聖經彚纂Sheng jing hui zuan.Collection des livres sacrés.

Contient : I, livre 1太上感應經Tai shang gan ying jing.Le Tai shang gan ying pian ; II, livre 1感應經解Gan ying jing jie.Le Tai shang gan ying pian, texte et commentaires ; III, livre 1玄天上帝金科玉律Xuan tian shang di jin ke yu lü.Lois de l'Empereur céleste ; IV, livre 1明袁了凡先生力行功過格Ming yuan liao fan xian sheng li xing gong ge ge.Échelle des mérites et des péchés, de Yuan Liao fan, de la dynastie des Ming ; V, livre 1明袁了凡先生四訓 。立命之學Ming yuan liao fan xian sheng si xun. Li ming zhi xue ; VI, livre 1積善之方Ji shan zhi fang ; VII, livre 1改過之法Gai ge zhi fa ; VIII, livre 1謙德之效Qian de zhi xiao ; IX, livre 1準提王菩薩神咒Zhun ti wang pu sa shen zhou.Invocation du bodhisattva roi Caṇḍī ; X, livre 1千手千眼觀世音菩薩廣大圓滿無礙大悲神咒Qian shou qian yan guan shi yin pu sa guang da yuan man Wu ai da bei shen zhou.Sahasrabāhu saharākṣa avalokiteēvara bodhisattva mahāpūrṇāpratihata mahākāruṇikahṛdaya dhāraṇī sūtra ; XI, livre 1拔一切業障根本得生淨土陀羅尼Ba yi qie ye zhang gen ben de sheng jing tu tuo luo ni. Autre titre : 往生咒Wang sheng zhou.Dhāraṇī de la renaissance en Sukhāvatī ; XII, livre 1摩訶般若波羅蜜多心經Mo he ban ruo bai luo mi duo xin jing.Mahāprajn̄āpāramitā hṛdaya sūtra ; XIII, livre 2文昌孝經Wen chang xiao jing.Livre sacré de la piété filiale, par le dieu de la Littérature ; XIV, livre 2太上消劫梓潼本願眞經Tai shang xiao jie zi tong ben yuan zhen jing.Le vrai livre sacré des vœux du dieu de la Littérature ; XV, livre 2就劫寶經Jiu jie bao jing ; XVI, livre 2文昌應化張仙大眞人說注生延嗣妙應眞經Wen chang ying hua zhang xian da zhen ren shuo zhu sheng yan si miao ying zhen jing.Le vrai livre sacré de l'obtention, par grâce divine, de la longévité et de la postérité ; XVII, livre 2文昌帝君陰隲文Wen chang di jun yin zhi wen ; XVIII, livre3關聖帝君降筆忠義眞經Guan sheng di jun jiang bi zhong yi zhen jing. Autre titre : 關聖帝君感應忠義神武眞經Guan sheng di jun gan ying zhong yi shen Wu zhen jing.Livre sacré de la fidélité, révélé par le dieu de la Guerre ; XIX, livre 3關聖覺世經Guan sheng jue shi jing ; XX, livre 3謨訓Mu xun.Instructions ; XXI, livre 3降鸞寶訓Jiang luan bao xun.Précieuses instructions révélées ; XXII, livre 3關夫子筆帖九則Guan fu zi bi tie jiu ze.Neuf règles dictées par le dieu de la Guerre ; XXIII, livre 3關聖帝君封號Guan sheng di jun feng hao.Titres du dieu de la Guerre ; XXIV, livre 3關聖譜敘 。再敘 。世系宗圖Guan sheng pu xu. Zai xu. Shi xi zong tu.Table généalogique du dieu de la Guerre, avec deux préfaces ; XXV, livre 3關聖帝君世家Guan sheng di jun shi jia.Annales de la famille du dieu de la Guerre ; XXVI, livre 3關聖帝君實錄Guan sheng di jun shi lu.Vie du dieu de la Guerre ; XXVII, livre 3關聖帝君感應神武傳Guan sheng di jun gan ying shen Wu zhuan.Histoire des miracles du dieu de la Guerre ; XXVIII, livre 4玉歷鈔傳警世Yu li chao chuan jing shi. Sous titre : 玉帝慈恩纂載通行世間男婦改悔前非准贖罪惡玉歴Yu di ci 'en zuan zai tong xing shi jian nan fu gai hui qian fei zhun shu zui e yu li.Exemples de châtiment et de rachat des châtiments par le repentir ; XXIX, livre 4謹集增勸敬信懺悔Jin ji zeng quan jing xin chan hui.Conseils de repentir ; XXX, livre 4鈔傳玉歴超度亡母夢驗Chao chuan yu li chao du wang mu mong yan.Songe au sujet d'une mère défunte ; XXXI, livre 4玉歴鈔傳敬信福報求已堂李氏謹集Yu li chao chuan jing xin fu bao qiu yi tang li shi jin ji.Exemples de rétribution rapportés par Li, de la salle Qiu yi ; XXXII, livre 5廣生延壽錄Guang sheng yan shou lu.Recueil relatif à la vie et à la longévité ; XXXIII, livre 5遵訓自敘Zun xun zi xu.Préface de l'auteur pour l'Observation des instructions ; XXXIV, livre 5禮佛日期Li fo ri qi.Dates des fêtes du Bouddha ; XXXV, livre 5聖神寶誕日期Sheng shen bao dan ri qi.Dates des fêtes anniversaires de naissance des divinités taoïstes ; XXXVI, livre 5救苦感應膏 。丹方Jiu ku gan ying gao. Dan fang.Formules de remèdes

