pre-Raphaelite principles: science, nature and knowledge in William Michael Rossetti’s 'Fancies at Leisure' and 'Mrs. Holmes Grey'

This article demonstrates how early Pre-Raphaelite poetry worked according to the principle that art should be modelled on science theorised by the Pre-Raphaelites in their early essays. As the main theorists (rather than practitioners) of Pre-Raphaelite art, F. G. Stephens and William Michael Rossetti defined the Pre-Raphaelite project in terms of observation, investigation, experiment, the “adherence to fact” and the “search after truth”. In the hands of the early Pre-Raphaelite poets, and particularly Rossetti himself, poetry too becomes a mode of scientific enquiry into the natural world, the nature of observation, human psychology and medical practice.

Les Français sous les bombes alliées, 1940-1945

Plus de 517 000 tonnes de bombes sont déversées sur l’Hexagone par les alliés entre 1940 et 1945, soit près de sept fois plus que le total largué sur le Royaume-Uni par la Luftwaffe. Plus de 57 000 Français en sont morts, dont plus de 38 000 au cours de la seule année 1944. Cet aspect fondamental de l’histoire des années noires, que les survivants et les familles des victimes ne connaissent que trop bien, et qui a fait l’objet de nombreuses études locales, est encore relativement marginalisé de la « grande histoire » de l’Occupation et de la Libération. Pourquoi et comment les armées aériennes alliées ont-ils attaqué la France ? Quelles mesures ont été prises par le gouvernement de Vichy pour protéger les populations ? Comment les Alliés ont-ils justifié les attaques auprès des Français, et comment la propagande vichyssoise a-t-elle essayé de les mettre à profit ? Comment les populations civiles ont-ils vécu les bombardements, et comment se sont-elles mobilisées pour se défendre ? Comment la Résistance a-t-elle réagi à des attaques qui ne pouvaient que nuire à son audience au sein des Français, ainsi qu’à celle des « Anglo-saxons » ? Autant de questions auxquelles l’ouvrage comme le documentaire répondent, avec l’appui de documents d’archives britanniques et françaises, mais aussi de témoignages nombreux et émouvants.

Persia and kingship in William Cartwright's The Royall Slave (1636)

The recent reorientation of early modern studies draws attention to the Renaissance stage as a site of exploration of images of the Islamic world. This article examines the use of ancient and contemporary Persia in William Cartwright’s The Royall Slave (1636), in which Persia figures as a convenient space through which to examine political issues relevant to the audience at home in England. Assessing the construction of idealized societies and rulers in the play, The Royall Slave is a contemporary Court and academic drama that demonstrates its importance as one of a number of synchronous texts that represent Persia.