1000 resultados para Revista


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Recentemente, a temática ambiental tem sido caracterizada como um dos temas mais abrangentes, nesse sentido, o tema degradação ambiental tem se constituído em um problema tanto da geração que nos constituiu quanto da geração que nos sucederão. Podemos afirmar que o modelo de desenvolvimento econômico adotado em inúmeros paises, inclusive no Brasil, baseado no consumo e na exploração dos recursos naturais tem contribuído para a persistência dos problemas relacionados a degradação ambiental. Tendo em vista, esse contexto e a importância dos meios de comunicação em especial às revistas de divulgação científica. O presente trabalho teve como objetivo responder as seguintes questões norteadoras: Quais os problemas relacionados à temática ambiental, particularmente, os problemas relativos à degradação ambiental, são veiculados na Revista Ciência Hoje (CH)?Os temas e os problemas relativos à degradação ambiental são trabalhados de modo a contemplar as controvérsias socioambientais? Em caso positivo quais controvérsias socioambientais são veiculadas? Consistiram na investigação da abordagem da temática ambiental na Revista Ciência Hoje particularmente, os problemas relativos à degradação ambiental. A Ciência Hoje, criada em 1982, a partir do Projeto Ciência Hoje responsável pelas publicações de divulgação cientifica da Sociedade Brasileira para o Progresso da Ciência (SBPC) entidade civil sem fins lucrativos e que tem como objetivo promover o desenvolvimento tecnológico no Brasil. Dessa forma realizou-se uma pesquisa documental, cujo corpus documental foi constituído por 161 exemplares da CH publicados nos anos de 1990-2005. A metodologia utilizada na analise dos artigos da Revista foi a “Análise de Conteúdo” proposta por Bardin (1991). A partir da analise dos artigos selecionados, foram identificados os seguintes problemas relativos... (Resumo completo, clicar acesso eletrônico abaixo)

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The objective of this project is to foment and promote the themes related to the Hip Hop movement through a product, the H2 Magazine. Based on several forms of journalism, like photos, reports and interviews, we intend to demonstrate the use of Hip Hop as a vindicatory tool for young people living in the outskirts of towns. Moreover, we seek showing distinct visions and develop the issues in a broad and comprehensive way. H2 is an open space for reflections about Hip Hop, a cultural movement present in Bauru, as well as your importance in the social and cultural development of the citizens

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This study focuses on an analysis of the convergence of Journalism and Publicity on the covers of the magazine. This paper aims to clarify how the dynamics of that relationship, understanding that in contemporary society, both Journalism and Publicity to perform the same function-to inform, differing only in the objective-journalism sells news, Publicity sells dream. The magazine Veja was chosen for this study because its importance and scope in publishing. Inspired by Time magazine, founded in 1922 by Henry Luce, Veja was the 2nd review of gender information in Brazil. Today a record run of more than 1 million copies, occupying the 3rd position in the ranking of news magazines sold over the world and the largest weekly magazine of the U.S. Among the media, the magazine is the most identified with the publicity, because as disseminator of advertising, the magazine has the advantage of being able to achieve precisely the widest range of public and the possibility of dealing with many different subjects; In addition, the number of people who have contact with the advertising is much greater because, on average, four people read each issue and is also common that the same reader review the revised more than once, which helps in setting the message advertising. This affinity between magazine and publicity is in its essence as both are prepared for the market, seek to promote, show themselves to be bought. Accordingly, we intend to find out how media discourse of Veja and publicity, approach in the writing of magazine covers

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The theme of this project is the animal world, focusing on Bauru. The magazine Bauru Animal was born from the lack of publications addressing the issue of animals under the focus of their rights in this county. The treatment we give to animals is an important ethical and moral issue that should be discussed by the press. In Bauru there is an animal protection movement, whether organized or independent people. And there are many problems about the animals. The intent of the magazine is to report the status of animals in the city, checking legislation and getting into the philosophical field: we have the right to treat animals as mere environmental and economic resource? For the preparation of the materials were performed several interviews, documented in audio files and performed with the authors' theoretical Cremilda Medina and José Carlos Sebe Bom Meihy. The animal issue is cross-cutting issue that involves all traditional media editorials and allows public bodies to discuss assignments, ethical, moral and legal, the role of the citizen in society and many other issues relevant to the media

