Análise comparativa de duas versões do conto de Cinderela: a de Charles Perrault e a dos Irmãos Grimm

A importância que é atribuída ao ato da leitura serviu como princípio para nortear este estudo, que se utiliza do conto da Cinderela para aprofundar a reflexão a respeito da relação entre o tipo de leitores que estamos formando e aquele que desejamos formar. Sistematizando, por meio da teoria de Vladimir Propp, nossa análise das versões de Charles Perrault e dos Irmãos Grimm do conto de Cinderela, obtemos importantes conclusões a respeito de como o conto se contextualiza de acordo com as sociedades vigentes. Desse modo, este estudo permitiu o aprofundamento necessário para que nós, como profissionais responsáveis pela formação do sujeito e do leitor, nos atentemos a aspectos e valores contidos em cada versão do conto e que nos esforcemos em trabalhá-los junto aos nossos educandos. Retomamos ainda algumas produções contemporâneas a respeito do enredo da Gata Borralheira, para situar a concepção que fazemos deste conto e desta personagem ainda hoje. As reflexões finais ficaram responsáveis por apresentar algumas possibilidades de trabalho que o educador pode pensar para levar para a sala de aula

O cisne noutros lugares ou Da impossibilidade de esquecer a dor

Taking into consideration the previous critical interpretations about Baudelaire’s poem called “Le cygne” (Benjamin, Oehler, Barbosa), this article highlights some relevant aspects about allegorical structure, seeking to demonstrate how the feeling of exile and the melancholy, which define the poetic individual and which represent underlying themes in Baudelaire’s poem, can be read through a frame of reference which links both historical-political and psychoanalytical interpretations.

Charles Perrault e os Contos da Mamãe Gansa

El presente trabajo tiene como objetivo desarrollar un análisis de varios factores relacionados al poeta y escritor francés Charles Perrault en su trabajo de transposición de los cuentos populares de la cultura oral a la cultura escrita. Aquí analizamos el contexto histórico en que vivió el autor, así como las condiciones sociales y económicas que generaban un determinado estilo de vida en aquel momento, es decir, el período pre-revolucionario, los abusos cometidos por las clases altas contra el pueblo y la búsqueda de la burguesía por promoción social. Analizará cómo todos estos factores, de alguna manera, han contribuido a la formación de una recepción favorable de Los Cuentos de mi Madre la Oca por la élite cultural de la época y del siglo siguiente. Con base en los estudios sobre la vida del poeta francés, también se ofrecen algunos acontecimientos personales y familiares que conforman la historia de la creación de su famosa colección. Por último, será analizada la categoría del narrador y su importancia para el sentido propio de la obra

Poe, Baudelaire, Huysmans: dândis e malditos

Poe, Baudelaire and Huysmans, voices that bewilder readers due to their literary iconoclastic impulse, knew how to bother society and tradition becoming archetypes of the poèt maudit. Eccentrics, these poets, living exiled to the margins of the frustrated bourgeois society with its moral rules, wish for something beyond world then was offering; so, they turn for the mysterious regions of the obscure, of the sordidness and of the Satanic, finally becoming the poets of the abyss. At the same time maudits and aesthetes, they wish to be sublime and consider the dandyism like the last ray of light of the decadence: it is what this article intends to discuss.

O fantástico de Charles Nodier: lenda e mito

O artigo centra-se na análise do conto de Charles Nodier, “La légende de soeur Béatrix”, sob a perspectiva do fantástico literário; na criação de seu texto ficcional, o autor parte de uma lenda hagiográfica que acaba por mesclar-se a mitos antigos, associando o mito mariano ao da deusa grega Perséfone. Metáfora da poesia e da musa que caminha entre os dois mitos, a personagem do conto, irmã Béatrix, mostra que a encarnação é o caminho para o reavivamento do mito e da poesia.

Charles e Ray Eames: o casamento entre a razão e emoção no design

The rationalism appears as a philosophical current whose mental process and logic and evidenced, with the main characteristic of modern thought the method, the Bauhaus represents for the design the way the industry undressed the ornaments seeking the ideal of form and function. In a current contemporary design the emotional recovery in addition to the functions that an object can have, aesthetic, practical and symbolic, also the emotional identification, making review the methods. This article makes a relation of this context with the brilliantly that the couple Charles and Ray Eames, have created a method quite emotional for the creation of design, starting with the invention of the plywood and then with access to various technologies resulting from post-war, they created a very interesting process of building design combining art technique, producing seats that are ageless, found easily in the contemporary world.

Charles Lonergan Cobb Papers - Accession 11

The Charles Lonergan Cobb Papers consists mainly of correspondence but also includes photographs, biographical material, magazine and newspaper clippings, all relating to Cobb's career as a banker at People's National Bank( 1905-1949); and the People's National Bank and Trust Company(1949-1953) in Rock Hill, SC as well as his association with Winthrop College as a Board of Trustees' member(1938-1953). Subjects include, railroad cotton shipping service to South Carolina mill towns, crop loans in the early 1920s, location of the Celanese Chemical Plant in Rock Hill, the Winthrop College Board of Trustees, and a1946 article about Cobb that appeared in the Saturday Evening Post.

Charles Eric "Chuck" Dawson, 1922-1993 [in Memoriam]

Obituary of Charles Eric "Chuck" Dawson, 1922-1993, American marine ichthyologist.

CHARLES PEIRCE, GILLES DELEUZE E A CIÊNCIA DA INFORMAÇÃO

It presents the pragmatic philosophy of Charles Peirce and his theory of signs, as well as the modifications made by Gilles Deleuze in such theory, to be able to visualize the appropriation possible for Information Science in relation to both theories. Highlights the theory of signs peircian as space signs ones, suitable for Information Science while the deleuzian signs as time ones, suitable for a Philosophy of Information Science.

Charles P. Daly's Gendered Geography, 1860-1890

The American Geographical Society (AGS) serves as a case study for considering the nature of “gendered geography” in the nineteenth-century United States. This article links the ideals and programmatic interests of the society—which were fundamentally commercial in nature—with the personal subjectivity of its chief protagonist, Charles P. Daly, AGS president from 1864 until his death in 1899. Daly is presented as an “armchair explorer” who shifted the focus of the society away from statistical representations of the world toward the action packed narrative descriptions of the world supplied by embodied explorers in the field. The gender dynamics associated with the center versus the field provide a useful way to contrast both sides of Daly’s persona—as a scholar performing detached, careful study yet someone who also derived a great deal of personal authority by staging popular and dramatic spectacles in New York City, speechifying and presenting himself on stage at geographical society meetings with returning heroic explorers. Daly not only served as New York’ smost influential access point to the Arctic at the time, he also served as an important node in the reproduction of masculine culture in promotion of a particularly masculinist commercial geography. Key Words: American Geographical Society, Charles Patrick Daly, gender and geography, history of geography, masculinity.