The preparation of natural and cultural heritage inventories and accounts

Includes bibliography

Informe del Taller de Trabajo sobre Inventarios y Cuentas del Patrimonio Natural del Corredor Biológico de Chichinautzin, Estado de Morelos, México = Report of the Workshop on Natural Heritage Inventories and Accounts for the Chichinautzin Biological Corridor in the State of Morelos, Mexico

Contiene los antecedentes y resumen de los debates de la reunión que tuvo por objetivo presentar los resultados obtenidos en la elaboración de un inventario y una cuenta del patrimonio natural para el corredor biológico de Chichinautzin, y contribuir por medio de estudios presentados, a la preservación de un cinturón ecológico en torno al Distrito de Morelos.

Informe del Seminario Regional sobre Inventarios y Cuentas del Patrimonio Natural y Cultural: Avances y Perspectivas en América Latina y el Caribe = Report of the Regional Seminar on Natural and Cultural Heritage Inventories and Accounts: Progress and Prospects in Latin America and the Caribbean

Contiene los antecedentes básicos y resumen de los debates del Seminario que tuvo por objetivo presentar el estado actual de los conocimientos en metodologías de cuentas del patrimonio natural, las metodologías de clasificación y jerarquización de los recursos naturales que se han de incorporar en las cuentas patrimoniales, los conflictos sobre la valoración económica, economía política e indicadores económico-ambientales en las cuentas patrimoniales, los sistemas de información geográfica.

Do Largo das Mercês à Praça Visconde do Rio Branco: um estudo de gestão do patrimônio histórico em Belém do Pará, 1941-2011

Do Largo das Mercês à Praça Visconde do Rio Branco: um estudo de gestão do patrimônio Histórico em Belém do Pará, 1941-2011, propõe a realização de uma análise da gestão dos órgãos de preservação à nível municipal, estadual e federal na cidade de Belém, a partir de um estudo sobre a praça e entorno imediato, verificando as condições de caracterização e de conservação deste conjunto arquitetônico, urbanístico e paisagístico, desde a década de 1940 até os dias atuais. A linguagem visual desta dissertação também ajuda na observação das alterações ocorridas na praça e nos imóveis que a delimitam, posto que a imagem fotográfica constitui-se em importante instrumento de investigação histórica, para identificar novos objetos e novos problemas, além de indicar aqueles que permanecem ao longo dos anos. Pretende-se analisar alguns dos projetos já desenvolvidos para a área, com base nos respectivos tombamentos existentes no Centro Histórico da cidade. Espera-se, dessa forma, poder verificar e analisar as ações de proteção realizadas pelos órgãos responsáveis pela salvaguarda do patrimônio cultural, verificando se existe compatibilidade de critérios e de ações. Este estudo procura, também, diagnosticar os problemas atuais da praça e ressaltar a importância de sua manutenção, para a memória histórica e arquitetônica de Belém.

Raio que o parta! assimilações do modernismo nos anos 50 e 60 do século xx e seu apagamento em Belém (PA)

Este trabalho é fruto de pesquisas que vem sendo desenvolvidas pelo Laboratório de Memória e Patrimônio Cultural (LAMEMO) da Faculdade de Arquitetura e Urbanismo da Universidade Federal do Pará acerca da arquitetura não-erudita presente no Estado do Pará em meados do século XX, que emprestou elementos do modernismo para compor o que se conhece hoje por “Raio que o parta” (RQP), contemplando sua análise historiográfica a partirdos estudos já realizados sobre o assunto e a caracterização das tipologias presentes nas fachadas de residências de três bairros: Cidade Velha, Umarizal e Telégrafo. Nos três locais, é possível observar uma quantidade considerável de exemplares, embora cada um apresente um contexto distinto. Na Cidade Velha, casas com essa característica são frequentes, fato curioso por se tratar de uma área onde dominam as construções ecléticas e tombadas por órgãos do patrimônio histórico. No Umarizal, apesar de sensíveis modificações de seu estrato social e da especulação ao longo de sua história, é dos três bairros o que apresenta maior número de casas, mas também alto número de apagamentos. A quantidade de exemplares e a caracterização popular nas fachadas também justificam a escolha pelo terceiro recorte, o bairro do Telégrafo, onde encontramos o maior índice de renovação arquitetônica que provoca o desaparecimento das linhas RQP. Usando ferramentas como a Etnografia de Rua e a análise semiótica de fachadas, identificamos 90 casas com traços Raio que o parta, levando em consideração a relação do morador/proprietário com as mesmas, no que diz respeito aos condicionantespara sua remoção/apagamento e considerando aspectos como anseios demodernização da residência ou juízo de valor cambiante, identificados por Riegl (2006).

