Educação e desenvolvimento da criança na primeira infância: o campo das responsabilidades

The new educational context requires the prospect of a more playful and pedagogic practices more flexible, and that meets promote child development, which includes the child in her singularity and allows her to read display that features the world, that stimulates exercise and allow the creative act that respects the feelings and emotions she has, which values ​​the different forms of infantile expression. The child needs and is entitled to promote his integral development potential. Therefore, it is necessary to have professional commitment to promote a quality educational services for children.

O estágio supervisionado na formação docente

The aim of this article is to study the supervised apprenticeship in a bachelor degree, more specifically the Literature and Language degree in São Paulo State University (UNESP), in Araraquara. Many students conclude their courses with no idea about what they’ll face in public schools. The reality has shown us that our bachelor degrees aren’t reaching their objectives. Looking for a theoretical support, it’s possible to infer this is not a recent problem, but an ancient one that has been discussed for a long time. In a wide context that involves the depreciation of bachelor degree, the aim of this article is to study the supervised apprenticeship in a bachelor degree, considering the opinion of the undergraduates, teachers from public school, who receive the undergraduates in their classroom and professors who are responsible for training them at the university. The supervised apprenticeship will receive more emphasis in the context it’s insert, with the intent of centralize the study in a very important part of the teacher training. Meanwhile, it’s the only responsible for the faults on pedagogical training of the teacher. It’s necessary to rethink the bachelor degree, not only as a project in the pedagogical area, but as responsibility of all the professors involved. Undergraduate a Language teacher is a project that must involve every area.

Políticas industriais: definições, fundamentações teóricas e avaliações

The purpose of this paper is to essentially provide a theoretical framework to industrial policies, especially showing the reasons for preference of a theoretical framework that is not based on equilibrium, and not based on maximization. We sought to define these policies, highlighting their positive results – at least potentially – in terms of some parameters (production, efficiency, productivity, income, welfare etc.). In this sense, we defined industrial policy, also analyzing the reasons for the usual lack of concern with a more rigorous theoretical framework for industrial policies. Following that, we briefly discussed whether or not a certain theory can lay the foundation for these policies, also examining if such theories are important (or not) in empirical terms. In the fourth section, we investigated the possible use of industrial policies, emphasizing market failures, public goods, non-competitive markets, externalities and technological development. Finally, we discussed about evaluation approaches of industrial and technological policies, focusing with more detail on the challenges related to the evaluation of economic effects of industrial and technological policies, and the methodologies of evaluation of these policies.

A questão da inexauribilidade do texto: o Frühromantik e a escritura derridiana

This article aims to investigate the configuration on the new scenario, during the Early German Romanticism, which led to dismantle the philosophical discourse as the expression of a safe and fixed content, free from the ambiguity of figural language. Our main argument is that already Schelling’s concept of symbol brings up the question about the opacity of the text. By analyzing to what extent this problematization around the language lingers on in the contemporariness, we refer to Derrida’s thought which points out to the illusion embedded in the pretension to conceive a clear and unambiguous language, creating therefore a new ground between art and philosophy since the text itself as a neutral and closed subject will be questioned now.

A recepção de Shakespeare na Alemanha

This is an article about a decisive moment in the formation of Western modern literature. We are talking about Lessing’s criticism of the excessive influence of neoclassical French theatre on German theatrical production. Lessing considered that the aristocratic model imported from France did not correspond to German society’s context at all – society which had already been marked by an incipient bourgeois mode of life. So the German critic dedicated his theoretical efforts to affirm the necessity and to raise possibilities about a literary production which had more consonance with what he considered to be the German Zeitgeist. It is in Shakespeare’s work that Lessing found his answer, and this fact will unleash the appearing of the Sturm und Drang movement and will consequently give birth to an incipient bourgeois literature. So we analyze here the way this Shakespearian influence happens and its relevance in the formation of a bourgeois literature.