Château de Blois : façade de François Ier : [photographie] / Non identifié

Ancien possesseur : Gilles, Albert (1873-1959)

Les petits poètes du XVIIIe siècle : J.-B. Rousseau, Lefranc de Pompignan, Houdar de la Motte, Bernis, Piron, Saint-Lambert, Thomas, Gresset, Dorat, Lebrun-Écouchard, Gilbert, Roucher, Parny, Delille : morceaux choisis

Collection : Tous les chefs-d'oeuvre de la littérature française

Bust of Albert Schweitzer outside Argyros Forum

Bust of Albert Schweitzer, on the Argyros Forum patio, Chapman University, Orange, California, ca. 1992. Text on base supporting the sculpture: "Albert Schweitzer (1975-1965) -- 'Search and see whether there is not some place where you may invest your humanity.' " Created by sculptor Sandro da Verscio in 1990.

Argyros Forum, Schweitzer bust dedication

Dr. Kurt Bergel speaking at the podum during the unveiling ceremony of the Albert Schweitzer sculpture on the Argyros Forum patio, November, 1992. The sculture was created by the Swiss artist Sandro da Verscio Muller for the 1990 United Nations colloquium on peace.

Schweitzer bust unveiling, Argyros Forum patio

Unveiling ceremony for the Albert Schweitzer bust on the Argyros Forum patio, Chapman University, Orange, California, November, 1992. Dr. Kurt Bergel is speaking at the podium. The sculpture was created by the Swiss artist Sandro da Verscio Muller for the 1990 United Nations colloquium on peace.

'What ever happened to breakdancing?' : transnational b-boy/b-girl networks, underground video magazines and imagined affinities

In 1997, Paul Gilroy was able to write: "I have been asking myself, whatever happened to breakdancing" (21), a form of vernacular dance associated with urban youth that emerged in the 1970s. However, in the last decade, breakdancing has experienced a massive renaissance in movies (You Got Served), commercials ("Gotta Have My Pops!") and documentaries (the acclaimed Freshest Kids). In this thesis, 1 explore the historical development of global b-boy/bgirl culture through a qualitative study involving dancers and their modes of communication. Widespread circulation of breakdancing images peaked in the mid-1980s, and subsequently b-boy/b-girl culture largely disappeared from the mediated landscape. The dance did not reemerge into the mainstream of North American popular culture until the late 1990s. 1 argue that the development of major transnational networks between b-boys and b-girls during the 1990s was a key factor in the return of 'b-boying/b-girling' (known formerly as breakdancing). Street dancers toured, traveled and competed internationally throughout this decade. They also began to create 'underground' video documentaries and travel video 'magazines.' These video artefacts circulated extensively around the globe through alternative distribution channels (including the backpacks of traveling dancers). 1 argue that underground video artefacts helped to produce 'imagined affinities' between dancers in various nations. Imagined affinities are identifications expressed by a cultural producer who shares an embodied activity with other practitioners through either mediated texts or travels through new places. These 'imagined affinities' helped to sustain b-boy/b-girl culture by generating visual/audio representations of popularity for the dance movement across geographical regions.