Toxic heritage: maternal transfer of pyrethroid insecticides and sunscreen agents in dolphins from Brazil

Pyrethroids (PYR) and UV filters (UVF) were investigated in tissues of paired mother-fetus dolphins from Brazilian coast in order to investigate the possibility of maternal transfer of these emerging contaminants. Comparison of PYR and UVF concentrations in maternal and fetal blubber revealed Franciscana transferred efficiently both contaminants to fetuses (F/M > 1) and Guiana dolphin transferred efficiently PYR to fetuses (F/M > 1) different than UVF (F/M < 1). PYR and UVF concentrations in fetuses were the highest-ever reported in biota (up to 6640 and 11,530 ng/g lw, respectively). Muscle was the organ with the highest PYR and UVF concentrations (p < 0.001), suggesting that these two classes of emerging contaminants may have more affinity for proteins than for lipids. The high PYR and UVF concentrations found in fetuses demonstrate these compounds are efficiently transferred through placenta. This study is the first to report maternal transfer of pyrethroids and UV filters in marine mammals.

Medium and large-sized mammals in a private reserve of natural heritage in the municipality of Jaú, São Paulo, Brazil

Medium and large-sized mammals control invertebrate and vertebrate populations and are important seed dispersers. These animals are losing their territory and living range due to deforestation and the fragmentation of natural areas, particularly in the Atlantic Forest and Cerrado. The Private Reserve of Natural Heritage (PRNH) Amadeu Botelho is isolated from other forest fragments and is thus a wildlife refuge in the region of Jaú, central-western region of state of São Paulo, southeastem Brazil. Animals as such as the puma (Puma concolor), ocelot (Leopardus pardalis) and jaguarundi (Puma yagouaroundi) have been sighted in the reserve by wildlife guards and residents. This reserve, which belongs to “Santo Antônio dos Ipês” farm, is surrounded by several plantations, and is very close to the center of the city of Jaú. In addition to surveying the mammal species in the reserve, this study diagnosed the influence of the farm’s activities and the proximity to the center of the municipality of Jaú on the fauna under study

Book Review of Archaeological Theory and the Politics of Cultural Heritage by Laurajane Smith

The passage of the Native American Graves Protection and Repatriation Act (NAGPRA) in 1991 significantly changed the way archaeology would be done in the United States. This act was presaged by growing complaints and resentment directed at the scientific community by Native Americans over the treatment of their ancestral remains. Many of the underlying issues came to a head with the discovery and subsequent court battles over the 9,200-year-old individual commonly known as Kennewick Man. This had a galvanizing effect on the discipline, not only perpetuating the sometimes adversarial relationship between archaeologists and Native Americans, but also creating a rift between those archaeologists who understood Native American concerns and those who saw their ancestral skeletal remains representing the legacy of humankind and thus belonging to everyone. Similar scenarios have emerged in Australia.