Confidências: os ensaios críticos de Kate Chopin

Between 1894 and 1899 Kate Chopin (1850 – 1904), one of the main exponents of American Realism and Feminism, published seven critical essays in newspapers and journals. To this number, it might be added the sketch ―Confidences‖ and the two first entrances of Impressions, her second diary, totalizing nine texts. These texts unveil a refined critical spirit, an outspoken and edge-cutting style in writing, sometimes sarcastically merciless, and an eager reader, all of them aspects that would be put into practice by the Feminist criticism expressed in the author‘s novels and short stories. To introduce and briefly discuss these essays are the main purposes of this paper.

E. T. A. Hoffmann e Jacques Callot: a ficção da imagem

Hoffmann wrote several fairy tales, including "Princess Brambilla" (1821), which has an remarkable pictorial component: when it was published, the text went along with eight illustrations by Carl Friedrich Thiele, which were derived from original prints made by the Frenchman Jacques Callot. While Callot images portray the Italian theater of the Commedia dell'Arte, Thiele's works follow the plot of the narrative, representing the characters of Hoffmann, who disguise themselves because of the carnival that is taking place in Rome. The costumes and masks worn by the characters however do not ensure them full secrecy. Instead of a complete undercover, they lead to double meanings and double identities so that narrative levels and artistic references overlap and create an effect similar to a set of a polyphonic orchestra (which is a metaphor implied in the very subtitle, where the narrative is called a Capriccio).

Figuras da comédia em prosa

El ilustrador francés Jacques Callot (1592-1635) representó personajes de la Commedia dell’Arte en su obra Balli di Sfessania (1616-1620), compuesta por 24 figuras. Esas imágenes se caracterizan por mostrar personajes en movimiento, teniendo al fondo escenas de la realidad italiana. El romántico alemán E. T. A. Hoffmann (1776-1822) insirió en sus cuentos y romances muchos elementos que remiten a las obras tanto de otros escritores como de pintores y músicos. Callot fue visitado por por Hoffmann en varias de sus publicaciones, entre ellas el cuento “Princesa Brambilla” (1821),que posee ocho imágenes directamente elaboradas a partir del modelo de Callot en Balli di Sfessania. Esas imágenes, sin embargo, no representan meras “ilustraciones” con respecto a la historia. Mucho más que ello, las imágenes demuestran como Hoffmann interpretaba las figuras de Callot y, como ellas sintetizaron la relación del escritor con Italia ( país que siempre deseó, pero nunca logró visitarlo) y con el arte pictórica.

L'Inspiration romantique de Gaspard de la Nuit

In this work, we intend to show that Aloysius Bertrand in “Gaspard de la Nuit” drew the inspiration to his poems in prose from its nearest context: that one of French Revolution and the revolt of the spirit against everything which would impose an exaggerated materialism. Thus, in the middle of Enlightenment, there were those who went in search of “mysterious realities” and a “sense of mystery” that the pre-romantic literature in Britain and in Germany would express in its poetry. It is also in the 18th century that some works about the “Commedia dell‟arte” and caricature concede to the grotesque a significant part in the formation of art, extending it to the supernatural and the absurd.

Macedo e o romance romântico

Joaquim Manuel de Macedo was a highly acclaimed writer among nineteenth - century readers, although posterity treated his work with many reservations. Despite the severity of his critics, Macedo’s contribution undeniably cannot be limited to his books, but extends to the very concept of the novel as a genre during Brazilian Romanticism. This novelistic concept is fueled by the observation of everyday life as well as by aesthetic ideas brought to light by European Romanticism. Differently, however, in A luneta mágica [The Magic Looking Glass] Macedo employed aspects of the fantastic to produce a daringly critical and creative novel that contrasts vividly with other Romantic works in Brazil

Uma abordagem comparativa da ironia: conceito, tropo e performance

We pursue in this paper an understanding of irony which is shared by both the German author Friedrich Schlegel and the critic Paul de Man. Irony is rather understood as a trope and as a performative act than as a concept, which has indeed consequences to the very legibility of texts.