Collective violence : a study of the gendered and socio-economic factors behind early modern Italian and English witch hunts

In this study, I build upon my previous research in which I focus on religious doctrine as a gendered disciplinary apparatus, and examine the witch trials in early modem England and Italy in light of socio-economic issues relating to gender and class. This project examines the witch hunts/trials and early modem visual representations of witches, and what I suggest is an attempt to create docile bodies out of members of society who are deemed unruly, problematic and otherwise 'undesirable'; it is the witch's body that is deemed counternormative. This study demonstrates that it is neighbours and other acquaintances of accused witches that take on the role of the invisible guard of Bantham's Panoptic on. As someone who is trained in the study of English literature and literary theory, my approach is one that is informed by this methodology. It is my specialization in early modem British literature that first exposed me to witch-hunting manuals and tales of the supernatural, and it is for this reason that my research commences with a study of representations of witches and witchcraft in early modem England. From my initial exposure to such materials I proceed to examine the similarities and the differences of the cultural significance of the supernatural vis-a.-vis women's activities in early modem Italy. The subsequent discussion of visual representations of witches involves a predominance of Germanic artists, as the seminal work on the discernment of witches and the application of punishment known as the Malleus Meleficarum, was written in Germany circa 1486. Textual accounts of witch trials such as: "A Pitiless Mother (1616)," "The Wonderful Discovery of the Witchcrafts of Margaret and Philippa Flower (1619)," "Magic and Poison: The Trial ofChiaretta and Fedele (circa 1550)", and the "The Case of Benvegnuda Pincinella: Medicine Woman or Witch (1518),"and witchhunting manuals such as the Malleus Melejicarum and Strix will be put in direct dialogue with visual representations of witches in light of historical discourses pertaining to gender performance and gendered expectations. Issues relating to class will be examined as they pertain to the material conditions of presumed witches. The dominant group in any temporal or geographic location possesses the tools of representation. Therefore, it is not surprising that the physical characteristics, sexual habits and social material conditions that are attributed to suspected witches are attributes that can be deemed deviant by the ruling class. The research will juxtapose the social material conditions of suspected witches with the guilt, anxiety, and projection of fear that the dominant groups experienced in light of the changing economic landscape of the Renaissance. The shift from feudalism to primitive accumulation, and capitalism saw a rise in people living in poverty and therefore an increased dependence upon the good will of others. I will discuss the social material conditions of accused witches as informed by what Robyn Wiegman terms a "minoritizing discourse" (210). People of higher economic standing often blamed their social, medical, and/or economic difficulties on the less fortunate, resulting in accusations of witchcraft.

Sir Isaac Brock Facial Reconstruction Project, n.d.

Christian Cardell Corbet, a descendant of Guernsey, Channel Islands, was born in 1966 at Pickering Beach on Lake Ontario. He developed his talents as a landscape artist and at the young age of 14 he began his informal education in commercial signage from his paternal grandfather. He studied at the University of Guelph and McMaster University Anatomy Laboratory. Corbet traveled to England where he began to experiment more in abstraction and non-objective work. In 1995, he presented a portrait of HM Queen Elizabeth the Queen Mother at Clarence House. This brought his career to an international level. He also creates two-dimensional works and has received acclaim for his bronze art medallions. He has gained international recognition as a Forensic Artist working as Artist in Residence for the University of Western Ontario. He does facial reconstructions for special assignments. These original drawings relate to a sculpted medallion of Brock which was authorized by Sir Geoffrey Rowland, Bailiff, Guernsey, Channel Islands and Minister of Education of the States of Guernsey. This is the first time in known recorded history that a forensic analysis and sculpture has been created to accurately depict the facial likeness of Sir Isaac Brock. This project has been established to mark the 2012 anniversary of the death of Brock.

Le développement d'une pensée séculière par la diffusion de la religion : une sociologie des humanistes

Ancré dans une perspective historique, ce mémoire cherche à mettre en application une relecture de la théorie wébérienne de la « rationalisation éthique » comme facteur explicatif de la reconfiguration moderne du rapport entretenu entre les individus et la religion. Un retour sur les changements survenus dans la pensée religieuse de la Renaissance — pensée mise en contraste avec la situation religieuse des populations du Moyen-Âge — permet de mettre en évidence le passage d’une religion syncrétique, ritualiste et imprégnée de magie, à un christianisme épuré, intériorisé et rationnel. L’étude de la pensée religieuse de l’humaniste Érasme de Rotterdam, pris comme « figure historique » porteuse de cette transformation, pointe vers la diffusion à la Renaissance d’un christianisme compris comme système philosophique compréhensif dépouillé de son caractère mystique. Cette diffusion d’un « esprit » chrétien, et l’importance accordée à la mise en œuvre d’une conduite de vie méthodique spécifiquement orientée vers le salut, participe au premier chef d’un processus de « quotidianisation » du charisme religieux, prélude essentiel, dans une perspective wébérienne, à la « rationalisation éthique » et à l’autonomisation de la sphère religieuse dans la vie sociale.

Patent pools and competition law : an examination of the enforcement strategies of competition authorities

"Mémoire présenté à la Faculté des études supérieures en vue de l'obtention du grade de maîtrise en droit, option recherche"