Resistance of Cyanobacterial Fouling on Architectural Paint Films to Cleaning by Water Jet

Mortar panels painted with three different white acrylic coatings were exposed to the environment in urban (So Paulo) and rural (Pirassununga) sites in Brazil for 7 years. After this time, all panels were almost equally discoloured, and paint detachment was observed to only a small degree. The biofilms were composed mainly of cyanobacteria and filamentous fungi, principal genera being Gloeocapsa and Chroococcidiopsis of the cyanobacteria, and Cladosporium and Alternaria of the fungi. Two of the three paints in Pirassununga became covered by a pink film that contained red-encapsulated Gloeocapsa and clay particles. The third, an 800% elastomeric matt formulation, became discoloured with a grey, only slightly pink, film, although the same cyanobacteria were present. The levels of paint detachments from all films in both locations were low, with rating range of 0-1 of a maximum 5 (100% detachment). After high-pressure water jetting, paint detachments increased at both locations, up to 2 in Pirassununga and 3 in So Paulo. Discoloration decreased; L*A*B* analysis of surface discoloration showed that Delta E (alteration in colour from the original paint film) changed from 28-39 before cleaning to 13-16 afterwards. The pink coloration was not entirely removed from Pirassununga samples, suggesting that cyanobacterial cells are difficult to detach, and microscopic analysis of the biofilms confirmed that Gloeocapsa was still present as the principal contaminant on all surfaces, with Chroococcidiopsis being present as the second most common. Almost no fungi were detected after water jet application.

Drawing and surface: freehand architectural drawing mediated by digital

This paper discusses the redefinition of the function of freehand drawing in the design process in view of intuitive digital media. It sets forth an interpretive analysis of an experiment with drawing on opaque tablets, carried out with a group of students of the Instituto de Arquitetura e Urbanismo da Universidade de São Paulo. After a brief review of the current debate on freehand drawing and the advent of digital media, we examine the experiment as a possible way to elicit facts that may contribute to the discussion. To this end, our research has concentrated on the intuitive use enabled by existing digital media. It is our intention that this empirical approximation becomes a pilot experiment for the use of digital tablets in the process of construction the gaze of the student in Architecture and Urbanism as a reflection on the different cognitive dimensions that constitute the practice of drawing and its reinterpretation to develop new ideas.

A linguagem de programação aliada ao desenho na criação de jogos digitais como instrumento de arquitetura patrimonial

This research studies the use of digital games as a playful tool approach of knowledge in architecture heritage. We emphasize the potential of digital games as a tool and importance of digital drawing combined with programming language, the means by which the making of the games became possible. The models developed are based on the properties of historical and cultural interest in the city of São Carlos, Brasil.

Les ornements dans l'architecture: comment préserver la mémoire du travail des artisans et des artists

This paper deals with one aspecto f a survey which has been carried out for my doctorate thesis, and with parto f what I have studied within the thematic Project FAPESP concerning the presence of foreign professional in São Paulo, coordinated by Prof. Dr. Ana Lúcia Duarte Lanna, between 2007 and 2011. My purpose is, starting from those thoughts , top ut in evidence the potential of sources and reports relating to the work porocesses of craftsmen and artists decorators linked with the environment of architectural practeces and the decoration of interiors in the first half of the XXth century. That preoccupation has accompanied me since the beginnings of my doctorate work, devoted to the study of the production, the circulation and the modes of appropriation of ornaments in teh field of architecture.

Digital library of historical cartography: open access to cultural heritage and public good

This paper describes the integration of information between Digital Library of Historical Cartography and Bibliographical Database (DEDALUS), both of the University of São Paulo (USP), to guarantee open, public access by Internet to the maps in the collection and make them available to users everywhere. This digital library was designed by Historical Cartography Studies Laboratory team (LECH/USP), and provides maps images on the Web, of high resolution, as well as such information on these maps as technical-scientific data (projection, scale, coordinates), printing techniques and material support that have made their circulation and cultural consumption possible. The Digital Library of Historical Cartography is accessible not only to the historical cartography researchers, but also to students and the general public. Beyond being a source of information about maps, the Digital Library of Historical Cartography seeks to be interactive, exchanging information and seeking dialogue with different branches of knowledge