969 resultados para Enunciação discursiva
Resumo:
O objetivo deste artigo é discutir aspectos enunciativos em reconto infantil produzido por crianças na faixa etária de 07 a 09 anos, em contexto escolar, em suportes distintos, a saber, no papel e na tela do computador com acesso à internet. De um ponto de vista teórico, que privilegia estudos da Enunciação e do Discurso (BAKHTIN, 1997; CORRÊA, 2004), procura-se refletir sobre modificações no texto/discurso dada a mudança do suporte material, segundo a hipótese de que, ao enunciar no papel ou na tela, as diferentes projeções que o escrevente faz da imagem do outro, da de si próprio e da dos suportes utilizados no processo de textualização podem ser investigadas na relação sujeito-linguagem. Metodologicamente, este trabalho apoia-se no paradigma indiciário, o qual permite conceber fenômenos da linguagem como indícios representativos de fenômenos mais gerais. A análise, de cunho qualitativo-interpretativo, privilegia, portanto, o estudo de marcas linguísticas que indiciam diferentes projeções de imagens que os escreventes produzem com diferentes interlocutores em suportes distintos.
Resumo:
Esse trabalho analisa as refrações do discurso pedagógico que, em diálogo com outros discursos, como os da mídia e da linguística, reflete-os, além de ressignificá-los. Mais especificamente, trata-se da ressignificação que os discursos pedagógicos, postos em diálogo com os discursos da mídia, fazem de conceitos da lingüística; para essa análise tem-se como foco os conceitos de coesão e coerência, esses conceitos são critérios de avaliação dos textos. Quando retirados de suas enunciações e reutilizados nos dias de hoje, esses conceitos são ressignificados de forma a se adaptarem a novas enunciações. Como abordagem metodológica para a realização deste trabalho, tem-se uma análise qualitativa dialógica do livro de Thaís Nicoleti de Camargo, Redação linha a linha (2010) (corpus desse trabalho, que representa o discurso pedagógico). No diálogo proposto sobre os conceitos de coesão e coerência textuais pode-se perceber a ressignificação causada pela nova enunciação em que esses enunciados são reutilizados. Esse trabalho, por valer-se da análise do discurso bakhtiniana, estará sempre voltado ao conceito de diálogo, colocando os discursos em contato; partindo desse ponto, busca-se entender quais discursos dialogam com a produção do discurso pedagógico no livro analisado. Pode-se perceber, na análise dos conceitos de coesão e coerência textuais, que alguns discursos que dialogam com esses enunciados são os discursos de normatização e padronização. É possível dizer que a enunciação em que esses enunciados se produzem remete aos discursos do capitalismo, dos vestibulares, da atribuição de notas
Resumo:
This paper is result of an analysis of the Brave New World by Aldous Huxley, made based on the perspective of discursive semiotics. For both, the elements of the generative course of meaning were applied, particularly those in works of Barros (2001) and Fiorin (2000). In view of that each of the three levels (elementary, narrative and discourse) of semiotics approach are considered capable of independent descriptions, we sought through the (re) construction of meaning of specific parts of the work and also the relationship of its thematic route with the time it was composed, found that, as a result of this work, the relationships between fiction and reality and thus the relevance of the work of Aldous Huxley
Resumo:
Pós-graduação em Linguística e Língua Portuguesa - FCLAR
Resumo:
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Resumo:
Pós-graduação em Educação - FFC
Resumo:
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Resumo:
The education research guidelines have shown the important contribution of the investigations that focus on analysis of the discursive dimension of teaching and learning of Science in actual classroom. An interesting proposal to analyze the effectiveness of an educational activity is to assess the potential of investigative activities in the development of argumentation in science classes. Several studies have taken into account the use of argument in the classroom as a way to provide students with new ways to know the science. Argument refers to the process of associating components that play a central role in the construction of explanations, models and theories. In order to investigate the potential of these activities took place the application of investigative activities with third-year high school students, recorded in audio and video, focusing on the development of the argument. The search, conducted ranks as a qualitative research with characteristics of a case study. The arguments collected during the activities contained the students' conceptions about the concepts discussed and all were recorded in audio and video. With the encouragement of the argument by the investigative activity we evaluate the learning experienced by the speech of students. It may be noted that students have appropriated the concept of oxidation involving electron transfer, thus the activity reached the goal, so that was planned, making it effective for the introduction of electrochemical concepts
Resumo:
Pós-graduação em História - FCLAS
Resumo:
The process of inclusion of deaf students at regular and specialized educational institution is a complex issue, which has the main point of discussion its specificity linguistic represented by Brazilian Sign Language. Whereupon, this research analyzed how the discourses of young students with deafness on this type of education at regular and specialized educational institution from a city situated in the State of São Paulo. The aim of this study was analyze the relations between the discourses of deaf students and their production conditionals, using the dimension of Discourse Analysis and the historical-cultural psychology. As parts of this research, were used four deaf students enrolled in schools belong in the city of São Paulo, which two schools are regular and two are specialized to deaf people. The collection instruments build themselves in observation of dialogue situations in classroom and interview semistructured. The interviews were made by video recording, researcher and an interpreter. The results showed that discourse of the student enrolled in the specialized school differs in relation to the ideals of bilingual education, in this case defended by users of the Brazilian Sign Language, fact not observed in the context of the regular school.
Resumo:
Building on some core concepts of dialogic discourse analysis, this article aims to discuss, through an examination of the bestseller lists in Brazil during the years 2000 to 2010, the central features of contemporary mass literature. By the evidence of the prevalence of self-help books, we examine how the phenomenon is consisting. The conclusion that we get is that self-help can be seen both as a discourse genre and as style.
Resumo:
The aim of this paper is to show how the methodological apparatus of Greimasian semiotics is applied to tackle discourse issues. In particular, focusing on the concepts of veridiction and passion, two specific discourse procedures, it is examined how these concepts are included in the enunciative praxis by analyzing two distinct texts: the short story “O cônego ou a metafísica do estilo”, by Machado de Assis, and the Nova Schin beer ad published in a Brazilian weekly magazine.
Resumo:
The novel O passado (2003) by Alan Pauls presents many isotopies which would deserve to be investigated: there is a varied construction of loving relationships among the characters, who reveal different feelings, that would allow a mapping of passions to be studied; there is an activity of translation (role performed by Rimini and Carmen) that engenders a very rich reflection on the literary activity which is taking place. There is also the presence of a visual artist, Jeremy Riltse, revealing a poetic work which was created by this discourse. Due to the dimension that a research of this kind would require, it is not possible to deal with all the isotopies. Thus, the last one was chosen to be investigated, that is, to verify how the fictional visual artist and his singular work operate in the novel.
Resumo:
This article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production.