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This work aims to investigate more deeply the concept of Newsgame in order to map essencial features for this new type of media product. Based on several examples, we will analyze the different ways in which a game can behave journalistically. We shall seek the author who coined the term “newsgame”, Gonzalo Frasca, and other international authors, based or not on the first, that attempt to point out limits for these electronic games that aspire Journalism. Some models are harsh, while others are more embracing, but all are intended to achieve a new paradigm in communication that releases itself from static representation stemmed from analog media and ventures into the potential of simulation brought from the digital platform. Examples of newsgames and its theories set forth herein also include Brazilian cases, which we will try to prove to be the most laymen on the subject

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Pós-graduação em História - FCLAS

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The objective was to seek positive and negative values that guide the discourse on conciseness and understand how this concept is understood in speeches in the media when taking the theme of text production. The corpus of work consists of two materials of Portuguese Language Magazine on this topic. The analysis of the corpus was made from Bakhtinian discourse studies, especially considering the concepts of dialogue, utterance and speech genres. The research considers mainly as Bakhtin Circle conceives the production of meaning. At the end, we believe it is important to reflect on the definitions that guide the discourse of conciseness, far in practice they are consistent with our reality of writing

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This work intends to “test” two theories about mass cultural products – one that understands them as syncretic and plural and another that sees them as homogenizators and aimed to a mixed audience. We chose Veja magazine as the object of this study and tried to understand how its internal sessions bring in their readers, with the goal of verifying whether readers shared characteristics. In the affirmative case, Veja would be directed to a specific reader; otherwise, it would be a syncretic cultural product. This answer should give us basis to reflect upon the opposition between both ways of thinking about mass culture and help us take a stand on this discussion. Obviously, we do not intend to give a definitive answer to the opposition between these two tendencies. The limits of this work are given by the investigated object itself: we intend to verify empirically how Veja, as a cultural product, solves the contradiction that the co-existence of these two opposite theories point about mass society.

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In this paper, we analyze reader’s letters of the first copies of the Revista Língua Portuguesa. This work aims to expand the study of the relations, in this magazine, between discourses that come from different spheres of communication, as the Bakhtin Circle considers. The intention is to develop by studying the speech genre “reader’s letter” a reflection on the construction of the recipient’s image in the journal, i.e. the teacher. It is analyzed the discursive ethos and the representation of the teacher created by the readers.

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The magazines destined to the adolescent public are many times searched as a resource of information about sexuality, body, relationships and adolescence. The Capricho magazine is a biweekly feminine magazine directed to teenagers. In this qualitative-descriptive study it was made the content analysis of the section about sex of 18 editions published in 2010 with the aim of identifying and discussing the predominant representations of sexuality. It was identified the predominance of negative representations, like relations between sexuality and fear, tension, shame and beauty imperatives. It can be detached that the feminine sexuality is not approached through its pleasant, positive and health aspects, but through negative representations that, instead of being discussed, are naturalized, put as normal and expected by the magazine’s discourse.

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D’après Greimas (2002), le sens se concrétise par le changement de rythme ou par une oscillation construite dans la linéarité du langage. L’étrange et l’imprévu, considérés comme des événements qui troublent la pratique habituelle d’une vie dans son parcours, entrent ainsi dans le domaine d’études de la sémiotique française. Le sujet a été discuté plus tard par Claude Zilberberg, avec la venue de la sémiotique tensive, pour qui l’appréhension d’un événement se donne dans le survenir. De plus, selon les observations de Greimas, pour la sémiotique, une forme de vie caractérise des manières par lesquelles les individus ressentent et expriment leur compréhension de l’existence à travers des façons de faire, d’être, d’organiser l’espace dans lequel ils vivent, etc. Devant ces présuppositions théoriques, nous analysons le reportage “Eu pego mas não me apego”, publié dans Atrevida, une revue dirigée vers un public féminin dont la tranche d’âge est de 15 à 19 ans, et nous discutons la manière dont l’énonciateur a configuré le simulacre de l’acteur “ado branchée”. Il en ressort que l’énonciateur a utilisé des stratégies verbales et qu’il met ainsi en discours l’idée d’un comportement qui parait transgresseur au niveau de la manifestation, ce que l’on peut caractériser comme un événement. Cependant, on notera la présence de marques textuelles implicites qui rendent possible un discours qui se réfère au comportement féminin traditionnel et qui caractérise une routine.